During the Han, Wei and Six Dynasties, Fu was the main form of literary creation, and Liu Xie listed Shuowen Jiezi as the fourth chapter of Stylistics and the eighth chapter of the book. Interpretation means explanation, and Shi Fu is an explanation of Fu creation. "Wen Xin Diao Long Shi Fu" says: "Seeing the husband and Xun knot argot, the number of things is self-sufficient, and the Song Dynasty talks a lot, which is really lewd. Mei Cheng's "Tu Yuan" is new; Like "Shanglin", the variety is rich and colorful; Jia Yi's Owl is different from rationality. Zi Yuan's Dong Xiao has a poor phonological capacity; Meng Jian's "Two Capitals" is elegant and smart; Zhang Heng's The Second Beijing was a great success. Ziyun's "Ganquan" constitutes a profound wind; Yan Shou's "Lingguang" contains the trend of flying: all these ten schools are also heroes. 」
Translate this passage in Interpretation of the Text into the vernacular as follows: "The essays you try to read mostly describe things in the form of" argot ",and often ask yourself and answer yourself: Song Yu's prose is indeed an excessively gorgeous beginning; Mei Cheng's "Liang Wang Tu Fu Yuan" is concise and combined with new ideas; Sima Xiangru's Shanglin Fu is rich in content and colorful in language. Jia Yi's Bird Fu is good at reasoning. Wang Bao's Ode to the Cave Flute can describe the shape and sound of the flute incisively and vividly. Ban Gu's Fu on Two Capitals has beautiful words and elegant and substantial contents. Zhang Heng's Erjing Fu is vigorous and rich in meaning. Yang Xiong's Ganquan Fu contains profound and beautiful lessons. Wang Yanshou's "Lu Lingguang Dian Fu" is full of momentum and vivid. The above ten schools are all excellent works in Ci and Fu. 」
Warring States people:
1. Xun Kuang: Shanxi native.
Song Yu: A native of Xiangfan, Hubei.
Han dynasty:
[13] Meicheng: Huai 'an, Jiangsu.
4. Sima Xiangru: A native of Chengdu, Sichuan.
Jia Yi: A native of Luoyang, Henan.
[6] Wang Bao: Sichuan Zizhong.
Ban Gu: A native of Xianyang, Shaanxi.
⒏ Zhang Heng: A native of Nanyang, Henan.
Yang Xiong: A native of Chengdu, Sichuan.
⒑ Wang Yanshou: A native of Xiangfan, Hubei.
(1) Xunzi
Xunzi (about 365438 BC+03-238 BC), Han nationality, was named Qing, also known as,. Xunzi was the first person to write fu with a name and a question-and-answer style. Together with Qu Yuan, Xunzi is called "the ancestor of Ci and Fu". His prose is actually prose, which is a kind of prose style. Like other philosophical essays of pre-Qin philosophers, it has a unique style-it is not only good at expounding profound truth with diversified metaphors, but also neat, concise and rigorous sentence patterns. Xunzi's fu can be called "the text of Confucianism". Xunzi's Fu Pian is the earliest one in China, which embodies the characteristics of originality, comprehensiveness, practicality and randomness of pre-Qin Ci and Fu. During the "pre-Qin" period of the Zhou Dynasty, poems, essays, ci, fu and other styles were readily available, which was a great sight. Among them, Fu is an intermediate style between poetry and prose, and so is prose poetry. In addition, Fu-style literature in the Warring States Period was the pioneering work of China's romantic literature, and it became the source of some later literary styles, literary phenomena and even literary skills. This is the function of Cifu Encyclopedia as an open source. In the pre-Qin period, the society showed a pattern of great turmoil, great change and great reorganization. At that time, the literature was generally practical, that is, realistic style. The romantic poem Li Sao by Qu Yuan was also to reveal and solve the social reality of the rise and fall of Chu State. As for the arbitrariness of pre-Qin ci and fu, it refers to its original ecological context, and a poet with personality must have his own ci and fu. For example, Qu Yuan was the most individualistic poet in the Warring States Period, and his Li Sao was the most individualistic prose poem. He vented his anger all over and never "hid the scriptures."
