Emperor Han valued the beauty of the whole country and was determined to find a peerless beauty. Unfortunately, I haven't found it for many years. There is a girl in the Yang family who has just grown up. No one has ever seen her face in the boudoir. Natural beauty can not be buried, and finally was chosen to be with the emperor. She turned to smile and showed all kinds of charm at the same time. The pink, white and green in the sixth house all faded at once. It's cold in spring, giving Huaqing Pool a bath, and the hot springs are slippery, washing her skin like condensed oil. The maid helped her out of the bath. She was lazy and weak. The first grace is at this moment. Flowers generally look like clouds, and jinbu shakes his head and shivers. Beautiful spring night, spring night is too short! How high was the sun before I opened my eyes, and I never got up early to meet the ministers again. Chasing happiness and serving banquets, she always revolves around the emperor. After the spring outing, it is spring, and the night is her exclusive. There are 3,000 beauties in the harem, and the love of 3,000 people is concentrated on her. At night in the palace, she dressed up to serve the holy king. I got drunk with her at Lou Yu's party. My sisters and brothers sealed a big country, so I envy others. A family is full of glory. Calling the world a parent's heart, I think it is better to have a boy than a girl.
The Summer Palace is high in the sky. Yue Xian is floating in the palace and can be heard all over the world. The ladies-in-waiting danced slowly, played the piano slowly and played the flute slowly. The emperor can't get enough of it all day. Who knows that the drums of Yu Yang's rebellion will knock the earth-shattering, and the colorful feathers will be shocked! Smoke and dust appeared in the imperial capital, and thousands of horses fled to the southwest. I've just walked a hundred miles, and I'm standing while walking. What can we do if the Sixth Army refuses to advance? Butterfly beauty died in front of the emperor's horseshoe. Her buds were thrown on the ground and nobody picked them up, as well as the jade on her head, her goldfinch and her bald head. The emperor hid his face and tried to save face. In retrospect, tears and blood flowed together. When the plank road is inserted into the clouds, it twists and turns on the Jiange, and the wind blows yellow dust, which is particularly bleak. There are not many pedestrians on Emei Road, and the sky has lost the luster of colorful flags. The sunshine is so thin. The river in Shuhe is so green, and the mountain in Shuhe is so green. It is difficult for the emperor to miss his feelings day and night. Looking at the moonlight in the palace is sad, and listening to the rain ringing the stack clock is also heartbroken.
Finally, one day, I returned to Beijing and came here-reluctant to leave. There is no land where beauty died in vain among the soil under Mawei slope. The monarch and his subjects looked at each other, their skirts shed tears, they looked east, and they believed that the horse would return to Beijing by reins. Come back to see the palace garden, the hibiscus in Taiye Pool and the willow in Weiyang Palace, which are still charming. Hibiscus flowers are more like her face, and willow leaves are more like her eyebrows. How can you not cry when you see a willow? Why can't you feel it? In this day when the spring breeze blows peach blossoms and plum blossoms, in this autumn when the plane leaves fall! The emperor's father lives in the west palace in the south, and the autumn grass is long and idle, and the leaves are not swept. At that time, the director of the pepper room was old, and the disciples in the pear garden had white hair on their heads. At night, fireflies flew over the palace, and the emperor's father quietly remembered. I can't sleep when I pick up the lonely lamp at night, only listening to the bells and drums in the palace ring slowly. The night is so long, look at the Milky Way still shining in the sky. It's almost dawn, not yet! The frost is so heavy, the Yuanyang tile above the house is so cold, and the jade is also cold. Who can unite? You're dead, I'm still alive. For a long time, I have never seen your soul enter my dream.
