Yu Hua, a contemporary writer, is from Haiyan County, Zhejiang Province, and his ancestral home is Gaotang County, Shandong Province. He is the author of the short stories Going Out at Eighteen, Bloody Plum Blossoms, 1986, April 3rd Incident, Things Like Smoke, Inevitable Doom, Errors by the River, Classical Love, Trembling, etc., and other novels, Crying in the Drizzle, Crying in the Drizzle I have also written many essays, essays and essays. Description: Writing experience, creative process, creative characteristics, representative works "Alive" and "Brothers", online honor introduction, experience, date, month (the source of "April 3rd Incident"), Shandong Gaotang was born and raised. Born in Hangzhou, Zhejiang Province, he moved to Haiyan County with his father Hua Zizhi (who later became a doctor) and his mother Yu Peiwen (whose parents' surname is the source of Yu Hua's name). After high school, he became a dentist. Five years later, he abandoned medicine and joined the county cultural center and Jiaxing Federation of Literary and Art Circles. Yu Hua went to Luxun College of Literature in Beijing twice for further study, and met Chen Hong, a poetess who later became his wife. Because Chen Hong worked in Beijing, Yu Hua, a famous contemporary writer, later moved to Beijing to live for more than ten years. Now lives in Hangzhou, Zhejiang. Yu Huanian began to publish novels. In 1980s, Su Tong, Ge Fei and Sun Ganlu created a literary trend, which was called "avant-garde literature" by critics. His works have been translated into English, French, German, Russian, Italian, Dutch, Norwegian, Korean and Japanese, and published abroad. The novels Alive and Xu Sanguan Selling Blood were selected by hundreds of critics and literary editors as "the ten most influential works in the 1990s". He won the Italian Greenzana Carver Literature Award in, the Australian Suspense Literature Award in, and the French Literature and Art Knight Award in.

The novel To Be Alive was directed by Zhang Yimou and made into a movie of the same name. He is the author of the short story Going Out at the Age of 18, a collection of short stories such as Smoke on Earth, Teenagers in the Dusk, a collection of novellas such as I'm as timid as a mouse, and novels such as Living, Xu Sanguan Selling Blood, Brothers, Shouting in the drizzle, etc. He also wrote many essays and literary and musical reviews. Now he works in Hangzhou Federation of Literary and Art Circles. The year after I graduated from primary school, the county library reopened on 1997. My father gave me and my brother a library card. From then on, I began to like reading novels, especially novels. I have read almost all the works of that era: Guangjin Avenue, Gadfly, Hongnan War History, Xinqiao, Mine Disaster, Chun Xue, Sparkling Red Star ... My favorite book at that time was Sparkling Red Star, and then Mine Disaster. In fact, when I really had books to read, I was eighteen or nineteen, which was very sad. I have read the biography of a great poet named Eliot. By the time he graduated from middle school, he had read thousands of classical and modern classics, and he didn't need to read any more. I didn't start reading until I was his age. At that time, all the literary magazines in China had a large circulation, although the quality of literature was poor. At that time, there were no other kinds of magazines, as long as they were magazines or literary magazines, they could sell more than 10 thousand copies. Later, I read that Jack London, an American writer, wrote a letter to a young literary man. There was a sentence in the letter: You would rather read a line of Byron's poems than read more than 100 literary magazines now.

At that time, I immediately understood this truth: don't waste time on garbage, you should read classic works. Since then, I have bought many literary works that have been praised as classics for centuries ... I have a point that whether he is good as a writer depends on whether he is good as a reader. So in those years, I became a very good reader and read many excellent literary works. Although my writing style is different from theirs, I know how to judge how to grasp the narrative process. This is an important experience. When I was a child, I liked to read some difficult novels, such as Smoke. At that time, Ma Yuan said that I "wrote a very beautiful story very badly". Now I find that Castle, which I read with relish more than ten years ago, can hardly be read. I like books that I can read in one breath, such as Silent Tang, which I reread not long ago. It feels completely different from before. It's not that I'm lazy in reading. Books that I can finish at one sitting are not necessarily easy or popular. Reading and writing are closely related. Why do we have feelings for a work? I believe that it is the writer who knows how to make readers read when writing, whether intentionally or unintentionally. There are readers who are not impetuous in any era. Reading is what a person does when he is quiet. It's not a party, it's not the excitement of social concern. Writing and reading are cold and cheerless, but this state is always surging like a torrent at the bottom of the sea. I have a friend who studied western philosophy in college when he was young, and now he is a successful businessman. He has a very interesting point of view. One day, he told me, "My brain is like a pond. Other people's books are like stones. When a stone is thrown into a pond, it stirs up waves instead of stones.