Xun pian (author-Xun Kuang)
There is a great event, neither silk nor silk, which is logical; Not a day or a month, but Rand Park Jung Su. The living live long, and the dead are buried. The battlements are strong and the three armies are strong. Essence is king, refutation is abundant, and all die. I am ignorant, dare to invite your majesty?
The king said, "Who cares if this man writes and doesn't take it?" ? Easy to understand, but reasonable? What is respected by a gentleman but not by a villain? If you don't have sex, you are an animal. If you have sex, you are elegant. If a man is prosperous, he is a saint, and if a vassal is prosperous, he is a man of the four seas. The appointment went well. Please come back. 」
The emperor's heaven magnified things to show the charity to the people, with different thickness and often uneven. Tang Wu is wise to be resolute in chaos. Tang, Huang Mumu. I have traveled all over the world and never worshipped the sun. A gentleman needs to be repaired, but he needs to wear a hall. Great, subtle, righteous words, successful career. You can ban violence and poverty, and people will stay. I am ignorant and would like to ask his name.
He said, "This man is safe and peaceful, but what is dangerous is evil. Is cleanliness a relative, and impurity a virtue? Is it evil to hide it and have enemies outside? Is it evil to follow the law and trace it back? What's wrong with quiet and decent behavior? The essence of blood and gas, the glory of ambition, the people will wait for it and then decide, and the world will wait for it. The understanding is pure and flawless, and the husband is called the knowledge of a gentleman. 」
If something happens here, it is moved by Zhou Jing, whose movements are tall and huge, whose circles are quite satisfactory, and whose sides are lofty, virtuous and gentle, subtle and full of tolerance. Suddenly far and near, the opposite is true, salty all over the world. Virtuous and generous, don't donate, write with five preparations, exhaust, and meet the great god, which is different and I don't know the door. If you lose the world, you will die, and if you gain the world, you will survive. Disciples are not sensitive, this wish is true, gentlemen have words, please measure.
Yue: "Who cares if this husband is too big to fit in? What about those who fill the big space but don't push it, but don't push it into the hole? Who travels far and fast, but can't ask for information? Are you tired of running back and forth, but you can't be an impregnable sniper? Violent killing, but not avoiding it? What's more, what's more? Traveling on the ground, being friends with wind and rain, cold in winter, hot in summer, full of energy, please return to the clouds. 」
There are things here, (people) (people), and they are like gods, and their merits are all over the world. Rites and music succeed, divide the high and low, help the old and the young, and then be saved. The name is not beautiful, adjacent to "violence". If you succeed, you will lose your body. If you succeed, you will lose your family. Abandon its old man and accept its offspring. People are good, birds are bad. I am ignorant, please take advantage.
Wu Tai said, "This man has a good figure and a good woman, but who is the leader?" ? Those who don't live long? Kind, strong and clumsy old man and? Who has parents but no offspring? Traveling in summer in winter, eating mulberry and spinning silk, before the chaos, living in summer and hating summer, liking wet and hating rain, pupae miss their mother, moths miss their father, and things are big, so the husband is called silkworm management. 」
Here is something, born in Fu Shan, in the hall. Ignorance is not coincidence, but good clothes. Don't steal, don't steal, get dressed. Leave a day and a night to write an article. In order to cooperate, but also for a good balance. Under the people and above the emperor. Great achievements, but not virtuous. Use it, then save it; If you don't use it, you will die. I am ignorant and dare to invite you.