Lin Qiong has a Taoist priest practicing in Beijing. He can sincerely invite the dead. What can be moved is the deep affection of the emperor tossing and turning, which makes the alchemist tirelessly look for her. He flew like lightning for nine days, and then went down to the underworld, but he didn't see her. Suddenly I heard that there is a fairy mountain on the sea, in nothingness. Fairy mountain pavilions are as exquisite as colorful clouds, and there are many wonderful fairies. One of them is too real, with snow-like skin and fancy appearance, which sounds like the person he is looking for. When the alchemist arrived at the Fairy Palace, he knocked on the door of the West Chamber, and it was Sister-in-law Xiaoyu and Dong Shuangcheng who reported the news. When she heard that the Korean family sent envoys, she couldn't help but interrupt her dream at the fairy home Jiuhua account. Push the pillow, put on your coat and get out of bed. The screen and bead curtain are opened in turn. I saw that the bun on her head was half off. Before Carola could adjust it, she woke up and walked down the hall. The wind made her fairy dress fluttering and dancing, just like her dress and feather dance. Jade makes loneliness drop a pair of tears, like a pear flower with rain in spring. She thanked the king emotionally: since "Where are you going" is difficult to meet, there is no news. The love in Zhaoyang Temple has been cut off since then, and the sun and moon in Penglai Palace are so long! Looking down on the world, you can only see clouds, but you can't see Chang 'an. I can only show my affection for the old things and bring back two things, a gold hairpin and a box. One gold hairpin, one cymbal box, half of our family. As long as our hearts are as strong as gold and silver, we can always meet each other, although we are far away from heaven and earth! When I leave, there is another word that is very important. Only he and I know this oath. On the seventh day of July, there was no one in the Palace of Eternal Life, and we talked quietly: in the sky, we would like to be lovebirds forever, and on the ground, we would like to take water as the graft. It will come to an end one day, and this hatred will never be eliminated.
This poem is the author's masterpiece and was written in the first year of Yuanhe (806). The whole poem vividly describes the love tragedy between Xuanzong of Tang Dynasty and Yang Guifei. Poets use historical figures and legends to create stories of dispatched people, and reproduce the truth of real life through artistic images, which has infected readers for thousands of years. The theme of this poem is "Song of Eternal Sorrow". The first part, starting with "Emperor China, lust may shake the beauty of an empire", describes how Xuanzong was greedy before the Anshi Rebellion, and finally got Yang. Because of Yang's love, chickens and dogs ascended to heaven. And repeatedly rendered Xuanzong's indulgence, debauchery, and disregard for state affairs, which led to the Anshi rebellion of "until the drums were beaten, Yuyang was blown up and the world shook." This is the basis of tragedy and the internal cause of "long hatred". "No one in the army will move" is the second part, which describes in detail that after the Anshi Rebellion, Xuanzong fled to Xishu in panic, causing the Sixth Army of Malaysia to demand the removal of the imperial concubine who had brought disaster to the country and people, and died before moving to Emei. It is a tragedy. This is the key plot of the story. After Yang returned to Yin, Xuanzong was lonely and sad, and acacia became a disease. The poem depicts Xuanzong's "Song of Eternal Sorrow" in a sour and touching style, which makes people cry. In the third part of "The Taoist priest who lives in a heavenly abode", Xuanzong, with the help of the Taoist priest, found the trace of Yang in the illusory Penglai Fairy Mountain. Yang's Pear Blossom with Rain reappears in the fairyland. Through lyrical and material-holding messages, he reiterates his previous vows and expresses his willingness to be a "lovebird" and a "lover", further enhancing the theme of "Song of Eternal Sorrow". Finally, the theme of "the length of heaven and earth is sometimes exhausted, and this endless sorrow is endless" deepens and adds the weight of "long hatred". The whole poem is sentimental, and the book hates endlessly. The words are sad and touching, and the tone is melodious. It is a masterpiece of past dynasties and is often read and updated. Modern people, Yi Ding and Fang Chao, believe that this poem is Bai Juyi's work of praising historical figures and pinning his feelings in the article "On the Evaluation of Song of Eternal Sorrow". The article said that when the poet was young, he fell in love with Xiang Ling, a girl from an ordinary family. However, due to family values and fashion, he failed to get married formally. When breaking up, the poet wrote, "Don't cry, sneak away; Silent, dark acacia; Except for two hearts, no one knows ... there is no end to each other. " The article points out that Song of Eternal Sorrow was written a few months before the author got married, and the poet suffered because he lost the possibility of meeting Xiangling. For this reason, Ding and Fang believe that Song of Eternal Sorrow is not a record and evaluation of history. "We hope to fly in the sky. Two birds grow together on the ground with a new wing. The two branches of a tree ... the earth lives forever, and the sky lives forever; One day, both will end, and this endless sorrow will continue forever. "This is the poet's expression of his pain and feelings through the tragedy of his ex-wife. From the perspectives of "expressing ambition with poetry" and "expressing emotion with poetry", Ding Hefang's statement is not unreasonable. However, as far as the historical truth and social significance reflected by the works and their influence for thousands of years are concerned, it can not be said to be a historical record or an evaluation of historical events. As far as Bai's own love tragedy experience is concerned, observing and analyzing Li Yang's love tragedy will undoubtedly help his poems to be delicate, sincere and sincere, and be endowed with infinite artistic charm.
