According to historical records, Ji Xiaolan had one wife and six concubines, which was normal for college students who were officials in the Ministry of Rites at that time, but not normal. Very emotional, and, 1740, 17 years old, married a 20-year-old horse in a neighboring county, and respected each other for life. Mrs Ma didn't die until Ji Xiaolan was 72. He has a concubine named Wen Luan, who was his childhood sweetheart. This is very rare in feudal society. Ji's wife, surnamed Ma, appeared twice in Yuewei Caotang Notes. Appeared for the first time as a "local book". Volume 88 of Huaixi Magazine is a biography of one of Ji's maids, saying that Mrs. Ma likes this maid very much: "So Mrs. Ma finally loves her like a charming girl." The second time, she appeared as her mother-in-law Article 2 14 of the third volume of Huaixi Magazine: "The groom said that he (the second daughter-in-law) is very good at work, bearing, speaking and moral character." Ji cherish ink like gold, twice mentioned Mrs Ma, a * * * with more than 20 words. In terms of brushwork, I can't read the emotional color between husband and wife, but it looks a little polite and respectful from a distance. This is reasonable. To guess the life between Ma and Ji is nothing more than parents' orders and matchmakers' words. They got married in their teens and twenties. For a bureaucrat like Ji, the daughter-in-law to be married must be suitable and the horse must have a good family background. Education must be three obeisances and four virtues, entering the door of Ji's family, being filial to relatives and friends and being polite to Ji. When I first got married, I might be immersed in a gentle hometown with Ji for a while, but later Ji was promoted, and Ma's main responsibility was to honor his in-laws and raise children at home. Ji has room after room, and Ma's responsibility is mainly to take it as an example. When I went to Ji Xiaolan, I had my own personal property and didn't live with my parents. As a wife, Ma Shi legally became the general manager of the Ji Xiaolan family, managing the daily life of the family (although there will be a housekeeper, but at most it is the executive general manager of foreign affairs). However, Ma Shi's official duties when he was not at home had nothing to do with this, but he assumed the role of family chairman. Between Ji and Ma, the necessary transformation from the relationship between husband and wife from childhood to the cooperative relationship between family chairman and general manager has finally been successfully completed. When the general manager is in office, regardless of whether the work is done well or not, the chairman is always polite and respectful. It is estimated that General Manager Ma Shi did a good job, so Ma Shi was mentioned in Notes of Yuewei Caotang, highlighting her management of the wing and daughter-in-law. Guo Tsefu is one of Ji's maids. The article 14 1 in Volume 2 of Huaixi Magazine is devoted to this woman, with more than 300 words, which is quite a lot. Ji briefly talked about the origin and fate of this woman. Focus on two things. First, when Ji was demoted to Xinjiang, he was "terminally ill" and went to Guandi Temple for a visa, knowing that he could wait until Ji came back, but he could not get well. Sure enough, Guo died soon after Ji came back. Second, after Guo's death, he dried his relics at home and wrote two poems to commemorate Guo: "Fenghua is still burning old clothes, and melancholy flies away." I only remember the vulgar language of Xiangshan, and I returned with Su Fan in spring. "(Guo died on the day of seeing off the spring)" A hundred folds of Hunan skirts are painted, and the breeze still remembers Shanshan, knowing the gods first, and finally regretting that Furong is not cold-resistant. " Mourning is another discipline in Historical Records. Ji wrote the most words, using seven or eight hundred words. Eighty-eight of the second volume of Huaixi Magazine is almost a biography of Shen Shi. In addition to introducing her own life experience, she volunteered to be a concubine of a rich family. "A woman died before she was 40 years old, which still makes people mourn. Green skirt and white hair, I don't want to be an orphan and rotten mouse ",and recorded a small poem she wrote:" Thirty years of dreams, my body is given to my daughter for collection. He told me all about my life, and he recognized Wuniang of Gusu. In addition, Shen Shi visited him at his residence in Fengyuan, Ji Xiaolan before his death. After Shen Shi's death, Ji mentioned two poems in Portrait, one of which is: "There are some similarities and some mistakes, but the sweet soul returns to the moon. When there is no trace of spring dream, the most important thing is vagueness. "The Twenty-eighth article of Volume One of the Continued Records of Luanyang specially records a poem" Flower Shadow "written by Shen Shi before his death. In the poem, there is a rhyme saying:" The number of branches of the red peach reflects the moon, and the shadow falls on the screen. The three dancing flowers are the same, only two are empty flowers. " In Shen Shi's poem, it is said that "two empty flowers make a poem unpredictable" (a flower for Shen Shi died soon, and a flower for Shen Shi's handmaid died soon). Ji Xiaolan's love life is a typical powerful way. /kloc-when he was 0/7 years old, he married Ma, the daughter of a noble family in Dongguang County and then the prefect of Chengwu County. It was his half-brother, Ji Yun, who arranged this marriage. Ji Yun is older than Ji Xiaolan 18 years old. When he was a child, he spent hundreds of dollars to take care of his marriage with Ji Xiaolan. Ji Xiaolan is satisfied with this marriage, but he still likes women and concubines, which is approved by his brother. Ji Xiaolan has a soft spot for his concubine Shen Ming, whose early death made him sad.