The king said, "This man was a great man at first, but his success was small. He was evil. A long tail is evil. Is arrogance evil? Along the way, nothing has been achieved. Without feathers and wings, it is extremely repetitive. The tail is born and the thing begins, and the tail is already. Think of it as a father and a mother. Sew the surface inside: the husband is the truth. 」
When the world dies, I would like to ask Chen Yishi: "Heaven and earth change places, and the four seasons change places. The stars fall and the twilight is boundless. The shadows are shining and the sun and the moon are shaded. Impartial, viewed horizontally. Love public welfare, build a heavy building and disperse the hall. Selfless sinners make two soldiers. Morality is pure, and words are necessary. Benevolent people have few promises and are arrogant and violent. There are hidden dangers in the world, and I am afraid of losing it. Dragons are dragonflies and owls are phoenixes. See you at work, Confucius. We know what we know, we are sad when we meet, we are reckless when we are polite, we are blind in the world, and our troubles are endless. Chitose will be rebellious, which is common in ancient times. Disciples study hard, but they never forget. It takes a few days for saints to be United. If you doubt fools, you are willing to turn your back on them. 」
His ditty said, "There are too many people who miss far away. Good people lack commitment, and violent people are arrogant. Loyal ministers are in danger, and people want them. 」
Xun, Yu, Yao and Zhu, I don't know Pei, and I don't know the difference between miscellaneous cloth and silk. The son of the son is extravagant, and the media of Mo is also; Mo Mu's strong father is a pleasure. Take blindness as light, deafness as wisdom, danger as security and happiness as evil. Oh! Oh, my god So is Vivian!
[2] Song Yu
Song Yu, also known as Ziyuan, Han nationality, a native of Chu, was an assistant to the king of Chu. According to the "First Man" in Old Records of Xiangyang, "Song Yu was also a Chu man". So Yicheng has Song Yuzhong. Song Yu, born after Qu Yuan, is said to be a disciple of Qu Yuan. He was a poet who was as famous as Le Tang and Jing Ke after Qu Yuan at the end of the Warring States Period. The allusions of the so-called "Xialiba people", "Yangchun Baixue" and "Qugao and Widow" all come from Song Yu. According to legend, Song Yu wrote a lot of ci and fu, which was first seen in volume 30 of Hanshu and volume 10 of Yiwenzhi, ci and fu 16. At present, the surviving works are: (1) Nine Arguments Evocation, which is found in Wang Yi's Songs of the South; (2) Xiao Tong's Selected Works contains five articles: Feng Fu, Gao, Goddess Fu, Luo Shen Fu and Chu Wang Wen; ⑶ There are 6 pieces of Fu on flute, Fu on big eyes, Fu on small words, Fu on satire, Fu on fishing and Fu on dancing, which can be found in Zhang Qiao's Ancient Wenyuan; (4) Three pieces of Gaotangdui, Wei Yongfu Dui and Ying Zhong Dui were found in Wen Guang Xuan by Liu Jie in the Ming Dynasty. There are 16 articles on it, but the authenticity of these works is mixed, so it is difficult to confirm that it was really written by Song Yu. Only 1 piece of Nine Arguments is credible without objection. Others are suspected to have been written by others, such as the most controversial "Evocation of Soul", and most people think that it was written by Qu Yuan. As for Gao, Goddess Fu, Disciple Fu and Phoenix House, some people also questioned it. Song Yucheng's Ci and Fu of Qu Yuan not only has a delicate description of things, but also has a natural and appropriate lyric description. Although his achievements were not as good as Qu Yuan's, Song Yu acted as a bridge between Chu Ci and Han Fu, and later generations respectfully called Qu Yuan and Song Yu "Qu Song".
