About the poet's handwritten newspaper, about the poet's handwritten newspaper pictures.
Pictures of the poet's handwritten newspaper
Pictures of the poet's handwritten newspaper
Pictures of the poet's handwritten newspaper
Pictures of the poet's handwritten newspaper
Pictures of the poet's handwritten newspaper
The content of the handwritten newspaper is about the poet Meng Haoran [the story of an ancient poet]
Meng Haoran (AD 689-740) was a great poet who was as famous as Wang Wei in the prosperous Tang Dynasty. Also known as "Wang Meng" with Wang Wei, he is a representative of the pastoral school in Tang Dynasty. Most of his poems are famous for their seclusion and pastoral life. His light and natural poetic style is unique in Tang poetry, with originality and detached charm, which is highly respected by future generations. Many of his poems are "when you meet the scenery, you don't hesitate to be strange" and "when you get quiet enlightenment, your language is light and your taste is not thin". In other words, its beauty comes from inner cultivation and has nothing to do with the ingenious thinking of pen and ink.
His "Autumn Lights and Mountains and Zhang Jiwu" has the above characteristics. The whole poem is full of scenes, elegant and sincere, and the scenery is light and beautiful; His Summer in Nanting is full of charm, and it is "sighing for a while", which is read as "the sound of merchants in Stone Palace"; His "Tiyigong Zen Room" is quaint and unique, with natural and lively techniques and light and beautiful words. The poem "Send Du fourteen times to the south of the Yangtze River" was praised by later generations as "more accurate than Meng Haoran's poem". And "Crossing Zhejiang and Asking the Boat Man" was rated as "indifferent to the taste" by Su Shi; His Xunyang Night Looking at Lushan Mountain is dull, muddy and ethereal, which is called "nature" by later generations. His "Crossing the Old Village" is "easy to see poetry" and "skillful to see syntax", which deeply blends art into the flesh and blood of the whole poem and appears natural. As for his "Spring Dawn", anyone who has read several Tang poems will recite it: "I woke up easily on this spring morning, and birds were singing all around. But now I remember that night, that storm, and I want to know how many flowers were broken. " For more than a thousand years, people have been talking about it and discussing it. These short twenty words seem to contain infinite artistic treasures. The poet's feelings are in the realm, and he gains the true interest of nature and the essence of God. This poem is the most natural one. Repeatedly chanting, people can't help but sigh that "the article is natural and rare."
Meng Haoran was born in a traditional scholarly family, and his family background attached importance to Confucianism. Reading poems and keeping rituals from generation to generation is always encouraged by "a gentleman should strive for self-improvement". Meng Haoran's attainments in Ci Fu are very high [9]. Before the age of 40, he lived in seclusion in Jiannan Garden near Yanshan Mountain in Xiangyang. Later, he went to Beijing to take the exam, swam the Five Mountains, retired and devoted himself to spiritual life. He lived in seclusion all his life except for a few years as an official under the account of his good friend Zhang Jiuling in his later years. He especially likes mountains and rivers. Traveling around and cultivating his temperament is the basic content of his life: living in the open forest around him, he can't hear the noise of the city.
Catch a fish by the mountain stream in the north, open the window in the south, and listen to the woodcutter's "firewood singing". Write down the idea of a seclusion center and discuss it with friends who are good at meditation; On the mountain with white clouds floating, hermits enjoy themselves, climb high and look far, and their mood is gradually empty with the flight of geese. He especially worships Tao Yuanming and thinks that his seclusion is an elegant garden life. Diligent fishing, self-sufficiency, drinking for fun, endless fun. Without the interference of laymen, it cultivated the noble character of ancient experts and elegant people. In addition, he studied and practiced sword like an ancient hermit, and books and swords accompanied him for decades. He occasionally grows a little vegetables and a little bamboo garden, but his main purpose is to cultivate his noble temperament.
Meng Haoran took an exam in Beijing at the age of 40 and wrote poems with a group of poets. His two poems "Wei Yun is a light river man, the rain is sparse, and the phoenix tree" are all over the room, and the title of the poem is also well known. Zhang Jiuling, Wang Wei, then prime minister, and other Beijing officials who loved poetry all came to make friends with him. County magistrate Han Chaozong first publicized his talents to other senior officials, and then asked him to take him to recommend them to those people. On the appointed day, Meng Haoran and a group of friends drank and talked about poetry, which was very harmonious.
Someone reminded him that you have an appointment with the Han Palace, so I'm afraid you can't neglect others because you don't keep the appointment. He said unhappily, I've already drunk, and I'm happy physically and mentally, so I don't care about the rest. He lost a great opportunity to ask for an official, and he did not regret it afterwards. The degree of his "love of fame" is really amazing.
