Does the illustration company have branches?

Yes. Illustration economic agency is an agency that contracts and represents professional illustrators. AgentPekka is an illustration economic agency from Helsinki, Finland, with branches in Amsterdam, Los Angeles and New York. And dedicated to 3D, animation, illustration and layout design. Why do illustrators need agents

Generally speaking, illustrators seek out agents in order to get more job opportunities and hone their painting skills in actual practice.

Not all illustrators need an agent. For example, illustrators with low skills, very high skills, or those who think they have very high skills generally do not need to find an illustration agent. The former does not have an agent. If you are willing to take over, no agent can take over the latter.

First, it has its own characteristics, but there are still certain differences between the style and the mainstream needs of the illustration market.

Second, I really love painting and have a certain level, but it has not yet reached the level of perfection. My limited energy should be invested in improving my painting skills.

First, it can provide more job opportunities for painters.

Second, it can ensure that the painter has stable economic income.

Third, be able to guide the artist's creativity in a developable direction, and have good communication with the artist, so that the artist can be confident every time he takes an order.

Fourth, commission according to industry regulations and not be greedy.

I personally believe that there should be a two-way partnership between illustrators and agents.

Then I think such a painter should not hire an agent. Everyone has selfishness, but there must be a "measure". When people are in the world, if you don't leave room for others, you don't leave room for yourself. This is the most basic truth.

Clients respect good brokers and think of them as intelligent filters. When a client hires an illustrator through an agent, they hope that the illustrator can create excellent works of varying levels and requirements. Professional agents have various types of painters, can grasp the trends of the illustration market in a timely manner, and have rich experience in dealing with all kinds of customers, so they can meet customer requirements to the maximum extent. In a sense, the illustration agent plays the role of a dispatcher and commander. If the customer is the commander-in-chief, then of course he is willing to assign tasks to commanders instead of assigning them to every soldier personally.

For clients, choosing a good broker to cooperate with firstly makes management easier, and secondly it saves a lot of energy and time. I can make clients feel as comfortable as smoking a cigarette. This is my ability. . If a client is allowed to directly face painters with different personalities, will he feel this way? Everyone is happy to get along with people they like, and clients are no exception. Especially for clients in Taiwan, due to strict publishing laws, they know who every artist used by the agent is. However, as far as I know, the Taiwanese publishing market is still dominated by mainland illustrators such as We Shui De Ou Chiba Xing and so on. Studio control, plus more than twenty top independent painters. For a publishing unit, the fewer artist groups it has to deal with, the more energy and money it saves. I won’t go into the specific reasons for this.

As an illustration agent, another advantage is that you can form a group to fool around. Some jobs cannot be won by an artist working alone. For example, some customers stipulate that payment should be settled for five pieces, or ten pieces, or even a few months later. If you are an independent painter, accepting such an order will cause a lot of psychological pressure, and it is indeed It's really a big risk. If you take over through a strong and reputable illustration agent, then all risks and pressures will be borne by the agent. The artist only needs to work hard to draw. Many customers have different attitudes towards illustration agents and independent painters for many reasons. , I couldn’t explain it at the moment. All in all, it’s not easy for a client to deceive an experienced illustration agent out of money. Because this is what I do for a living. My main energy is not spent on painting, but on studying how to deal with customers all day long. This is my only strength~~~ I dare not say that I will never fail, but The fact that I can survive until today at least shows that I still have a certain ability. . .

How about Guangzhou Illustrator Culture Development Co., Ltd.?

Guangzhou Illustrator Culture Development Co., Ltd. is a limited liability company (natural person investment or holding) registered on June 25, 2018. Its registered address is located at Building C, No. 143 Yansha Road, Luopu Street, Panyu District, Guangzhou 203 (self-declaration).

The unified social credit code/registration number of Guangzhou Illustrator Culture Development Co., Ltd. is 91440101MA5AY4HA1H. The corporate legal person is Zhou Xiaonong. The company is currently in business.

The business scope of Guangzhou Illustrator Cultural Development Co., Ltd. is: film and film and television program production; cultural and art consulting services; educational consulting services; large-scale event organization and planning services (large-scale events refer to parties, sports games, celebrations, art and model competitions, art festivals, film festivals, charity performances, exhibitions, etc., activities that require special approval should be operated after obtaining approval); calligraphy and seal carving creation services; art (art) works, collections appraisal, consulting services; collections Repair and maintenance services of works; literary and artistic creation services; sculpture art creation services; art (art) art mounting and encapsulation services; painting art creation services; art (art) art creation services; public welfare performances and competitions with mass participation Planning of cultural activities; art exhibition brokerage and agency services; cultural and entertainment brokerage; literature and art (art) brokerage and agency services; indoor handmade entertainment services; commodity retail trade (except licensed products); Internet product sales (licensed and approved products) Internet product retail (except licensed products); Internet product retail (excluding licensed products).

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