Living in the west of the city said, "It's rare to meet. Let's go for a drink. " "ok"
So they went into the restaurant and drank wine. After several rounds of drinking, people living in the east of the city said, "How about getting some meat to eat?" People living in the west of the city said, "You and I are both heroes.
You have meat on you and I have meat on me. Why do you need to buy meat? ""good! Very good! " Another said. So I asked the waiter to take out the lobster sauce for seasoning, and the two men pulled out their knives. You cut my meat and I'll cut your meat and eat it. Even though there was blood all over the floor, they still cut and ate until they gave up their lives.
If you are so brave, it is better not to be brave.
2. Ancient prose means that the truly heroic people in the world don't panic when they encounter unexpected situations, and they don't get angry when they are insulted by others for no reason.
On the theory of self-song-su shi. The so-called heroes in ancient times must have extraordinary festivals.
People can't be ninjas. People see humiliation, draw their swords and stand up and fight. This is not brave enough. There are brave people in the world, but they are not surprised when faced with them, and they are not angry when they add a word for no reason.
This is a great hostage, and its ambition is far away. People who were called heroes in ancient times must have the moral integrity to defeat others, and there is a measure that ordinary people's nature can't stand.
A brave and foolhardy man, insulted, will definitely draw his sword and stand up and fight, which is not enough to be called a warrior. The real heroes in the world will not panic when they encounter unexpected situations, and they will not be angry when they are insulted by others for no reason.
This is because they have great ambitions and great ambitions. Extended data:
1, creative background: In the fifth year of Jiayou in Song Renzong, Su Shi was appointed as the main book of Yiyang West in Fuchang County, Henan Province.
Su Shi didn't go to his post, and was recommended by Ouyang Xiu and Yang Yi to live in Huaiyuan Post and prepare for the exam carefully. Before the exam, Su Shi published Twenty-five Poems of Jin Ce and Twenty-five Poems of Jin Lun by Yang Yi and others. Waiting for Hou Lun is one of Jin Lun.
2. Author's brief introduction Su Shi (1037 1 year1October 8-1year August 24), whose real names are Zi Zhan and He Zhong, known as Tieguan Taoist and Dongpo Buddhist, also known as Su Dongpo and Su Xian.
Su Shi's father, Su Xun, is what Saint Amethyst called "Su Laoquan". Su Xun worked hard, although it was late.
Su Shi's name "Stone" originally meant the handrail in front of the car, which means it is indispensable to help the needy. In the eighth year of Li Qing (1048), Su Xun closed his door to study and taught himself Su Shi and his youngest son Su Zhe.
Su Shi was open-minded, frank and sincere, and won the Taoist style. Good friends, good food, creating many drinks, good tea, and elegant travel in the mountains.
Su Shi's literary thought pays equal attention to literature and Taoism. He praised Han Yu and Ouyang Xiu for their contributions to ancient Chinese prose from two aspects: literature and Taoism.
However, Su Shi's views on literature and Taoism were very unique in the Northern Song Dynasty. First of all, Su Shi thinks that article art has independent value, such as "pure gold and beautiful jade". Article is not only a tool to carry Tao, but also an advanced form of human spiritual activities.
Secondly, the "Tao" in Su Shi's mind is not limited to Confucianism, but refers to the law of things in general. Therefore, Su Shi advocates that articles should be as natural as the objective world, with a natural attitude.
He advocated the diversity and vividness of artistic style, and opposed the unification of literary style, believing that it would make the literary world as barren as "yellow hair and white reed". It is under the guidance of this unique literary thought that Su Shi's prose presents rich and colorful artistic characteristics.
He absorbed artistic nutrition extensively from his previous works, the most important source of which was the heroic momentum of Mencius and strategists in the Warring States period, Zhuangzi's rich association and natural and unrestrained writing style. Su Shi is really expressive, and there is almost nothing objective or inner feelings that his works can't express.
Su Wen's style changes freely with different objects and is as natural and smooth as running water. Han Yu's ancient prose relies on eloquence, layout and momentum to achieve the same goal, while Su Wen relies on a contented and thoughtful way.
Su Wen is full of energy, but his language is simple and natural, which is one of the characteristics that Wen Song is different from Tang Wen. Baidu Encyclopedia-Su Shi.
3. On the Translation of Classical Chinese [Song] Su Shi
In ancient times, the so-called heroes must have extraordinary festivals, and human feelings cannot be ninjas. Men are not brave enough to draw their swords when they see humiliation and stand up and fight. There are great and brave people in the world, but they are not surprised when they face it, but they are not angry when they add it for no reason. This is a great hostage and their ambition is far away.