Enjoy 1
This poem was written in the first year of Yuanhe in Tang Xianzong (AD 806). The author was 35 years old and served as a county magistrate in Zhouzhi. As for the origin of this poem, according to Chen Hong, a good friend of Bai Juyi, he and Bai Juyi and Wang Zhifu visited the temple in October of the first year of Yuanhe. Occasionally speaking of this tragic story of Tang and Yang Guifei, everyone lamented. So Wang Zhifu asked Bai Juyi to write a long poem and Chen Hong to write a biography. The two complement each other and are used by future generations. Because the last two sentences of the long poem are "the earth lasts forever, and the sky lasts forever;" One day, both will end, and this endless sadness will go on forever. They called this poem "The Song of Eternal Sorrow" and that poem "The Song of Eternal Sorrow".
The Song of Eternal Sorrow is divided into three sections. The first section consists of 32 sentences, from "Emperor China was so beautiful that he could shake an empire" to "rags", describing the love life and love effect of Tang and Yang Guifei, and the outbreak of famine, political chaos and Anshi rebellion. Among them, the first eight sentences are about Yang Guifei's beauty and what Tang got. Ming was the emperor of the Tang Dynasty, but the poem says "Emperor Wu of the Han Dynasty", which is a habit left by people who wrote ancient poems in the Tang Dynasty. Fall in love with the country: refers to a beautiful woman who falls in love with the country. Yuyu: refers to the emperor, who rules the world. Eighteen sentences from It's Early Spring. People use "having a girl is happier than having a boy" to describe Yang Guifei's love and the luxury of the Yang family. Huaqingchi: On Mount Li in the south of Lintong County, Anton, Xi, there is the emperor's palace in the building, which is famous for its hot springs. Condensing fat: it is a metaphor for people's white and smooth skin. Walking: headdress of ancient women. "But spring night was short, and the sun rose too early, so the emperor gave up his early hearing." He wrote about Tang's infatuation and ignored politics. He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night. There are other ladies in his court, 3,000 are rare and beautiful, but his favor is 3,000 concentrated in one body. "Write Yang Guifei spoiled to what extent is inseparable. Then the author compares their relationship with the allusion that Emperor Wu of the Han Dynasty doted on Chen Ajiao and wanted to build a golden palace for Gillian. "Brothers and sisters are listed in the soil, and because she is so aboveboard, she has glorified her clan. She brought happiness to every father and mother in the whole empire, because she gave birth to a girl instead of a boy. " When one person got the word, chickens and dogs ascended to heaven, and Yang Guifei was favored by one person, Yang Zongmen became strong immediately. My younger brother Yang became the prime minister, and my sisters became good wives and mothers, fighting for power and profit. This is what Du Fu's "The Second Way" is about. Empresses and concubines of the emperor are also human beings and have lust, just like civilians; But the emperor has authority in his hand, and his lust is often inseparable from the use of this authority. This makes their love effect very different from that of civilians. Lust is not a big crime, but it leads to excessive rewards, allowing bad people to steal power and disrupt the platform, which is not far from the destruction of the country and family. Therefore, when we comment on the love of emperors, we must not leave the specific content of their lives and their social effects. "... the high rose plum palace, entering the blue clouds, and the wide breeze carrying magical notes. Soft songs and slow dances, the music of string bamboo, the emperor stared at her. "These four sentences echoed the previous" and the emperor, from now on, abandoned his early listening ",further describing that Tang was addicted to debauchery and neglected the country. The luxurious life of the rulers in the Tang Dynasty was based on the cruel plunder and extreme poverty of the working people. Du Fu described the happy life of Tang and Yang Guifei on Lishan Mountain in "Ode to 500 Words from Beijing to Fengxian", and then said: "Sharing the same pavilion and parting silks originated from cold women. Whip his husband's family and get together. " He added: "The wine in Zhumen stinks, and the road has frozen bones. It is difficult to distinguish between glory and death. "It is precisely because the ruling clique is so fatuous and decadent and the class contradictions are so sharp that once the great aspirant An Lushan launched a rebellion, the dazzling pyramid of the Tang Dynasty immediately collapsed." Until Yuyang drums, shaking the earth, broken color feathers "vividly illustrates this process. Yuyang: the name of the county, which belongs to the jurisdiction of Jixian County in Tianjin today. This area is sometimes called Yuyang County and Fanyang County. An Lushan was appointed as our time in Fanyang, Pinglu and Hedong, and the base camp was in Yuyang. Drum: A musical instrument used by the army. Yuyang Daigu refers to the rebel army led by An Lushan; In November of the 14th year of Tianbao reign of Emperor Xuanzong of the Tang Dynasty (AD 755), An Lushan launched a rebellion. Cai Yu: The name of the dance music comes from Kaiyuan Xiliang. It is said that Tang personally polished it and wrote lyrics. After Yang Guifei entered the palace, she was good at dancing.