Song Yu's Da Yan Fu said: "King Xiang of Chu traveled in Taiwan with Le Tang, Jing Ke and Song Yu. The king said, "I can sit on the table for those who talk big." The king of Qi said sadly, "Cao Cao is too arrogant, bleeding to the sky, and the car can't be sharp. When he arrived in Le Tang, he said, "A strong man is angry, but he is too arrogant. Beidou is too arrogant. " Arriving at the scene, the messenger said, "The school police were so fierce that Hao Tao laughed and laughed, which destroyed his thoughts. Sawtooth cloud? Very big, stick out your tongue and Wan Li will spit for a lifetime. " He said to Song Yu, "The square is the car, the round sky is the cover, and the sword leans on the sky." The king said, "Not yet. "Jade said," Swallow four barbarians and drink dry rivers and seas; The more I go to Kyushu, the more I go to Rong Zhi; When you are big and full, you can't worry too long. According to the ground If you divide the day, you can't force your head up. " 」
Song Yu's Da Yan Fu seems to be more famous than his Goddess Fu and Gao, which can be seen from specific cases, such as: I like the charm of Da Yan Fu very much, and I personally wrote a short version of Song Yu's Da Yan Fu: "The square is the space, and the round sky is the cover; Geng Jie, Eternal Sword. 」
[3] Mei Cheng
Mei Cheng (□-Qian 140), Han nationality, uncle Zi, was a lyricist in the Western Han Dynasty. Qin Bamboo Slips were from Huaiyin (now He Xia Town, Chuzhou District, Huai 'an City, Jiangsu Province), and Mei Cheng's former residence was near the lakeside of the town. Zhao Tuo, a poet of the Tang Dynasty, was also born by the river in Chuzhou District. Zhao Tuo left a poem "Home is near Gao Mei's former residence", and Gao Mei is Mei Cheng's son. The old Huai 'an City, now Chuzhou, is an important city beside the ancient Grand Canal and one of the four capital cities of the Canal. Mei Cheng, a literary attendant of Liu Bi and Wu Wang, is famous for remonstrating with Wu Wang twice before and after the "Seven Kingdoms Rebellion". Before the Seven Kingdoms Uprising, he wrote a letter to remonstrate with the prince of Wu. During the Seven Kingdoms Rebellion, the King of Wu was advised to stop fighting, but none of them accepted. Emperor Han Jingdi was worshipped as a captain of Hongnong, but Mei Cheng didn't like being an official and went to be an official because of illness. When Emperor Wu of the Han Dynasty ascended the throne, he was recruited again. He died halfway because of his advanced age. Meicheng literature is mainly composed of Ci and Fu, and The History of Art and Literature Written by Han Dynasty recorded nine Ci and Fu in Meicheng. There are only three pieces of Qi Fa, Liu Fu and Tu Fu Yuan, and the last two pieces are suspected to be forgeries. Qi Fa, the representative work of Meicheng's Ci and Fu, can be found in Selected Works of Southern Dynasties. This ironic ci fu marks the formal formation of prose style in Han Dynasty. The question-and-answer form of subject and object initiated by Mei Cheng in Ci and Fu became the stylistic formula of later Ci and Fu, which was called "parallel prose". In the section of "Observing the Tao" in "Seven Hairs", the sound is numerous and promotes the festival, and the spirit is strong and the eyes are surprised. Look:
"If you don't remember, you will smell it in the teacher's words, like a god rather than a person. Three: Thunder and thunder can be heard in a hundred miles; The river goes against the current and the sea rises at high tide; Out of the clouds, day and night. Diffusion and drift, waves surge and rise. From the beginning, it was raining cats and dogs, flying like an egret below. Not so advanced, and vast, like a white horse with an ordinary car. Its waves are turbulent and clouds are chaotic, such as the disturbance of the three armies. Those who rushed from the sideline were as high as a good soldier. Six dragons, too white, pure and unrestrained, endless stream. Parallel and vigorous, strong and strong, Shen Xin will. The barrier is thick and solid, and the piles are like military lines. It is not appropriate to hide in Hungary and rush into the market. Look both ways. Then, the sea is full of depression, the desert feels sudden, the law is from top to bottom, the soldiers are brave and strong, and they are angry without fear. Jumping off the wall to Tianjin, poor Song followed Wei, and the shore was chased. If you meet someone, you will die. When you meet someone, it's broken. At first, the surrounded or surrounded Tianjin Cliff was divided into valleys. Go back to Qing Xiang and accept the title of Huan Tan. The mountain of five sons is a festival that runs through the field of bone mother, like thunder. Sincere excitement and martial arts, such as arousing anger. Confused and muddy, it looks like a galloping horse. The gangsters screamed like thunder drums. Anger piled up and rose from the ground, and Hou Bofen rallied and fought at the loan. Birds can't fly, fish can't return, and animals can't walk. One after another, the waves are rushing and the clouds are chaotic, swinging the south mountain, hitting the north shore with the back, covering the hills and leveling the west bank. Play a dangerous game, break up the pond and win the battle. It gurgles and splashes. At the height of the violence, the fish and tortoise lost their strength, turned their bodies upside down and continued to survive. The wonders are beyond words, which makes people sad. The world is strange and mysterious, but can the prince strengthen it? " (Excerpted from Mei Cheng's Seven Hairs)
