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Today is the Spring Festival party, the Spring Festival, Vientiane update, this party, brightly lit, colorful, radiant, lit up every corner.

Here are two dragons playing with pearls, here are Yuanyang playing with water, here are cranes and deer in the same spring, and here are Feng Dan facing the sun. Two dragons play with pearls, and the pearls are dazzling; Mandarin ducks play in water, and water splashes flowers; The crane and the deer are in the same spring, and the spring of everything will be more brilliant; Feng Dan faces the sun and the sun shines on the earth.

The earth is full of flowers and the stars are shining in the sky. Say it's a star, a lamp, a lamp, a star; If there are lights, if there are stars, if there are stars, if there are lights, there are long lights, round lights, multi-angle lights, holiday lights, spotlights, return lights, fluorescent lights, fiber-optic lights, red lights, green lights, purple lights, yellow lights and blue lights, there is no black light.

People attending the party, men, women and children, came from all directions, all walks of life, relevant organs, relevant units and relevant leaders; Hong Kong compatriots, overseas Chinese, international friends and representatives from all walks of life.

There are drama, film, news, publishing, music, fine arts, acrobatics, sports, folk art, education, science and technology; There are writers, painters, artists, entrepreneurs, reformers, singers and composers here, but there are no careerists here.

Look at them, full of energy, radiant and smiling. Dressed in festive costumes, with the happiness of the New Year, it is really laughter, singing and applause, and the voice is sweet; The singer laughs and dances with the stars, and the stars win glory. A song gives people a real feeling; A dance, showing a kindness; A cross talk, full of laughter;

A sketch presents a festival, this truth, this kindness, this joy, this festival, with the radio waves, flies to the sky, rivers, the Great Wall, jungles, mountains, thousands of households and hundreds of millions of people's hearts, showing a true feeling, wishing you happiness and well-being.

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Liu Lanfang's storytelling, with a loud voice and heroic spirit, is very suitable for telling stories about heroes and battles. She sang drum books in her early years, and her voice was well trained, so her understanding of music was naturally brought to storytelling.

Therefore, his storytelling performance has a sonorous aesthetic feeling in hearing. In particular, his forceful voice modeling in storytelling makes Liu Lanfang a distinctive storytelling performance artist.

There are four styles of cross talk: handsome, buying, weird and bad, each with its own characteristics. Handsome, it is said that the typhoon is steady and atmospheric, elegant and heavy, not spicy and chic; Buy, refer to the rich plots such as mouth-to-mouth, gas riveting, and multi-use;

Strange, refers to the special sound, the sword is horizontal, and it receives miraculous effects; Bad refers to wit, humor, humor and overload. When telling stories, Mr. Yuan Kuocheng is handsome, Mr. Liu Lanfang is a buyer, Mr. Dan Tianfang is strange, and Mr. Tian Lianyuan is bad. It should be very suitable!

The Biography of Yue Fei has been broadcast by more than 100 radio stations at the same time, and the publishing volume has exceeded 1 10,000 copies. Liu Lanfang attributed this to the new society and the new era of reform and opening up. "The river dried up, the river dried up! If in the old society, which storyteller could have so many listeners and get such a great honor. " Of course, the great success of Yue Fei Biography was also due to the social background at that time.

At that time, the central government began to rehabilitate the false and wrong cases. The story of Yue Fei Biography shows the loyalty to the country and the end of grievances, which just meets people's psychological needs. Using the past to describe the present gives people a sense of resonance that people who have not experienced that era cannot imagine.

However, people familiar with the matter know that apart from these objective factors, this miracle would not have happened without Liu Lanfang's solid storytelling skills and superhuman efforts. In those days, it was very difficult for families in Liu Lanfang to learn from teachers. Very "bitter", but she has no regrets. In order to write a biography of Yue Fei, Liu Lanfang and her husband Wang Yinquan performed in a group during the day, let the children sleep at night, and then wrote on their desks.

/kloc-in a small bungalow of 0/0 square meter, there is a dining table and two wooden stools in the aisle. The husband and wife sat opposite each other, leafing through the materials and studying the outline of the story handed down by the master in memory-Shu Liangzi. After they talked about the method of writing a book, Wang Yinquan went to bed, and Liu Lanfang solved the "book problem" and prepared the manuscript. It was almost midnight, and then he woke up the right to print, wiped himself and went to bed.

At 5 o'clock in the morning, Liu Lanfang was woken up, running and exercising, reading manuscripts and reciting poems and songs, practicing "spraying" and doing action combinations, rain or shine. After 7 months of "flow operation", The Biography of Yue Fei was finally written and recorded! A total of 1 17 times, more than 600,000 words.

