Experience:
Ding Lan likes music and dancing since he was a child. At the age of 9, he began to learn violin and train the basic skills of dance. 1 1 years old, admitted to the dance training class of Henan Song and Dance Troupe. 12 years old, admitted to the actor class of Henan Opera School (5 years' schooling). During his school days, he played the leading role in the rehearsals of Henan Opera "Red Lantern", "Broken Bridge", "Borrowing an Umbrella" and "Playing Golden Branches". 198 1 Graduated from Theatre Academy and assigned to Henan Repertory Theatre. In 1955, he rehearsed fifteen divorce cases, The Moon and other plays, and then transferred to the Beijing Film Studio Actor Troupe. Ding Lan's career as a film actor began with the sensational Shaolin Temple. 198 1 in the summer, when she was rehearsing, she was selected by Zhang Xinyan, the director of Shaolin Temple who went to watch, and she was designated as the heroine of the film, Bai Wuxia. At that time, Ding Lan neither formally studied martial arts nor appeared on the screen. In order to meet the requirements of the film, she learned from her teacher, studied hard and practiced hard, overcame the stylized performance of traditional Chinese opera, and finally played an innocent and lively shepherdess, which was deeply loved by the audience. She has also become the subject of a series of martial arts films-playing the heroine Cai Xia in Shaolin Disciple; Decorate the heroine Erfeng in Shaolin Shaozi; In the three-dimensional film "thirteen sisters of chivalrous woman" co-produced by China and Japan, she plays thirteen sisters; Play the heroine Shen Zuohong in The Thief of Dongling. Ding Lan in life likes sports, study and nature, but she is also an introverted and quiet woman. Good physical quality, basic martial arts skills and dual personality are probably the reasons why directors always choose her to play the ancient chivalrous woman. However, she doesn't want to set a frame for herself. In recent years, she is also trying to explore her own career. She plays the heroine Wang Dingyun in the opera film The Sedan Man, Jia Xichun in A Dream of Red Mansions, Shi Yun in the TV series Burning, and Xin Li in the TV series Biyun Temple. 1979 Became a shepherdess in Shaolin Temple. Shortly after the performance, she joined the Henan Repertory Theatre, playing the role in Disciples of Shaolin Temple and the role of Thirteen Sisters in Chivalrous Woman. Later, he worked as an actor in the Northern Film Actors Troupe. 199 1 year, I went to Singapore and worked as an actor in Singapore Radio and Television (now a new media).
Film works:
1979 Shaolin Temple as a shepherdess
1983 Shaolin Temple disciple Hong
1984 Shaolin boy dressed as Erfeng
1986 "thirteen sisters of chivalrous woman" plays thirteen sisters He Yufeng.
1986 "Huaxia Jiao" disguised as Wang Dingyun
1987 Dongling Thief Episode III Episode IV decorated by Shen Zuohong.
1988 wasteland killer
1989 the fifth and sixth parts of the third part of a dream of red mansions are decorated with Jia Xichun.
1993 Nezha
1997 "marshal Zhao Gong fights the god of plague"
Television works:
1993 "Overbearing Lotus" is decorated with light blue.
1994 "Nine Days of Crane Roars" played by Li.
1994 "The Beauty of Jiangshan in Zhong Kui, Shi Tian" plays Wan'er.
1995 "there is love in the world after the legend of the white snake" is decorated with Xiaoqing.
1998 Journey to the West as Guanyin Bodhisattva.
1999 "Lotus Boy Nezha" is played by Mrs. Yin.
In 2000, Family Affairs was decorated in red.
Related reports:
Ding Lan wandered between the two places in pursuit of glory (2006/02/23)
Ding Lan.
1983, China movie star Ding Lan came to Singapore National Theatre to perform martial arts for the first time, which left a good impression on Singaporeans for their diligence, simplicity and clean living environment, and laid the foundation for her future settlement. Today, 20 years later, she frankly and sincerely shared her personal experience of shuttling between New China and New Zealand and deepening the people's feelings in the two places with readers of Xintiandi. Ding Lan, a modern woman who dares to choose and is loyal to her temperament; From her energetic eyes, we can also see Singapore in the past and China now.
199 1 year, with the aura of the heroine of the famous film Shaolin Temple starring Jet Li, Ding Lan came to Singapore Radio and Television Station (now a new media) from Beijing to be an actor.
In 200 1 year, as a citizen of Singapore, she resolutely bid farewell to Singapore and went to Beijing to start a new chapter in her life. This time, she left her film career for ten years without hesitation and joined the ranks of TV actors.
