The whole song is divided into three parts:

First of all, a brief introduction. At first, the birds sang. First, I hit a titmouse gently with the sound of spitting, which broke the silence of the forest. So the bird woke up. They called each other, and a vivid scene of bird singing appeared, as if taking us into the forest where birds fly.

Second, the main paragraph. Based on two similar dynamic themes (A and B) and their five variations.

Start a beautiful, bright, cheerful and lively (1). The original rough and loud suona sound has become very light and smart here, depicting the beautiful scenery and intoxicating and pleasant atmosphere when everything is thriving in the northern part of the country.

Then the birds sing happily (b). Suona simulates the singing of birds with various techniques, and the accompaniment echoes the cheerful melody, interweaving into a moving picture of singing and dancing.

In the sound of birds singing, the music also inserted two lively interludes. An episode consists of short sentences, and a large number of pauses make the phrases stop and go, showing the vivid scene of birds running and chasing in the forest; The other one shows the singing and dancing scene of a hundred birds with a cheerful and warm melody.

Finally, the suona played a warm and jubilant cadenza with a fast Shuang Tu sound, and the whole music reached a climax, like the phoenix, the king of birds, flapping its wings and flying into the sky excitedly, while the birds danced and celebrated the Bird Festival together. After Shuang Tu's mode, the suona is played by a unique circulating ventilation method, and a continuous piece of music is blown out, which further develops the warm emotion formed by the rapid mode and makes the music have a strong artistic effect.

Third, the end. Another jubilant bird song appeared, echoing the beginning and end of the introductory paragraph, and the whole song ended with the artistic conception of galloping.

"A Hundred Birds at the Phoenix" was originally circulated among the people, with a loose musical structure and no climax. When improvising, roosters crow, hens lay eggs, and even children cry at will. Since a Hundred Birds Toward the Phoenix was put on the stage, it has been adapted many times and gradually improved. The first processing of A Hundred Birds Facing the Phoenix was when Ren Tongxiang, a folk musician at that time, was selected to perform in the 4th World Youth Student Festival. In view of the defects of the original song, he compressed the birds' calls, deleted the chickens' calls, and designed a cadenza with a special long sound technique of circulating ventilation, expanding the allegro ending, so that the whole song ended in a warm and jubilant atmosphere. The secondary processing in the 1970s made the music more perfect.