[4] Sima Xiangru
Sima Xiangru (about 179-□), a great lyricist in the Western Han Dynasty (a representative writer of Han Fu, later called Fu Sheng), Han nationality, a native of Shu County (Chengdu, Sichuan, Peng 'an, Nanchong, Sichuan), was originally named Sima Changqing, and changed his name because he admired Lin Xiangru, a famous Warring States player. The story of his elopement with Zhuo Wenjun is also widely circulated. When Sima Xiangru was in his twenties, he bought an official-a martial artist. He is a man who doesn't like being an official, but Jingdi is just not good at expressing himself. This situation is counterproductive. Once, when Liang Xiaowang and Liu Wu came to North Korea, Sima Xiangru was able to make friends with some composers at that time, such as Zou Yang, Meicheng and Zhuang Ji. Later, he resigned due to illness and went to Emperor Liang to work with these like-minded scribes. At this time, he wrote Zi Xu Fu for Liang Wang. After Liu Wu's death, Sima Xiangru returned to his hometown of Lin Qiong, Sichuan, and lived a poor life. Later, after the death of Emperor Jing, Liu Che ascended the throne. By chance, Liu Che saw Zi Xufu and thought it was an ancient work, sighing that it could not be contemporary with the author. At that time, Schumann Yang Deyi, who worked for the dog prison in Liu Che (the hound in charge of the emperor), said, "This gift was made by my countryman Sima Xiangru." Liu Che exultation, called into Beijing, Sima Xiangru said, "Zixu Fu, just write about the hunting of princes, please allow me to make an essay on the hunting of emperors", which is the companion piece of Zixu Fu, Shanglin Fu. This fu takes "Zi Xu", "Mr. Wu" and "Death for the public" as camouflage characters, and is set to ask and answer, which creates a new pattern of great fu in Han Dynasty. As soon as this task came out, he was appointed Lang. Sima Xiangru's literary achievements are mainly reflected in his Ci-Fu: Zi Xu's Fu and Shang Dynasty are found in Historical Records and Biography of Sima Xiangru; Hanshu contains twenty-nine poems by Sima Xiangru. There are six poems: Zi Xu Fu, Tian Zi You Hunting Fu, Ren Da Fu, Changmen Fu, Beauty Fu and Mourning for Qin Ershi, as well as Li Fu, Fish Fu and Zishan Fu. Sui Shu Jing Ji Zhi has 1 Volume Sima Xiangru Collection, which has been lost. His masterpiece is Zi Xu Fu. Changmen Fu is the most famous one in Sima Xiangru, but it is not recorded in the history books. It was first seen in Selected Works of Zhaoming edited by Tong in the Southern Dynasties, but some people later suspected it was a forgery. Sima Xiangru's Fu is not only magnificent in structure and flowery in rhetoric, but also vivid and vivid. It also makes good use of the structural characteristics of Chinese characters and has a strong visual sense in the arrangement of glyphs, such as the combination of dozens of mountain prefixes, fish prefixes and grass prefixes. Sima Xiangru is recognized as the founder, master and aesthetician of Han Fu (Sima Xiangru also fully explored the aesthetic law of Fu creation). Yang Xiong said: "The symbol of Changqing doesn't seem to come from the world, and its deification is evil! Lu Xun commented in the Outline of China Literature History: "When Emperor Wu of the Han Dynasty was studying, he gave Murray Sima Xiangru and Sima Qian of Wen Ruo. 」
[5] Jia Yi
Jia Yi (200 BC-65438 BC+068 BC), a native of Luoyang, Han nationality, was a famous political commentator, writer and representative writer of Sao Tifu in the early Western Han Dynasty. 18 years old, famous. When he was young, he was recommended by Wu Gong, the prefect of Henan Province. In his twenties, Emperor Wen called him a doctor. In less than a year, he was promoted to a doctor in Taichung. But at the age of 23, due to the jealousy of ministers, he was demoted to the teacher of King Changsha. Later, he was recalled to Chang 'an and became the teacher of Liang Huaiwang. After the death of King Huai of Liang, Jia Yi felt deeply sorry for himself until he died of grief at the age of 33. In Jia Yi's short life, there are many classic works, and his main achievements are prose and ci fu, among which ci fu is the most famous.