The so-called heroes in ancient times must have more moral integrity than ordinary people, and they have a bearing that ordinary people can't bear emotionally. Once insulted, it is not brave for ordinary people to pull out their swords and jump up to fight. There are people in the world who can be called brave. They don't panic when they suddenly face an accident, and they don't get angry when they are insulted for no reason. This is because they are ambitious and far-reaching.
4. The arrangement of classical Chinese in Shi Zhongshan's stories: 1. Generic word: 1. The southern sound is Hu and the northern sound is clear (Hu, the same as "vague", heavy and vague) 2. To Mo Ming (Mo, calendar "dusk", at night) II. The ancient and modern meaning is 1. The air is full of miracles: the middle is empty; Today: in the sky. 2. Self-righteousness: the truth of that matter; Today: Actually. Third, the word polysemy 1. Drums are like bells and drums (beating drums, verbs) ② breeze drums (vibrating, verbs) 2. Mo (1) to Mo jathyapple Ming ("Mo" means "dusk", when the sun sets, noun) (2) So I can't know (no one). Preposition) 4. Yan (1) Peng is stupid and has a face (auxiliary word); ② (equivalent to "ran", adjective suffix and "appearance") ② The so-called stone bell player (can, auxiliary verb) 7. Slap water and stones. Anxious to hit that man (pounce, catch, verb) 8. There is also 1 button to listen to (the table is connected) 2. Watch this (table modification) 3. There are many holes in the air (the table is flat). Zhao is not allowed (table hypothesis) 9. Because ① the so-called stone clock master (thus) ② the person who laughed and said "Maiyue" (at that time) was four. The noun (1) is used flexibly as an adverbial. ① The rest of the boat is suitable for you (boat, boat, boat). ② The big stone stands beside thousands of feet (side, side). ③ Things are invisible (eyes, eyes). With their own ears, the scholar-officials refused to spend the night on the boat under the cliff (at night, at night, at night) (2) Nouns as verbs (1) and Zhong Mingdu (name, name, name) (2) The breeze stirred the waves (name moves, vibrates) (3) Like a bell and drum (name moves, bell and drum rings) (3) Weeks don't. (2) Ellipsis sentence ① This clock is put in the water, although the wind and waves can't ring (it), the situation is like a stone! (2) In the clouds (3) Scholar-officials refused to spend the night on the ship (3) Preposition object (1) The ancients did not bully people ("not bully people" or "not bully people") (4) Attributive postposition ① loud stone (that is, "loud stone") (5) Preposition structure postposition. I am particularly suspicious (comparison) 3. Everything is like this. I feel very comfortable (going, arriving). I am eager to return (just now) (afraid) 6. There are caves under the mountain. Culverts are surging, which is also (forming) 8. Have a direction. Almost like Yu Tong (probably) 10, this world is not inherited (because …) VII. Su Shi (1037-1101), a writer and painter in the Northern Song Dynasty. Zi Zhan,no. Dongpo lay man. With his father. His poems are fresh and vigorous, and he is good at using exaggerated metaphors. He has a unique style in artistic expression, and is called Su Huang with Huang Tingjian. The uninhibited school of ci has a great influence on later generations, and it is called Su Xin with Xin Qiji; Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. His paintings are learned from time to time and he likes to make strange stones. His paintings are similar in spirit. His poems include Seven Chapters of Dongpo and so on. And his word is Dongpo Yuefu. Representative works include: Fu on the Red Wall, Shi Zhongshan Collection, Drinking Rain in the Lake after Chu Qing, and Nian Nujiao? Chibi nostalgia, etc. The Story of Shi Zhongshan is an exploratory travel book. Written in the summer of the seventh year of Yuanfeng in Song Shenzong (1084), Su Shi sent his eldest son Mai Su to Ruzhou. By describing the author's exploration of the origin of Shi Zhongshan's name, this paper shows that to know the truth of things, we must "hear and see" and avoid subjective assumptions.
5. What did the ancients in China mean when they said, "There are brave people in the world, who are suddenly not surprised when things happen, and don't get angry when things happen for no reason"? There are brave people in the world who suddenly don't panic when things happen, and don't get angry when things happen for no reason. Original text: "On Hou" Song Dynasty-Su Shigu's so-called hero must have a festival of surpassing others.
People can't be ninjas. People see humiliation, draw their swords and stand up and fight. This is not brave enough. There are brave people in the world, but they are not surprised when faced with them, and they are not angry when they add a word for no reason.
This is a great hostage, and its ambition is far away. It is strange that there is a book on the old man's desk in the master's room. But I also know that now is not the world of the Qin dynasty, and there are hermits who come out to try.
Look at it, see its meaning, all saints, quit it; And the world does not observe, thinking that ghosts have gone. And its meaning is not in the book.
