1996 TVB version of Chang 'e on Journey to the West is a "surprise". The hero may not be familiar with it, but if he saw a family in Northeast China as a child, he might remember this face.
Surprisingly, however, Mars is not a native of Hong Kong, but a native of Northeast China. It was not easy to work hard in Hong Kong, but this Chang 'e was really timid. Whether it's too grounded light makeup or passive expression in Nuo Nuo's eyes, it's too timid and not fairy at all.
In the 1998 TVB version of Journey to the West 2, Chang 'e was replaced by Yao Leyi. It may be a little strange for many people to mention this name, but it must be familiar to see their faces.
Yao Leyi is also Snow White Zhu Jiuzhen in Wu Qihua's Forever Adversity, and she plays the imperial concubine of Zhou Wang in Irene Wan's list of gods. I have to say that this seductive appearance is deeply rooted in people's hearts, so every time I look at her Chang 'e, it is difficult to replace fairy dust, and she is obviously jealous and sycophantic, quite scheming.
Not only is it beautiful in the play, but my sister is also very attractive in her forties. Her family is harmonious, her daughter is cute and smart, and she occasionally shares her present life on social platforms. Sure enough, beauty is not old.
In 2000, "Pig and Eight Rings in Spring" was regarded as a childhood drama, which killed a bloody road in the era of blooming flowers. Hong Tao, Chen Hong and Ewang, the three "red men", gather together. Fairy, dragon, female cat and demon each have their own beauty, and Xuzh ? ng is cute even if he plays a pig.
Chang 'e, played by Chen Hong here, is really a fairy in World War I, with beautiful memories and various customs. She is no longer an infatuated and serious little fairy, but changeable, melodramatic, willful and selfish, with an extreme coquettish temperament, and has a clear view of love rat's temperament. She can be called the originator of charm and beauty, subverting classics and restoring true humanity.
At that time, Chen Hong was really "energetic", and even a head of white hair was unforgettable. That is the most beautiful and classic Chang 'e.
Fan Wenfang is famous in Singapore and mainland China. She used to be a well-known heroine and played many famous female roles, such as Little Dragon Girl, Ren Yingying, White Snake and Zhong Wuyan.
In 2003, she played Chang 'e in Running to the Moon, but it was so vivid. In the end, everyone played like themselves. Chang 'e's appearance is not wrong, but that's all. I feel that there is only one baby actress in Singapore, so she is asked to play all the roles. In the end, all the roles are not like herself.
As a well-known "goddess of youth", Fan Wenfang is still graceful, charming and outstanding in temperament, and occasionally attends activities, which adds a lot to her figure. My sister must have taken preservatives.
The Lotus Lantern in 2005 is not a good play, but there is always a timely filter blessing. At that time, I saw that my favorite was not the fox demon Xiaoyu, nor the agarwood, but the elegant and dignified goddess Chang 'e, who was crushed by her brother at the foot of the mountain, haggard and weak.
Chang 'e played by Yan and the three virgins played by Hermione are equally beautiful in this play, and this version of Chang 'e is the most perfect and beautiful in both makeup and acting, but it is not only beautiful, independent, powerful, beautiful and kind, but also Yan's own elegant temperament has become a plus item for this version to create a classic.
Now Yan occasionally makes a guest appearance in film and television dramas, but she is also constantly broadening herself. TV shows and programs are full of beautiful women.
In 2006, Qishan in Feng Ming was also a good costume drama, but in that era when the quality of film and television drama was the first, even though the drama was excellent in all aspects, its reputation was still average, but da ji here was really a demon.
In contrast, Tamia Liu's Chang 'e is unremarkable, and because Tamia Liu's temperament is too prominent and gentle, he plays almost everyone. This Chang 'e, you said she was Arjun and White Snake, and there was no sense of disobedience.
Among more than a dozen Chang 'es, Tamia Liu should be the best developed one, focusing on filming and live broadcast, and properly transforming herself into a strong woman.
In 2009, "Lotus Lantern Prequel", there were many Chang 'e scenes, which were replaced by Li Xinru, who was in bud at that time. If you are not familiar with this name, have you ever heard of the self-made remake of Ugly Woman by Mango Taiwan? The heroine in it, dressed as an ugly girl, suddenly became a goddess Chang 'e.
At that time, Li Xinru had a full face of collagen. Although it is not a stunning type at a glance, it is the most beautiful and conforms to the mainstream aesthetic style. Although it is not thrilling, it is also full of pity for me.
In the past ten years, Li Xinru didn't take advantage of this opportunity, and now he is no longer in the entertainment circle. Of course, it can also be seen that the beauty has lost collagen. Now she is beautiful, but she is not eye-catching.
Yao Di cooperated with Ming Dow and Huang Jue on Chang 'e IV in 20 10, but to tell the truth, Yao Di's face in this period was really not what it looked like in the Yan Dian period, and his clothes were also very general, with a wide and swollen face, which was really not as good-looking as modern clothes. It really takes a little time to play the legendary fairy Chang 'e, but Olivia, who plays the Jade Rabbit, steals a lot of limelight, and the shape in the later period of the sea is more impressive.
When filming this drama, Yao Di didn't make irreparable mistakes, and he was also a rising star. It's a pity that he made a mistake. Although he didn't quit, his resources were not as good as before.
In Marshal Joy of 20 12, Ma Su played Chang 'e, but what people didn't expect was that it was 20 12. How could there be such a crotch makeup? A fairy, not a village girl. How come...
This forehead curl is like a joke. Ma Su should be the only one of all Chang 'e who can throw a pot of makeup, but the makeup can't pass, and it can't hide the "rustic" of Ma Su itself, which is quite a bit like a "village girl entering the city" and a cheap wedding dress in urban and rural photo studios.
Although it was difficult to hide the "local flavor" in early Ma Su, it was this power that left a simple impression on the audience. Until the "pat on the head" incident, Ma Su, as a party, was naturally affected.
20 14, Liang Yongqi plays the goddess Chang 'e in the film The Journey to the West. She is a goddess of temperament, and even played Chang 'e with her own refined buff. This is one of the few long hair styles in Liang Yongqi. It's beautiful, but it's not necessarily the best if it's too delicate. It's a bit empty.
Although in the past, beautiful women played Chang 'e, there may be flaws, but at least they have high recognition, each with its own strengths and weaknesses. Unlike today's entertainment, everyone is the same, from one thousand people to one thousand people. No one can create the classic Chang 'e played by Pei-ning Qiu in the 86 CCTV version of Journey to the West, which is a retrogression of entertainment and audience.