From "the Forbidden City, a nine-story palace, vaguely in the dust" to "but no beloved soul visited his dream", the second paragraph has 42 sentences, in which Ma Yi's rebellion, Yang Guifei's murder and Tang Huangming's yearning for Yang Guifei from now on are written. Among them, the first ten sentences are about the mutiny of Ma Weiyi. Jiuchong City Que: refers to the capital city. The emperor's court has nine doors, so it is called the palace. Smoke and dust: refers to enemy police. Heading southwest from thousands of troops: refers to Tang Mingdi and others who fled from Chang 'an to Sichuan in June of the 15th year of Tianbao (AD 756). Cuihua: refers to the ritual ceremony of the emperor. It is only 30 miles away from the capital, outside the west gate, and its place is Mayi Post, which is located in Xingping West, Shaanxi. Sixth Army: The army called the Emperor of Heaven in ancient times, referring to the Imperial Guards of the Tang Dynasty. No hair: no further progress, which means mutiny here. At that time, the mutinous soldiers first killed Yang and Yang Guifei's two sisters, and then forced Tang to give Yang Guifei a death present. Flowers, cuiqiao, broom and jade scratching head are all ornaments on Yang Guifei's head. "Hidden in the yellow dust blown by a cold wind" wrote the following eight sentences about Tang's thoughts of Yang Guifei on his way to Chengdu and during his stay in Chengdu. Cloud: the air passage in the mountains. Jiange: Jiange Gate, a dangerous barrier between Shaanxi and Sichuan in ancient times, is located in the northeast of Jiange County, Sichuan Province. Emei Mountain: It is in the southwest of Emei County, Sichuan Province, not on the way to Sichuan from Shaanxi. The poet piled up here, emphasizing the dangers of the mountain road between Sichuan and Shaanxi. In Li Bai's Difficult Road to Shu, there is a saying that "there is still a bird's path to the west of Dabaishan, which can cross Emei Mountain". The same mistake. "When I was in last contact that day, the dragon drove home" wrote the following four sentences: When Tang Jun recovered Chang 'an, Emperor Tang Ming returned to Beijing from Chengdu, and then passed through Mayi Post, seeing the present and thinking about the past, he was hurt by the scenery. Everything goes back and forth: the situation changes, and the Tang army retakes the two capitals. This happened in September and October of the second year from Tang Suzong to Germany (AD 757). Dragon: It refers to Tang's driver's car. That memory, that pain. Where is her white face? There is only an empty grave and the body is gone. Since then, the story has been added with myth. At that time, there was a legend that Yang Guifei had been "dismembered" and died as a fairy. The following 20 sentences, "The monarch and the minister care for each other in tears", are about how the emperor of the Tang Dynasty saw things and thought about people after he returned to Beijing, and he was so sad that he didn't want to live. Believe in the return of the horse: let the horse go by itself and say that people are not in the mood. Great grandfather: the name of the water in Daming Palace. Weiyang: The name of the palace where the emperors of the Han Dynasty lived, referring to the Daming Palace in the Tang Dynasty. Xigong: Taiji Palace, called Xigong or Xinei in the Tang Dynasty. Nannei: Xingqing Palace. The Tang people called Daming Palace, Taiji Palace and Xingqing Palace three major districts. Daming Palace was the place where the then emperor Tang Suzong lived. After returning to Beijing, the abdicated Tang was placed in Taiji Palace and Xingqing Palace. Liyuan disciple: refers to the court song and dance troupe that once served Tang. It is said that Tang personally taught them to rehearse. Pepper room: the palace where the empresses live, painted with pepper paste, one takes its fragrance and the other takes its many children. A Jian: Eunuch. Qing 'e: It refers to maids. The above two sentences share the responsibility of Tang and Yang Guifei, meaning that the people who served them before are now old. Yuanyang tile: roof tile with asphalt interlocking. Emerald blanket: A quilt decorated with emerald feathers. The above layers show that Emperor Tang Ming misses him all the time, and everything and scenery evoke his nostalgia for Yang Guifei. Text/Korean Source: China Broadcasting Network