After the death of Han, the frontier of Qin flourished, and the knife saw the whole world. There are countless people who live in peace and innocent annihilation.
Although there is anxiety and education, there is nothing to repeat. Husband's law enforcement is too hasty, the front cannot be made, and the situation cannot be taken advantage of.
Ovary can't bear to be angry, but with the strength of a man, it's a blow; At this time, the ovaries will not die, and the cover will be in danger. Daughter's son won't die from a thief, which one? His body is lovely, but a thief is not enough to die.
Ovary is the best talent in the world, not used by Yi Yin and squire, but by Jing Ke and Nie Zheng, so as to be immortal, which is also deeply cherished by the old man. Therefore, it is arrogant and shy, deeply folded.
He can endure, and then he can do great things, so he said, "Ken's son." Chu Zhuangwang cut Zheng, and Zheng Bo led the sheep against the sheep; King Zhuang said, "If you can be a servant, you can trust your people."
Give it up. Gou Jian was trapped in Huiji, but my concubine was in Wu, and she worked tirelessly for three years.
The husband has the ambition to serve others, but he can't serve others. This is the strength of every man. The old man thought that the ovaries were more than enough, but he was worried about the lack of measurement, which deeply shattered his youthful spirit and made him endure a little anger and make a big plan.
What is this? It is impossible to be surprised that you have a life, but you have to meet between grass and fields and be a servant and concubine. But don't blame those who are oily. This can't surprise many Qin emperors, and Ji Xiang can't be angry. The reason why Guanfu Gaozu won and Ji Xiang lost is between tolerable and intolerable.
Ji Xiang couldn't stand it, but he ignored it with a victorious battle; Gaozu endured it, raised its whole front and cured its disadvantages, and this ovary taught it. Huaiyin was broken, and he wanted to be king. Gaozu was angry, as can be seen from the color between the lines.
From this point of view, there is still a strong unbearable spirit, but who is the ovary? Tai Shigong thinks that the ovary is large and magnificent, but it looks like a woman, so it is not ambitious. Oh! This is why it is an ovary! The so-called heroes in ancient times must have more moral integrity than ordinary people, and they have a bearing that ordinary people can't bear emotionally.
Once insulted, it is not brave for ordinary people to pull out their swords and jump up to fight. There are people in the world who can be called brave. They don't panic when they suddenly face an accident, and they don't get angry when they are insulted for no reason. This is because they are ambitious and far away.
Strangely, Sean accepted the Art of War of the old man on the bridge. However, how can we conclude that the old man is not a recluse man of insight from the Qin Dynasty, but has come to test Sean? Observing what old people use to express their opinions implicitly is the truth that sages encourage each other.
It is wrong for the world to think that he is a ghost without careful investigation. Moreover, the old man's original intention is not in art books.
South Korea perished, Qin became strong, scholars in the world were persecuted by knives and cymbals, and countless innocent people were killed. This time, even if Meng Ben and Yu Xia are reincarnated, it doesn't matter. A regime with strict legislation is not offensive, but when it comes to the end of the road, it can take advantage of it.
However, Zhang Liang couldn't help getting angry. With the strength of an ordinary person, he wanted to achieve his goal with a blow from a big iron vertebra. At that time, although Sean had a narrow escape, he was on the verge of death. It is too dangerous! Rich children with a lot of money will never die at the hands of thieves.
Why? Because his body is precious, it is not worth dying at the hands of thieves. Zhang Liangyou has a peerless talent. He didn't plan to secure the country like Yi Yin and Duke Zhou, but he came up with the worst plan to assassinate Jing Ke and Nie Zheng. It's just luck that he didn't die. This is exactly what the old man on the bridge deeply regrets for him! So the old man deliberately gave him a lot of arrogance and rudeness, so that he could be patient and complete his great career, so he said, "This young man is worth teaching."
Chu Zhuangwang attacked Zheng, naked, and led the sheep to meet them. Chu Zhuangwang said: "The monarch of Zheng Can will treat us humbly and will certainly win the trust of the people."
So he withdrew his troops from Zheng. When Gou Jian, the King of Yue, was trapped in Huiji Mountain, he surrendered to the State of Wu and became the concubine of the King of Wu. He has never slacked off for three years.
If you only have the ambition of revenge and don't give in to patient efforts, it is just the so-called strength of ordinary people. The old man thought that Sean's talent was more than enough, and he was worried that he lacked measurement, so he deeply frustrated the strong and keen spirit of his young people and enabled him to endure a little anger and complete his ambitious plan.
Why is this happening? The old man and Zhang Liangsu suddenly met in the wild, but ordered him to be a servant and concubine. However, Sean felt respect and didn't blame the old man. Of course, Qin Shihuang couldn't scare him, and neither could Xiang Yu. Observing the reason why Emperor Gaozu Liu Bang won and Xiang Yu failed, the key lies in whether he can bear it or not.
