Jay Chou

"East Wind Breaks": It is the most landmark standard Chinese minor tune song in the Chinese style song category. It is the most standard and complete representative work of Chinese style songs, which is completely natural. The melody and the lyric style make people think of the ancient times, as if there really is a song handed down from the Song Dynasty called "East Wind Breaks". Chinese style has become unique under Jay Chou's interpretation! The antique minor tune style is supplemented by the integration of erhu and pipa. The retro music style makes it easy for people to enter the world and reverie of Tang poetry and Song lyrics.

"Hair Like Snow": The song is a short poem that interprets traditional Chinese colors. It continues to follow the five-tone palace tune route and continues the sad and graceful Chinese classical style of "East Wind Breaks". The addition of RAP children's voices makes the music richer. .

"Thousands of Miles Away": The dream is a dream, and the dream is a dream. Who has laid a veil over the gray tones of the world, preventing us from seeing the wind and rain in the world? The dew-covered wind chimes still made a loud clashing sound, but they no longer had the crispness of their youth, and the blazing heat had passed away like the autumn wind. The mood is desolate and graceful, and the light sadness that is sentimental but not decadent is even more wonderful. When the song ends, silence is better than sound at this time.

"Blue and White Porcelain": It is like a misty and rainy ink landscape in the south of the Yangtze River. Between the budding water clouds, you can vaguely see the beauty's white clothes and skirts flying.

"Lanting Preface": Because it is based on the famous work of the calligraphy sage Wang Xizhi, it is very delicate, and the song reveals more vicissitudes and helplessness.

"Fireworks Easily Cold": It describes the love between a royal general and the woman he admires, which is very poignant.

"Shadow Puppet Play": Sometimes classical Chinese, sometimes humorous, Jay Chou turns the humor expressed in the text into music, combining Naqasi rhythm with classical Chinese style fun, plus hip-hop fusion of Chinese pentatonic scales The singing style of Peking Opera and the electronic piano playing similar to hymns make people sound amazing. Zhang Yusheng

"Rear Window": This is an earlier Chinese-style song. The use of national instruments in it is of great guiding significance for the later Chinese music scene. The whole song has unique lyrics and music, and has a great influence. .

S.H.E

"BELIEF": Although it has a foreign name, it has a full Chinese classical flavor.

"Sauvignon Blanc": The lyrics not only have a very sad classical flavor, but also directly quote Li Qingzhao's "Slow Voice" as the rap lyric. The melody is melodious and has a sense of chanting.

"Ambush from Flying Daggers": This is a very modern song, but the prelude is based on the traditional Chinese music "Ambush from Flying Daggers", both classical and modern.

Wang Leehom

"The Sun and the Moon in the Heart": the natural combination of flute and guzheng that are constantly faintly interspersed with R&B rhythms;

"Deep Bamboo Forest" "Where": Tibetan female singing, Chinese drums, flutes and Western Hip Hop clapping rhythms echo each other

"In That Distant Place": Not only does it sample this folk song that is familiar to the Chinese, it also appears repeatedly in it The sound of the ocarina, the wind-like dialogue between the dulcimer and the piano sounds like these instruments and elements are originally one, without any distinction.

"Unparalleled Heroes" and "By the Plum Blossoms": Use Chinese drama and R&B to create a show with Eastern characteristics, but better integrated with the West, so that Westerners can also understand and appreciate it. My favorite music without borders. Stephen Chow: The Sword is Like a Dream, Drunk, There Are Lovers in the World, Mythical Love Words, Hard-to-Recite Sutras, The Love Sword, Fengxiaomomo, Jianghu Laughter, Xiaoxiao Rain Has Not Stopped,

"Water Margin 108", "Jianghu" ", "Water Margin Trilogy"

Jay Chou: My father-in-law has a migraine, Red Dust Inn, Hair is like snow, Dancing Spring and Autumn, Nunchaku, Double Swords, Dragon Fist, Fearless, Compendium of Materia Medica, Under the Rain All night

JJ Lin: Jiangnan, practice makes perfect, Cao Cao, immortality, drunk red cliff, mermaid, killer, protagonist, a thousand years later

Back string: Dong Ai, ten times Eighty-Nine, Nine Princesses, The Bridge, The Truant Book Boy, Playing in the Hall, Xiaobai, Sixtieth Century, Smile Outside Suzhou, West Chamber, Kunming Lake

Tao Zhe: Sun Tzu's Art of War, Whose Heart Does the Moon Represent, Today Not home, small town girl, looking forward to the spring breeze

Wang Leehom: Boy Ya Jue Xian, Dragon’s Descendant, Hua Tian Cuo

SHE: Chinese, Goodbye Cambridge, I Love Rainy Night Flowers , Waiter, One Eye for Ten Thousand Years

Nanquan’s mother: When I was a child, Mudanjiang, Flowers Love Butterflies, Breaking Dawn

Joker Xue: Yellow maple leaves, mortal woman, hairpin-headed phoenix

Hu Yanbin: Wishes, Burial of a Hero, Butterfly, Beauty, Monk, Farewell Poems, Moonlight, Xiaoxiang Rain, Hongmen Banquet.