Appreciation 2 As a generation of literati, Bai Juyi is successful. His realistic pen has written many bleak scenes and sounded the alarm again and again. His Song of Eternal Sorrow is a masterpiece of his life. Poetry begins with comedy and turns into tragedy. Although the author's original intention is to "punish the stunner", it has become an ode to love. The most successful part of this narrative poem is lyricism. The rather complicated plot only uses a few simple sentences to explain the past, but focuses on the rendering of feelings, carefully writing the deep love between Tang and Yang Guifei and the feelings of both sides after the death of Guifei. The song of everlasting regret is the theme of the poem, the focus of the story and a touching seed buried in the poem. As for what you hate, why do you hate it for a long time? The poet does not tell and express directly, but shows it to readers layer by layer through his poetic stories, so that people can guess, remember and feel for themselves. The Song of Eternal Sorrow first gives us the enjoyment of artistic beauty, a moving story in the poem and a delicate and unique artistic conception. The center of the whole article is "Song of Eternal Sorrow", but the poet tries his best to write and render it with "thick ink and heavy color" as the starting point. "Work at sunrise and rest at sunset", "Don't go early", "Stay up late", "I can't get enough of it" and so on. , appear extremely happy, like a comedy. However, that kind of extreme joy is only in contrast to the endless hatred behind it. The dissoluteness of Emperor Xuanzong of Tang Dynasty led to a political tragedy, which in turn led to a love tragedy between him and Yang Guifei. The maker of the tragedy finally becomes the hero of the tragedy, which is a particularly tortuous part of the story and the reason why the hero and heroine in the poem have to "hate" for a long time. Many people say that the Song of Eternal Sorrow has a moral, and I think this is the moral of this poem. So, how does the poet express "long hatred"? After the death of Yang Guifei in Majipo, the poet described it very delicately, showing the inner contradictions and painful feelings of Tang Xuanzong who could not bear to give up love and wanted to save it. Because of this "blood and tears" death, there will be endless hatred. Later, the poet used a lot of pen and ink to repeatedly render Tang Xuanzong's yearning for Yang Guifei from all aspects, but the story of the poem did not stay at an emotional point, but with the gradual progress of the inner world of the characters, he perceived the constant changes of their scenery, pushed forward the time and story, and used the thoughts and feelings of the characters to develop and promote the development of the plot. After his death, Emperor Xuanzong of Tang Dynasty went to Shu and felt very sad. Still on the road, revisiting the old place has evoked sad memories; After returning to the palace, I experienced physical injury during the day and insomnia at night. I miss it day and night, so I hope to have a dream, but it is "the distance between life and death year after year, but no beloved soul has visited his dream". At this point in the poem, the "hate" of "long hate" has been written very touching, and it seems that the ending of the story is OK. But the poet's pen is curved. With the help of the colorful wings of imagination, he conceived a charming fairyland, which pushed the plot of the tragic story to a climax and made the story more tortuous, ups and downs. This turning point is both unexpected and reasonable. Due to the constant contradiction and collision between subjective desire and objective reality, poetry vividly shows the psychology of the characters, and the story is more moving. Song of Eternal Sorrow is a narrative poem with strong lyrical elements. The poet adopted the expression technique of China's traditional poetry, which is good at telling stories and portraying characters, and harmoniously combined narrative, scenery description and lyricism, forming the lyric characteristics of poetry. Poets sometimes inject the thoughts and feelings of the characters into the scenery, and use the refraction of the scenery to contrast the mood of the characters; Sometimes we grasp the distinctive scenery and things around the characters, express their inner feelings through their feelings, and render them layer by layer, appropriately expressing the unspeakable feelings hidden in the hearts of the characters. From the rambling of Huang Chen to the lush of Shushan, from rainy night in the palace to triumphant return, from day to night, from spring to autumn, we are moved by things everywhere, always thinking of people, and repeatedly rendering the protagonist's hard