Finally, he said: "So, no matter how much other people's knowledge is loaded in my mind, it belongs to others, not to me." "His exact words were used to resist the criticism of the teacher at that time. In college, he is a student who doesn't like reading. Looking back at his views now will not only be interesting, but also convince many people, but he can't stand too many refutations. Yu Hua was born in Hangzhou, Zhejiang and grew up in Haiyan. Both parents are doctors. 1998 Graduated from primary school and secondary school. I work as a dentist in a town hospital. He started writing in 2006 and entered the Haiyan Cultural Center in Zhejiang Province in the same year. The first novel star was published in Beijing Literature magazine. After that, he studied in a postgraduate class jointly recruited by Lu Xun College of Literature and Beijing Normal University. Now living in Beijing, engaged in professional creation. His main works include short stories such as Going Out at Eighteen, April 3rd Incident, 1986, Errors by the River, A Truth, Bloody Plum Blossoms, Sisyphus's Smoke, Classical Love, Boys in the Dusk, Crying in the Drizzle, Living and Xu Sanguan's Selling Blood. He is a representative writer of the "avant-garde". His early novels are very experimental, exposing the ugliness and dark corners of human nature in an extremely cold style. Crime, violence and death are the objects of his obsessive description, which exudes a strange smell everywhere and has an extraordinary imagination. The objective narrative language is in sharp contrast with the ups and downs of the horror plot, and it is particularly sensitive to the alienation of life, which gives people a shock. However, the novels he created after 1990s are quite different from the short stories in the middle and late 1990s, especially Alive and Xu Sanguan Selling Blood, which made him famous in one fell swoop, close to real life, showing a cold and determined force with a plain folk posture, and providing another narrative way of history.

Death is still one of its main themes, and extreme treatment is still looming. Creating Features Photographs of the Works of Yu Hua, a famous contemporary writer. Yu Hua's famous work is the short story Going Out at Eighteen. Before that, he published more than 20 novels, which didn't have much influence. After this work was published, it was well received by famous critics such as Li Tuo, and Yu Hua became famous. Since then, he has published many experimental works in important domestic journals such as Harvest, which shocked the literary world and readers. With the close attention of critics, he soon became the most influential work of Yu Hua, a famous contemporary writer in China, after Ma Yuan's avant-garde novels. Yu Hua is not a prolific writer. His works are famous for their exquisiteness. The works break the daily language order with pure and meticulous narration, organize a self-sufficient discourse system, and build one strange, grotesque, secret and cruel world after another on this basis, independent of the external world and the real text world, and realize the truth of the text. Yu Hua once said frankly: "I think all my creations are to be closer to reality. This truth of mine is not the truth in life. I think life is not real. Life is a mixture of truth and falsehood. " As readers of avant-garde texts rarely become famous, Yu Hua made timely adjustments. Since Shouting in the Drizzle, his works are no longer obscure, but have injected moderate modern consciousness into realistic narration, which has won the widest resonance from readers with concise brushstrokes and full emotions. Yu Hua's early novels are mainly bloody, violent and dead, and human nature is evil. He showed the dark phenomenon of man and the world.

The life in his novels is abnormal and irrational, and the characters and plots in his novels are placed in abnormal and irrational real life. As Xie Youshun pointed out: "Violence is Yu Hua's basic recognition of the nature of the world, and it is also a main word that runs through Yu Hua's novels." Yu Hua said: "The works of that period reflect an important symbol of my world pattern in the Champions League, that is, the destruction of common sense. To put it simply, what common sense thinks is impossible is a conclusive fact in my works, while what common sense thinks is possible cannot appear in my place. The first reason for this destruction is the suspicion of common sense. Many facts show that common sense is not always as true as it claims. I feel that the world has its own laws, and the colorful world is always inferred from common sense. " Yu Hua thinks: I care more about the desire of the characters, and desire can represent a person's value better than personality. In the narrative attitude, Yu Hua pursues Robert Geyer's "zero-degree writing", that is, "no-self narrative". Structurally, Yu Hua adopted the novel of time structure. He transformed physical time into psychological time, and several staggered narratives separated time and presented multiple symbols. Yu Hua's novels have made bold experiments and explorations in form and language, and the language feeling is similar to that of French new novels. Works Short Stories Collection of works by Yu Hua, a famous contemporary writer, went out at the age of 18 () Beijing Literature "Noon Whistling in the Northwest Wind" () Death Narrative Shanghai Literature () Love Story Writer () Past and Punishment Beijing Literature () Blood Plum Blossom People's Literature () Two People's History Hebei Literature () Ancestor Jiangnan () Collection of works by Yu Hua, a famous contemporary writer, "Soul Dinner", "Errors by the River", Zhongshan Reality, Beijing. Harvest is classical love, Beijing literature, this document is for the girl Liu Yang Zhongshan, an accident, the Great Wall, the summer typhoon Zhongshan, the death of a landlord, Zhongshan is trembling, Flower City is a novel, calling for the seventh day, hypocritical prose works, Shanghai literary theory, Kawabata Yasunari and Kafka's foreign literary criticism, my novel reality, today's pioneer, essays, warm and mixed feelings journey (.

The representative works "Alive" and "Alive" are Yu Hua's works of changing styles. In the narrative aspect, he gave up the avant-garde brushwork and adopted the narrative style of the contemporary famous writer Yu Hua's work "Alive" for traditional novels. But the structure can still give readers a sense of drama and imagination. According to the latest news, the famous writer Yu Hua's novel "To Be Alive" won the Greenzana Carver Award in Italian Literature Award and the Ten Best Books Award in Taiwan Province Province. Since it was republished by Nanhai Publishing Company in June, it has published about 1 10,000 copies by the end of this year. Moreover, according to the major bookstores in the capital, it is common for the book to be out of stock since its listing. In fact, Living was first published by Changjiang Literature and Art Publishing House in 1 month, but its circulation was less than10,000 copies. Why does the same book encounter different market fate when it is published twice?