Tank: Romance of the Three Kingdoms, Thousands of Tears

Xin Ensemble: One Night in Beijing

Fan Yichen: Drunk in the Brothel

Li Yugang: The New Royal Concubine is Drunk, and the Mirror is Beautiful , Houses Full of Flowers, Along the River During the Qingming Festival, Ink Painting, Chasing Dreams

Tu Honggang: Loyalty to the Country, Chinese Kung Fu, Farewell My Concubine

Zhuo Dingtao: Wandering Bai Juyi, Floating Clouds, Splashing Ink Chengge

Kenji Wu: General's Order

Jolin Tsai: Monopoly of Myth, Cold Violence

Huang Yue: Excerpts

Ma Tianyu: Tsing Yi

Wu Pinchun: Reminiscing about Chang'an, fondly speaking, talking about Li Bai

by2: Red Dragonfly, the promise of the past.

Wang Sulong: Killed in the Three Kingdoms, covered his ears, a hero.

Mao Amin: Four Seas Covenant.

Jinsha: The myth of the stars and the moon, the dirt of lovesickness.

Fei Yuqing: A curtain of dreams and a plum blossom.

Phoenix Legend: The most dazzling national style, the moonlight over the lotus pond, the beauty of Guilin, the genius of a generation, the green whirlwind, meet in Beijing

Original flavor: brown eyes, black eyebrows, Tang Sancai

Wei Chen: Youth Travel

Xu Song: Jinghong Yiyan Chinese style mainly uses classical Chinese or ancient poetry as the main rhetorical style. With this standard, we can exclude certain songs that are not Chinese style. For example, Tao Zhe's "Whose Heart Does the Moon Represent?" is a beautiful song, and its rewriting brings endless surprises. However, due to the use of modern prose in the lyrics, it can only be positioned as an R&B-style rewritten song.

A similar example is Hong Kong's Wei Lan who re-sung "You Won't Come Tonight (Cantonese)", which was very successful. However, because its style of poetry is mainly in modern language, it should be classified as R&B style.

In any case, the Chinese style’s requirements for Ci Fu should be as high as possible. To some extent, the ancient and modern references also considered two major reasons. First, the reason is market demand; second, the change of melody makes the words have no certain format rules. This is also the objective reason for the introduction of modern literature. But as a type of music that belongs to China and attracts attention from abroad, from a musical perspective, it must inherit and continue the artistic spiritual pursuit of poets such as Su Dongpo, Liu Yong, etc. in their poetry. With this ambition and pursuit, it is no longer an important question whether to combine ancient and modern times or to completely return to ancient times. Borrowing R&B singing methods

The R&B genre itself is a music form that combines many elements. R&B singers are very interested in merging genres and absorbing various musical elements. Because of the Chinese style, R&B has greater room for development. Due to the popularity of R&B, transposition has been accepted by the public, and R&B has brought newer transposition methods, substituting ancient Chinese melodies, and many of our quintessence transpositions have found new markets; in addition, R&B is inherently a variety of music. Developed through combination, its ease, jump, blue, and versatility can be best combined with the emotions of Chinese music.

Borrowing traditional singing methods from other countries

This is somewhat controversial: spiritual songs, black music, rock, and rap may all become elements of Chinese style. China is modern China, so in addition to history and culture, we must use new things from foreign countries to express new forms. China is also China facing the world. It not only makes music for Chinese people to listen to, but also makes music for foreigners to listen to.

After the success of Chinese style, many people followed it everywhere. The pursuit of ancient melodies, or the pursuit of "ancient" lyrics, emerges in endlessly. But in the end, Chinese style is not just a fusion of ancient music, or just a platter of a few ancient words. The true Chinese style still requires the pursuit of content, and it still needs to have real connotation, rather than something superficial. Chinese style is not just three words, but the fusion of Chinese culture, and culture is heavy.