Early murals: The murals of 36 caves belonging to the Southern and Northern Dynasties are all over the walls, roofs and towers of each cave. In addition to a few purely ornamental themes, the key themes include Buddhist stories with plots, stories about the birth of Buddha, stories about fate, and many brand images such as Guanyin Bodhisattva, Feitian, Lotte Geisha and Yaocha. Telling the story of the Buddha's birth before the Tathagata's birth and the story of the Buddha's biography after the Buddha's birth, with distinct themes and vivid plots, is used to spread the Buddhist concepts of modesty, kindness and causal reincarnation. Among them, the most expressive caves are Cave 254, Prince Sachana gave his life to feed the tiger, the pigeon of the king of the wall, Cave 285, the story of 500 robbers becoming Buddhas, Cave 257, Nine-color deer saving drowning and Cave 290.
Flying in Dunhuang is a personal business card of Dunhuang Mogao Grottoes and a symbol of Dunhuang culture. As long as you see the beautiful moon, everyone will think of the plastic arts of Dunhuang Mogao Grottoes. Among the 492 caves in Dunhuang Mogao Grottoes, there are basically moon-flying pictures. According to the preface made by Mr. Chang Shuhong for the plastic arts propaganda album Flying Dunhuang, "there are more than 4,500 pieces", which can be said to be the most preserved grottoes in the world.
The artistic style of flying in Dunhuang is not to grow wings and feathers, not to rely on clouds instead of clouds, but to fly with long skirts and colorful silks. Different shapes and postures. This is also the brand image written by Dunhuang Tian Fei on the basis of national tradition, digesting, absorbing and combining with the creation and development trend of foreign flying moon plastic arts. Since running to the moon only plays a foil role in the cave, it does not occupy a major position, so it is only introduced in detail in stages.