From 65438 to 0996, Liu Lanfang was transferred to the Chinese Quyi Artists Association, with three burdens: vice chairman, party secretary and secretary general. After defining the position of "organization, liaison, coordination and service", she quickly entered the role. During her eight years in office, she held two national Quyi festivals, five comic essay competitions and two drum music competitions, and also held the International Quyi Festival in 2004.

The holding of these activities promoted the exchange and development of various Quyi, and prospered the Quyi performance market. In the busy official business of trying to serve the members, in order to give young people more opportunities, she also performed less herself. But Liu Lanfang kept in mind that storytelling was her foundation, so she stipulated that no matter how busy she was, she would record a new book every year.

To this end, she took out the energy of "saying Yue" in those years, made full use of the Spring Festival, May Day and November holidays, and also used her spare time on weekends and peacetime to write manuscripts, videos and recordings. She served as the chairman of the Music Association for 10 years, resulting in 1 1 masterpieces. Later Kanto Scholar Wang Erlie, A Dream of Red Mansions, Chen Yi, a Confucian General, and A Talk on Honor and Disgrace in Ancient and Modern Times all aroused good response.

Liu Lanfang said that "Chen Yi, a generation of Confucian generals" has been a concern of her for a long time, because Tao Cong, the former chairman of the Music Association, once sent a message: "Yue Fei is patriotic and Chen is a party. Say it twice, you will not lose money in this life. " It is also a wish to say that "a generation of Confucian generals Chen Yi".

She also said that the reason why she dared to break into the forbidden area of storytelling and say "A Dream of Red Mansions" was to "popularize this literary classic, make it a household name, and let all China people know how good their classic is!" Never get tired of studying.

When she became the head of Anshan Quyi Troupe, she had to perform and manage, so Liu Lanfang went to Anshan Party School to study the junior college course of economic management. After coming to China Quxie, faced with such a big stall of national Quyi, she was admitted to the Graduate School of Economic Management of the Central Party School and completed the 12 paper.

When he graduated successfully in 2005, Liu Lanfang said with a smile: "Endless art means endless learning. I finally realized a wish at the age of 60! " In fact, continuous learning has become Liu Lanfang's attitude towards life. She was sensitive and eager to learn since she was a child, and widely worshipped famous teachers. After becoming famous, she has widely accepted the exclusive stunts of her predecessors and peers.

Such as Zhao Yufeng's expression, Yuan Kuocheng's agility and Yang Tianrong's ventriloquism, all had a positive influence on her. She also made a special trip south to learn from Wang Litang that Yangzhou Pinghua is fine but not greasy; Learn martial arts and boxing from Ding Huanan, an old artist from Henan; Attend the book fair, eager to learn from folk artists. She visited the ancient Range Rover, went deep into life, visited heroes and model figures, and went deep into the grassroots to perform for people everywhere.

Wherever you go, you can learn new things and make new friends. She said: "The art of storytelling comes from the world. Visiting is to broaden the horizons of life.

To go to Wan Li Road and study in thousands of books is to be a conscientious person, pay attention to everything and learn everything. "When the ears of grain are empty and flat, they face upwards proudly; When the ears of grain are full and solid, they bow to the earth and their mother. Liu Lanfang is a full ear of grain.

Whether Yi Zhongtian's "Pin San Guo" and Yu Dan's "Talking about Language" are storytelling or not, Liu Lanfang analyzed that their speeches are both very good, and they all used the form of storytelling for reference to fill in the content of knowledge, and achieved good results. They are better than knowledge. "I want to know that knowledge, and then let me show it by telling stories. The effect will definitely be better."

Her earnest attitude reveals her character of being unwilling to lag behind and constantly striving for self-improvement. There is no denying that the development of Quyi is not as popular as when she said "Yue". She said that Quyi is about "inheriting tradition, reforming and innovating". Inheriting tradition is to practice basic skills, and innovation is to make the audience fondle admiringly, so we should keep up with Yi Zhongtian and Yu Dan.

Liu Lanfang emphasized that the talents of Quyi should stand up to the cold bench, and "one minute on stage" can win "ten years' work under the stage", and they should not put on airs and be worthy of the audience. "In today's China, economic take-off, state-owned enterprises, private enterprises prosperity, social development will be peaceful and peaceful. When people have material things and their pockets are bulging, they will seek spiritual and cultural enjoyment, and culture has developed into a good period. "

Liu Lanfang said that literary and art workers should go deep into the grassroots and create inspiring and patriotic works, and storytelling is to warm the hearts of the public with "soul of china" in order to be worthy of the times and the people!