The style of Northeast Yangko is not only hot and pungent, but also calm and humorous. The movements are both sharp and beautiful, steady and wavy, and there are waves in stability, and there are stability in waves, which is a combination of rigidity and softness. You can't be coy and lingering. Local folk bands generally consist of two sopranos and several percussion instruments. The soprano suona with seven inches and five simple notes as a' is most commonly used.

The traditional music of Northeast Yangko music is very rich. Its aesthetic principles can be summarized in three words: smoothness, vividness and rhyme. "Shun" means smooth. Various changes in melody, the connection of music, and the transformation of tonality and mode should be "smooth". "Living" means having a high ability of improvisation, making music flexible and changeable. "Rhyme" means the sense of rhythm and style.

Extended information

Beat rhythm: The traditional music of Northeast Yangko is mostly 2/4 beat, and some are 4/4 beat or 1/4 beat (water board). Beat stress is not necessarily in the first beat of each bar, but sometimes appears in the middle of the bar (the third beat of the 4/4 beat) or the last beat. Rhythm is varied, especially in medium or slow music. This kind of music is in harmony with the rhythmic characteristics of dance, such as "fast feet, steady feet and strong knees".

There is also a unique rhythm treatment, which combines slow playing of suona with tight playing of percussion instruments. The suona plays the long sound of "wave" (usually played with the technique of "breaking the work"), and the traditional ventilation method is used while playing, while percussion instruments are accompanied by various drums or improvisation. This combination of tight playing and slow playing makes the atmosphere of Yangko performance warm, emotional and artistic.

Baidu Encyclopedia-Northeast Yangko