This incident not only shows his laissez-faire character, but also implies his self-confidence: he feels that he can rise to the top without being recommended by others. However, as soon as the results of the Jinshi exam were announced, he unexpectedly fell off the list. This blow is particularly heavy for him, because he once "studied for 30 years and closed the door to Jianghan Yin", learned a lot of talents, and was promoted and praised by great poets and officials such as Wang Wei and Zhang Jiuling, and he already had a good reputation in the capital. This is really "flattering, and it hurts to fall." When he was depressed, he wanted to write a letter to the emperor, but he hesitated, hesitated, grumbled and didn't know who to send it to. With this complicated mood, he wrote a poem "Returning to Zhongnanshan at the end of the year": "I am not petitioning at Beigongmen, and Nanshan is a secluded place. I have no reason to decide to give up my point of view. My old and many sick friends have stopped practicing. The frequency of white hair is that people are getting more and more every day, and spring is coming to force them to die. So I lay awake and meditated, and the window was empty at night in the moonlight. " On the surface, he blamed himself in a series of poems, but in his bones he blamed others at different levels: "What book do you want from the emperor? Go back to your broken house as soon as possible; " You don't have any talent, of course, the wise emperor will dislike you; You have so many questions that your friends have alienated you. This is a dead end. I have white hair and am eager to be an official. Even the beautiful spring pushes people to old age and death! This kind of melancholy that can't be removed makes people sleepless at night, and the breeze and bright moon just enter from the window, bringing the empty courtyard and the silence of the night to the already empty mind! "
It is said that Meng Haoran was invited by Wang Wei to the interior office and happened to meet the arrival of Emperor Xuanzong of the Tang Dynasty. Xuanzong asked Meng Haoran for poems, and Meng Haoran read the first song of "Returning to Zhongnanshan at the end of the year". Xuanzong said angrily: "You don't want to be an official, but I don't dislike you. Why do you accuse me? " It seems that Xuanzong still heard his grumbles and complaints from his graceful statements, thinking that he was "falsely" himself, so he was unhappy. Needless to say, the best promotion opportunity that might be appreciated and directly promoted by the emperor was once again lost.
This heavy blow became the starting point of a major turning point in his thoughts. This turning point, like a blow, suddenly pushed him into a state of mind determined to retire for a long time. He decided to leave Beijing, visit Jiangnan first, and then go home to live in seclusion. When he left Beijing, he left a poem for his good friend Wang Wei, describing his personal experience of the cold world and human feelings with painful language, resentful feelings and bitter tears, lamenting that there were too few confidants, and expressing his determination to resolutely retire.
The second poem about the poet's handwritten newspaper and missing his lover
Life is naturally infatuated, and this resentment has nothing to do with romance-Ouyang Xiu
When you enter my lovesick door, you will know that I am lovesick for a long time and lovesick for a short time. -Li Bai
Life and death are generous, and Zi Cheng says. Hold your hand and grow old with your son. -The Book of Songs
He is infatuated with love, and there is no place in the world where he misses it. Reduce the word Huanxisha-Kuang Zhouyi
The sky is not old, and the love is hard to break. The heart is like a double screen with a Qian Qian knot in it. Zhang Xian
Ultima Thule is still far from the end, only the mind is infinitely long, and there is no time. Yulouchun-Yan Shu
Without Cai Feng's wings, I feel the harmonious heartbeat of the sacred unicorn. -Li Shangyin
Recalling the original exploration, the wind in Yang Liuyi was blowing in the wind; Now back on the road, snowflakes are flying everywhere. Today, I think about it. It rains and snows, and it looks at the sky and clouds at dusk. I miss you when I walk, but I miss you when I sit. -Tang Yin
The leaves in the wind gather when they gather. Western jackdaw has settled and the moon rises. At this point, the night is awkward. -Li Bai
How many acacia nights, the ends of the earth are not long. -A poem about missing a lover, Swallow House-A poem about Zhang Sixiang.
If you don't think about it, you can avoid it After careful consideration, I would rather miss you! —— Zhao Biyu
How can a flowering tree let you meet me? At my best moment, I prayed for this in front of the Buddha for 500 years, begging him to let us have a dusty relationship. -Xi Murong
I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq. -Liu Yong
There is a kind of beauty that you can't forget when you see it. I haven't seen you for a day, and I want to be crazy. The Missing Poem "Feng Qiu Qin Huang Ge"
Once the sea was difficult for water, it was always amber-Yuan Zhen
This time I left you, it was the wind, the rain and the night; You smiled, I waved, and a lonely road spread to both ends. Fubie. Chou-yu Cheng
Although fully aware of lovesickness, there is no good health; I am infatuated with it to the end and fall in love for life. The Third of Six Untitled Songs —— Li Shangyin
The saddest poem of missing: flowers from Shui Piao to water, a kind of acacia, there is no sorrow in the two places, and this feeling is inevitable, just waiting for a frown to come to my heart. "Moon Full West Building"-Li Qingzhao
Miss the most painful poem: ruthless is not like affectionate, and an inch is still a thousand strands. Yulouchun-Yan Shu
Only the spring moon in the sky is the most affectionate, and it also shines on the courtyard flowers for the people. Send someone-Zhang Bi
When I returned to your pearl, I shed tears. I hate not meeting you before I got married-Zhang Ji.
