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"I will hold fate by the throat, and it will not be able to make me surrender completely." Who said this, and what was his experience? Simple.

This is what Beethoven said. This is what he said when he was composing the Fifth Symphony.

In a letter to his brothers Karl and Yueshang, Beethoven confided in him the growing pain caused by hearing loss and his determination to overcome the disease: "Everyone around me can listen. What a shame that I couldn't hear the sound of death in the distance!

Such a scene once pushed me to the edge of despair and almost forced me to end my life. , my art, only my art wants me to survive." Beethoven once shouted in this dilemma: "I want to hold the throat of fate, it cannot make me completely surrender!"

Beethoven. Fen's experience:

In 1802, when he spent the summer in Heiligenstadt, Beethoven could no longer hear the sound at all. In early October of the same year, he wrote the famous "Heiligenstadt Testament" to his brother. ; After a fierce ideological struggle, he completed the "Second Symphony" and returned to Vienna.

In April 1805, the "Third (Eroica) Symphony" premiered, with Beethoven personally serving as the conductor. This work was an important sign that Beethoven entered a mature period of creation; on November 20 of the same year, the opera "Fidelio" premiered at the Royal Theater in Vienna.

In December 1808, the "Sixth (Pastoral) Symphony" had its premiere at the Vienna Theater. In 1809, "Coriolan Overture", "Symphony No. 5 (Destiny)", and "Mass in C Major" were published one after another.

Extended information:

Creative characteristics:

Beethoven experienced the drastic changes in European society before and after the French Revolution. His works are a combination of the times and personality. product. He greatly expanded the ideological content of symphonic music, making it a genre that directly reflected social changes, and the range of expression of the piano was also greatly enhanced.

He wrote piano works throughout his life. The most important are the five piano concertos and the five piano sonatas (Pathétique, Moonlight, Tempest, Dawn, Passionate).

The piano sonata is similar to his symphony, with profound thoughts, rich content, and broad form. It also strengthens the contrasting factors within the sonata form structure and expands the conflicts and development of the development. The power makes his piano sonatas far surpass those of Haydn and Mozart.

Baidu Encyclopedia-Beethoven