When human nature is lost, human beings will become more cruel than wild animals. They kill each other and regard each other as experimental objects. This is the real history.
In the northeast of China, a so-called scientific experiment-quick freezing experiment is being carried out in the laboratory of Japanese 73 1:
The experimenter's hand was forcibly stuffed into the quick-freezing cabinet at MINUS 190 degrees, and it didn't take long for the quick-freezing hand to become hard and brittle, even the experimenter himself didn't have time to perceive it. The experimenter hit the experimenter's hand with a stick, and his fingers fell off like ice petals, but the experimenter didn't even feel any pain. When the temperature rises, the hand doesn't exist …
This is the horror picture presented by Tun Fei Mou, a famous Hong Kong film cult director, in Black Sun 73 1 released in 1988. This film should be the most extreme and authentic record of atrocities against the Japanese army in all versions, and it is called the first "third-rate" film since Hong Kong started shooting.
The film profoundly reveals the crimes committed by Japanese 73 1 troops in the northeast with extremely realistic style, and presents inhuman frostbite experiments, bacterial bomb experiments and vivisection experiments in the form of documentaries.
This film was criticized as too real and horrible, and many post-80s netizens should remember it. Some of them watched it under the organization of the school or watched it on CCTV 6. They all say that this is a real childhood nightmare and they don't want to open these pictures again.
1995, Tun Fei Mou's return work "Black Sun Nanjing Massacre" was released. The film tells the story of the siege of Nanjing in 1937, the bloody battle between China and Japan, and the Japanese army's crazy slaughter of unarmed Japanese people.
As a taste-oriented director, Tun Fei Mou naturally shows scenes such as murder competitions, stabbing children and abusing women. At the same time, the film also shows the aggressive logic and remarks of Japanese high-level, exposing their narrow and arrogant nature.
In the same year, the film "Nanjing 1937" directed by Qin, Han and Rene Liu was released, and the Black Sun was considered to be forced to give way and spread underground.
In addition, there are two versions of the Black Sun series, namely the Black Sun Killing Factory and the Black Sun Death Train.
Among them, The Killing Factory tells the tragic experience in the military camp and the horrible experience in 73 1 proving ground from the perspective of a Japanese soldier. Many scenes are taken directly from the Tun Fei Mou version of the film.
"Death Train" describes the story of Japanese soldier Ito who was infected by cutting his hand while destroying a hotbed of bacteria and fled to a train when Japan was defeated.
These two sequels are directed by He Zhiqiang, a Hong Kong B-class film director. Although it is a sequel, the pattern and power have been reduced to ordinary thrillers.
Although the film series "Black Sun" has become shocking, it shows only a part of Japanese crimes, which is only the tip of the iceberg compared with the real history.
We are lucky that the younger generation has not experienced this catastrophe, but we can vaguely feel the blood shed by our ancestors.
The law of the jungle, used in human society, is by no means alarmist, blindly moral condemnation, so powerless in the face of powerful aggressors. When the three-person attack the earth people and reduce the dimension, no amount of condemnation is useless. Therefore, it is fundamental to make yourself strong.
Mr. Lu Xun wrote half a century ago: "May the young people in China be able to do things and make sounds, have a little heat and a little light, just like fireflies, or shine a little light in the dark without waiting for the torch light."
Today, these words are still so alarming.