Tears can be traced in the end, but words are hard to send-Chen Duansheng
As long as two people love us to the end, why covet my Heron? -Qin Guan
Linglong dice Ann Monkey Bean, do you know how much you miss it? Yang Liuzhi-Wen Tingyun
Falling red is not a heartless thing, but turning into spring mud protects flowers more-Gong Zizhen
Afraid of lovesickness, I've thought about it, and it's my turn to leave lovesickness, revealing a trace of brow. Yu Yan
After birth, there will be no acacia, only acacia, and then acacia. Xu Zaisi: Breaking the Order of Laurel
Sorrow and parting should be the same, at most, there is no clear resentment between months. The Diary of Love "Yu Meiren" —— Nalan Xingde
People enter the river like the wind, and love enters the river and rain. Yulouchun-Zhou Bangyan
On the Content of the Poet's Handwritten Newspaper: Three Farewell Poems
(Poetry expressing the poet's feelings of parting)
Farewell poems are Chinese poems that express the poet's feelings of parting. Famous representatives include Li Bai, Wang Wei and Wang Changling. Farewell poems express the feelings of parting, which is the emotional spark produced when parting. It is not easy to express this emotional spark. Yuan Mei, a famous poet in Qing Dynasty, has a deep understanding of this: "It is easy to write poems, but difficult to express feelings. What is this? The scenery comes from the outside, what you touch with your eyes, you will get it if you pay attention; Love is from the heart, and you can't be sad and stubborn unless you have a fragrance. " It is not true that this passage completely separates love from scenery, but it still makes sense from the point of "the difficulty of expressing love". If farewell poems want to be "moved and inspired", they must use some skills to "express feelings".
Introduction:
Throughout the ages, many literati always sing the song of parting. In addition to this deep sadness, there are often other sustenance: either encouragement and encouragement, or expressing friendship, or pinning the poet's own ideals and ambitions. In addition, some farewell poems in the Tang Dynasty are often filled with positive youthful atmosphere, full of hopes and dreams, reflecting the spiritual outlook of the prosperous Tang Dynasty.
In ancient times, due to inconvenient transportation and underdeveloped communication, it was often difficult for relatives and friends to meet for several years, so the ancients paid special attention to parting. On the occasion of parting, people often set up wine farewell parties, fold willows to send them away, and sometimes sing poems to bid farewell, so parting has become the eternal theme of ancient literati.
Generally, the scenery is described according to time and place, and the feelings of parting are expressed, thus reflecting the author's thoughts and feelings. The common images in farewell poems are pavilion, willow, dusk, wine and autumn. Poetry titles usually use words such as "give, don't, send". The content of farewell includes writing about the differences between husband and wife, relatives, friends and colleagues, and even rushing by. The technique used is often to express one's mind directly or to express one's feelings by borrowing scenery. Some of its artistic features are bold and broad-minded, some are euphemistic and implicit, and some are shallow and affectionate.
Writing characteristics:
Vivid images of supporting things and expressing feelings.
It is to express some kind of friendship or feelings by holding things or comparing things. Friendship is an intangible thing. To turn intangible things into image things, we need to show a variety of artistic means, including supporting things and expressing feelings. "Peach Blossom Lake is deep in thousands of feet, not as good as Wang Lun." (Li Bai's "To Wang Lun") This sentence is deeper than deep love, and vividly expresses sincere and pure affection. Famous experts praised: the beauty lies in the word "less than", and the beauty lies in replacing metaphors with figurative techniques, turning intangible friendship into vivid images, ethereal and memorable, natural and true. In addition, there is a famous lyric poem: "Advise you to drink more wine and go out of Yangguan for no reason." (Wang Wei's "Send Yuan 20 An Xi") This is to persuade wine and show friendship for friends. "If relatives and friends in Luoyang ask each other, there is a piece of ice heart in the jade pot." (Wang Changling's "Parting Xin Jian at Furong Inn") This is to compare the poet's integrity and character with a jade pot and Bing Xin to comfort relatives and friends. This is much more vivid than the usual message of peace and general self-confession.
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