[6] Wang Bao
Wang Bao: Zi Ziyuan, a famous poet in the history of China (especially a representative writer who wrote short poems about events in the Han Dynasty), lived in the Western Han Dynasty, and his literary creation activities were mainly in the reign of Emperor Xuandi of the Han Dynasty (73- 49 years ago) and middle school students in Sichuan (now Mo Chi Dam, Yanjiang District, ziyang, Sichuan). Xuan Di, the Emperor of the Han and Yuan Dynasties, believed in immortals and loved hunting. He listened to the words of the alchemist and sent Wang Bao, who had worked in Beijing for a short time, back to Yizhou to worship the legendary "Golden Horse and Chicken Treasure". Unexpectedly, he got sick on the way and died halfway. Wang Bo's Ci and Fu had a great influence on later generations. Up to now, there are still 16 pieces of Ganquan Fu and Dong Xiao Fu, which are also called "deep clouds" with Yang Xiong. In the Ming Dynasty, Yang Shen selected Wang Bao's works in the Annals of Sichuan Literature and History, and wrote the poem "The Palace of the Prince's Garden": "Ye Wei Ganoderma lucidum is beautiful, and Ziyuan algae is caught to talk about China. Emperor Wu of the Han Dynasty did not praise good ministers, but only taught imperial secretaries to chant Dong Xiao. This poem praised Wang Bo's ability of ci and fu. Indeed, Wang Bo is particularly good at "chanting poems about objects and small poems", and his masterpiece in this respect is "Dong Xiao Fu". Dongxiao is an ancient musical instrument with a quiet range, which is widely used by the court and the people. For example, the poem "Dong Xiao Fu" said: "The morning dew is cold, but unpredictable, and the jade liquid infiltrates and inherits its roots. The solitary crane wins its entertainment, and the spring birds are flying. Autumn silk doesn't eat, but sings, and the mysterious ape cries sadly. In seclusion and seclusion, thick desert oil is mixed with otters. 」
(7) Ban Gu
Ban Gu (eight years of Jianwu-four years of Yongyuan, or 32 -92 AD), Han nationality, born in Fufeng Anling (now northeast of Xianyang, Shaanxi), son of historian Ban Biao, official, historian and writer of the Eastern Han Dynasty (the most famous poet in the early years of the Eastern Han Dynasty). Ban Gu has been clever since childhood. At the age of 9, he can read poetry and fu, and 13 entered Luoyang Imperial College. Ban Gu, who was implicated in the defeat of Xiongnu, died in prison. He is the author of The History of Han Dynasty and The Theory of White Tiger and Tongde. Ban Gu is also good at Ci Fu. He is one of the most famous writers of Ci and Fu in the Eastern Han Dynasty, and he has written Fu on Two Capitals, Answer the Guest Play, Fu on a Tour, Yan Fengran and so on. Ban Gu's Ode to Two Capitals is a complete imitation of Sima Xiangru and Yang Xiong, a continuation of the Great Ode of the Western Han Dynasty, and expands the theme of the Ode to Kyoto. Then, Zhang Heng's Erdu Fu and Zuo Si's Sandu Fu were influenced by it. You Tong's Fu imitates Chu Ci, and the reception drama imitates Dong Fangshuo's Difficult Reception and Yang Xiong's Robbery of the DPRK. Ban Gu believes that Han Fu originated from ancient poems, which is "elegant in praise" and "three generations of ice and beauty are the same".