Xiang Yu was impatient, so although he won every battle, he easily sent troops. Sean taught Liu Bang, his great-great grandfather, to be patient and to preserve his great strength for the decline of Xiang Yu.
Han Xin, Emperor of Huaiyin, captured the State of Qi and wanted to stand on his own feet as king. Liu Bang flew into a rage, and his words and face showed it. From this point of view, Liu Bang still has unbearable arrogance. Except Sean, who can correct him? Sima Qian once speculated that Sean must be a tall and burly man, but in fact Sean's figure and appearance are like a girl, which is out of proportion to his ambition and spirit, so I think this is what makes Sean special! Extended data:
1. Creative background: In the fifth year of Jiayou in Song Renzong, Su Shi was appointed as the main book of Yiyang West in Fuchang County, Henan Province.
Before the test,
6. Ancient prose means that the truly heroic people in the world don't panic when they encounter unexpected situations, and they don't get angry when they are insulted by others for no reason.
On the theory of self-song-su shi.
The so-called heroes in ancient times must have extraordinary festivals. People can't be ninjas. People see humiliation, draw their swords and stand up and fight. This is not brave enough. There are brave people in the world, but they are not surprised when faced with them, and they are not angry when they add a word for no reason. This is a great hostage, and its ambition is far away.
People who were called heroes in ancient times must have the moral integrity to defeat others, and there is a measure that ordinary people's nature can't stand. A brave and foolhardy man, insulted, will definitely draw his sword and stand up and fight, which is not enough to be called a warrior.
The real heroes in the world will not panic when they encounter unexpected situations, and they will not be angry when they are insulted by others for no reason. This is because they have great ambitions and great ambitions.
Extended data:
1, creative background
In the fifth year of Song Renzong Jiayou, Su Shi served as the main book of Yiyang West in Henan Province in Fuchang County, Henan Province. Su Shi didn't go to his post, and was recommended by Ouyang Xiu and Yang Yi to live in Huaiyuan Post and prepare for the exam carefully. Before the exam, Su Shi published Twenty-five Poems of Jin Ce and Twenty-five Poems of Jin Lun by Yang Yi and others. Waiting for Hou Lun is one of Jin Lun.
2. Introduction to the author
Su Shi (1037 65438+10.8-18.24), with the word Zizhan, alias Tieguanyin, Dongpo Jushi, Su Dongpo and Su Xian, Han nationality, Meishan, Meizhou (Meishan, Sichuan Province).
Su Shi, following Su Weidao, a minister in the early Tang Dynasty, was born in Meishan, Yumeiren, on December 19th (1037 65438+ October 8th) in Jingshou three years. Su Shi's father, Su Xun, is what Saint Amethyst called "Su Laoquan".
Su Xun worked hard, although it was late. Su Shi's name "Stone" originally meant the handrail in front of the car, which means it is indispensable to help the needy. In the eighth year of Li Qing (1048), Su Xun closed his door to study and taught himself Su Shi and his youngest son Su Zhe.
Su Shi was open-minded, frank and sincere, and won the Taoist style. Good friends, good food, creating many drinks, good tea, and elegant travel in the mountains.
Su Shi's literary thought pays equal attention to literature and Taoism. He praised Han Yu and Ouyang Xiu for their contributions to ancient Chinese prose from two aspects: literature and Taoism.
However, Su Shi's views on literature and Taoism were very unique in the Northern Song Dynasty. First of all, Su Shi thinks that article art has independent value, such as "pure gold and beautiful jade". Article is not only a tool to carry Tao, but also an advanced form of human spiritual activities.
Secondly, the "Tao" in Su Shi's mind is not limited to Confucianism, but refers to the law of things in general. Therefore, Su Shi advocates that articles should be as natural as the objective world, with a natural attitude. He advocated the diversity and vividness of artistic style, and opposed the unification of literary style, believing that it would make the literary world as barren as "yellow hair and white reed".
It is under the guidance of this unique literary thought that Su Shi's prose presents rich and colorful artistic characteristics. He absorbed artistic nutrition extensively from his previous works, the most important source of which was the heroic momentum of Mencius and strategists in the Warring States period, Zhuangzi's rich association and natural and unrestrained writing style.
Su Shi is really expressive, and there is almost nothing objective or inner feelings that his works can't express. Su Wen's style changes freely with different objects and is as natural and smooth as running water.
Han Yu's ancient prose relies on eloquence, layout and momentum to achieve the same goal, while Su Wen relies on a contented and thoughtful way. Su Wen is full of energy, but his language is simple and natural, which is one of the characteristics that Wen Song is different from Tang Wen.