Liu Shenxu was one of the poets with high achievements in the prosperous Tang Dynasty. These five volumes of poems were still circulating during the Kangxi period of the Qing Dynasty, but they were destroyed on the day when Sikuquanshu was completed. The only work we can read today is the whole Tang poem 15. Liu Shenxu's poems have been highly praised throughout the ages. Yin Kun, a poet in the Tang Dynasty, selected and recorded 234 poems by 24 poets, praised Liu Shenxu as a family, and selected as many as 1 1 first, ranking fourth after Chang Jian, Li Bai and Wang Wei, and listed it as a masterpiece in Linghe, Yue Ying, and commented on his poems: Feeling quiet and wanting to flourish. Song Wan, a A Qing dynasty man, wrote in the inscription "Friends and Tang Yi": "Recite Liu Shenxu's poems, don't suffer from them." His poems are all selected from 300 Tang Poems and Selected Poems, except Harmony. There are biographies of him in Chronicle of Tang Poetry and Biography of Talented People in Tang Dynasty. He was also mentioned in the History of China Literature compiled by the Institute of Literature of China Academy of Sciences. Liu Shenxu is not only outstanding in poetry, but also noble in character. According to Daoguang's Fengxin County Records, Jason Wu, then the secretariat of Hongzhou (now Nanchang), changed his hometown of Fenghua to "filial piety" in recognition of Liu Shenxu's "filial piety". Liu Shenxu kept close contacts with contemporary Meng Haoran, Wang Changling and Gao Shi, and forged deep feelings, leaving many poems that complement each other. Liu Shenxu's representative works include Queti: On a Road Reaching White Clouds and By a Spring Reaching the Bluest River. Petals falling from time to time drift with the tide, and the fragrance in the water floats far away. In the quiet city of Jingmen, facing the winding mountain road, there is firewood and copper for reading in the depths of Liu Yin. Every time the sun passes through the quiet Liu Yin, beautiful light shines on my clothes.