Two years ago, she not only bid farewell to Singapore, but also bid farewell to her colorful career for 20 years, trying to find a more authentic self.
Leave the screen and open a boutique.
Since leaving the new media, she has established a family boutique company, and its business has expanded to all parts of China, Australia and local areas. Leaving the screen, she is still as bright as ever today.
She said: "Now Singapore is where I live and Beijing is where I work."
She said 1983 When she first came to Singapore, she was deeply attracted by Singapore because China and Singapore were completely different environments at that time, including the vitality of Singaporeans, clean government and clean environment.
China "moved".
However, by the end of 1990s, she found that things were slowly changing. China's economic opening has made it a vibrant country, as she saw in the 1980s. In contrast, she feels that the pace of Singapore seems to have slowed down and the whole society has become "quiet".
Especially after returning to China, she saw crowds and voices everywhere. She wondered why Singapore had lost such vitality. However, she still couldn't say why.
She said: "This is purely my personal opinion. I found that people are not as kind as before, which may be related to the impact of the financial turmoil, so that Singaporeans seem to have changed. "
In her personal career, she began to find that her passion for performing arts was limited by the objective environment. She said: "At present, the film and television circle and the whole market are dominated by young idols, even if you have 20 years of acting skills?"
So, she saw the potential of the emerging consumer groups in China, and gave up movies on 200 1 and went to China to do business. At that time, she thought to herself, "Time is precious, so leave quickly, or you will lose the opportunity."
Don't rush to criticize the investment in China.
Summarizing her business experience for more than two years, she said, "China has great economic potential. For foreign businessmen, this is a market worth spending time in, for example, spending the first half of the year or even a year to understand the consumption trend in China. For many Singaporean friends who come to China, I think patience is very important. "
She believes that Singaporeans can spend more time getting to know the local people in a new environment instead of criticizing them from the beginning.
She said that compared with the Chinese in New China, Hongkong and Taiwan Province, Singaporeans are the most simple, but this feature may also lead to Singaporeans being more conservative in general.
A beautiful girl born in Zhengzhou, Henan Province, made a name for herself in the film industry in Beijing when she was young, and her reputation resounded throughout Southeast Asia. After that, I came to Singapore and went back to the original starting point. What position does Singapore occupy in the spiritual map of Ding Lan?
End a marriage and let nature take its course.
In her mind, Singapore is a place to live, and she has bought her own home. Because of her, her sister and brother went to live in Singapore, and her parents often came to live in Singapore.
After ten years in Singapore, she ended a marriage, and Ding Lan was always optimistic about her future emotional destination, saying that everything would go with the flow.
She said: "In the past ten years in Singapore, I feel that I have gained and lost, and I have grown in all aspects. Singapore has let me see a broader and bigger world. "
Ding Lan, who claims to be in his thirties and forties, takes China and Singapore as the main life scenes, looking for different highlights for every decade of his life. The cultural differences between the two places overlapped her joys and sorrows, and also enriched her life experience.
The principle of making friends: seek common ground while reserving differences.
When she came to live in Singapore, Ding Lan first thought that Singaporeans had the same skin color and hair color, so there would be no distance. Later, she found that Singaporeans and China people really belong to two countries because of cultural differences.
She said: "Due to the geographical environment and education, there are great cultural differences between Singaporeans and China. When I associate with friends in Singapore, I hold the principle of' seeking common ground while reserving differences'. I never force others to agree with me, but we must understand each other's ideas. "
When she first came to Singapore, she said that she was really uncomfortable. As a movie star, she was treated well in China, and has always been the heroine in The Opportunity to Show. However, all this changed after she came to Singapore.
The heroine in the first play really wants to go back.
She said: "I don't think I am as valued as before. I really can't accept it at once. However, when it comes, it is safe. Since you have chosen a more comfortable environment, you can't do without work, so work hard. "
She remembers that her first play in new China was Years of Sorrow and Joy. At that time, she really wanted to go back to China because she found that she was not the heroine. This struggle lasted for a year or two, and she gradually got used to it and fell in love with TV production, especially being able to interpret different types of roles, which was "very enjoyable".
I have never been really happy after acting for twenty years.
Although he has been engaged in performing arts for 20 years, Ding Lan told reporters that he didn't feel really happy during this period.
She said: "Whether it is film or TV, it is a collective assignment, and it is impossible to meet everyone's requirements. However, what I am doing now can rely on my own appreciation ability to purchase goods around the world and even find someone to design. "