[8] Zhang Heng
Zhang Heng (built in Yonghe for three years to Yonghe for four years, or (AD 78- 139), Han nationality, Pingzi, born in Xi 'e, Nanyang, Eastern Han Dynasty (now Shiqiao, Nanyang City, Henan Province), astronomer, mathematician, inventor, geographer, cartographer and poet. Ye Fan's "Zhang Hengchuan in the Later Han Dynasty" said: "Zhang Heng was born in Ping Zi, a native of Xi 'e, Nanyang. Hengshan Mountain belongs to the literature and swims in the third auxiliary. Because when I entered the capital, I saw imperial academy, learned the Five Classics and thoroughly understood the Six Arts. Although only above the world, there is no arrogance. Often leisurely, it is not easy to make laymen. In Yongyuan, filial piety is not good, even building a house is not good. The world is long, and since the princes are wasted. Heng Nai designated Ban Gu's Er Du Fu as Er Du Fu because of its satirical admonition. If you think about it carefully, you will succeed in ten years. General Deng Zhi is so talented that he shouldn't be called when he is tired. Zhang Heng was an important poet in the Eastern Han Dynasty. He wrote more than 20 poems with beautiful meanings, such as Erjing Fu, Sixuan Fu, Wenquan Fu and Guitian Fu. Zhang Heng's creative attitude towards Ci and Fu is extremely rigorous. It took him 10 years to write Erjing Fu, which is full of irony and makes this great Fu more thoughtful. Besides, his Fu Xuan is like an elegant science fiction poem.
[9] Yang Xiong
Yang Xiong (53- 18), a native of Chengdu (now Youai Town, Pixian County, Chengdu, Sichuan Province), was an official scholar. Less studious, stuttering, well-read, better at words. In his forties, he began to travel to the capital. He saw the call in words and played Ganquan Fu and Hedong Fu. Han Chengdi and Wang Mang both served in North Korea. He is the author of Tai Xuan, Fa Yan, Dialect and Xun Bian. In his early years, Yang Xiong was extremely obedient to Sima Xiangru. The biography of Yang Xiong in the Han Dynasty said that "every time he writes a poem, he always thinks it is a style". He wrote Ganquan Fu, Hunting Feather Fu and Changyang Fu, imitating Sima Xiangru's Zi Xu Fu and Shang Fu, which whitewashed the dying Western Han Dynasty, but later generations still called them "foreign horses". In his later years, Yang Xiong said in Fa Wu Yan Zi that Fu is an act of "carving insects and sealing seals" and "forcing a husband to act". Yang Xiong also admitted that both his early Fu and Sima Xiangru's Fu were ironic and persuasive, which actually opened a precedent for criticizing literature with Ci and Fu. In addition, it also puts forward the view that "poets should be endowed with beauty and reason, and poets should be endowed with beauty and lewdness". Yang Xiong's lyrical ci-fu has more personality than his great ci-fu such as "Robbery of Tide", "Poor Fu in Zhuan Xu" and "Nine Treasures". Nine Treasures is a poem about things, All Tides is influenced by Dong Fangshuo's Answering a Guest, and Bamboo Poor Fu is a unique four-character poem with novel ideas. In addition, he imitated Qu Yuan's Chu Ci and wrote Anti-Li Sao, Guang Sao and Pan Prison Sorrow. The last two books only have titles.
[10] Wang Yanshou
Wang Yanshou, a native of Yicheng (now Yicheng, Xiangyang, Hubei), is a writer of Ci and Fu. The son of Wang Yi, a scholar of Chu Ci, traveled in Shandong in his twenties and drowned in Xiangshui. There are three representative works in Wang Yanshou's poems: Lu Lingguang's classic fu, Meng Fu and Wang Sun Fu. Among them, Lu Lingguang's Dian Fu is comparable to Sima Xiangru's Shanglin Fu, Ban Gu's Du Liang Fu and Zhang Heng's Erjing Fu, so Wang Yanshou won the position of the top ten "Ci Fu" in Wen Xin Diao Long Shi Fu. At the same time as Wang Yanshou, Cai Yong also wrote Ci Fu with the same theme, but after seeing Wang Yanshou's Lingguang Dian Fu, he felt ashamed and burned the manuscript.