pursuit and search from all aspects. If you can't find it in real life, you will find it in your dreams. If you can't find it in your dream, go to fairyland. This kind of ups and downs, layer by layer rendering, makes the feelings of the characters swirl and reach a climax. It is through such layers of rendering that the poet repeatedly expresses his feelings and goes back and forth, which makes the characters' thoughts and feelings more profound and rich, and makes the poem "delicate in texture" and more artistic. As a narrative poem that will never be sung again, Song of Eternal Sorrow has a high artistic achievement. Throughout the ages, many people have affirmed the special artistic charm of this poem. What infected and seduced readers with the art of Song of Eternal Sorrow? Touching, I am afraid, is its greatest artistic personality, and it is also the power that it can attract readers, make them infected and tempted for thousands of years.
An "everlasting regret" has amorous feelings!
Bai Letian said. It can be seen that the poet's heart really poured too much emotion into the Song of Eternal Sorrow.
Bai Letian's life is full of sadness, and the judgments handed down from generation to generation have effectively exposed the people's suffering and tyranny. For example, Qin Zhongyin, a realistic poet who advocates that "articles should be written in time and poems should be written for things", wrote a sad and indirect love story, which reminded me of Bai Juyi's own love life. Although Bai Juyi's career was bumpy and unhappy, he even used Buddhism and Taoism to paralyze himself and seek spiritual liberation, and he hated the corruption of state affairs at that time. But I think this poem is more about praising love or alluding to his feelings.
On the other hand, since ancient times, emperors have not loved mountains and rivers and loved beauty, and lewdness and dogs and horses are also their patents. So the figure of a dynasty's decline, following the footsteps of a woman's grievance, slowly came to an end. "A femme fatale" is an excellent reason for emperors to make excuses for future generations when they feel that their country has gone far. Women are just victims of tragedy. They just used their own powder to win a little favor and a man's arms for their status and interests, but they were finally given death. This also warns them not to forget the consequences of excessive exploitation while getting what they want.
Finally, the romantic pen gave us a little comfort, and let me always believe in the beauty of true love in the port of time.
Appreciation 3
Song of Eternal Sorrow is a famous masterpiece in Bai Juyi's poems. Written in the first year of Yuanhe (806), the poet served as county magistrate in yi county (now Zhouzhi, Shaanxi). He visited Xianyou Temple with his friends Chen Hong and Wang Zhifu, and wrote this poem because of the story of Emperor Xuanzong of the Tang Dynasty and Yang Guifei. In this narrative poem, the author describes the love tragedy of Xuanzong and Yang Guifei in the Anshi Rebellion with refined language, beautiful images, narration and lyricism: their love was destroyed by their own rebellion, and they were endlessly eating the bitter fruit of this spirit. Tang Xuanzong and Yang Guifei are both historical figures. Poets do not stick to history, but rely on a little shadow of history. According to the legend of the people at that time, the singing of the neighborhood has degenerated into a tortuous and touching story, which is described and sung in a reciprocating and touching art form. Because the stories and characters in the poem are artistic, and they are the complex and true reappearance of people in reality, they can ripple in the hearts of readers in past dynasties.
The song of everlasting regret is the song of everlasting regret, which is the theme of the poem, the focus of the story and a touching seed buried in the poem. As for what you hate, why do you hate it for a long time? The poet does not tell and express directly, but shows it to readers layer by layer through his poetic stories, so that people can guess, remember and feel for themselves.
The first sentence at the beginning of the poem: "The emperor of China longs for beautiful women who may shake an empire" seems very common, as if the story should be written from here without the attention of the author. In fact, these seven words are extremely rich, which is the whole program, which not only reveals the tragic factors of the story, but also evokes and directs the whole poem. Then, in extremely frugal language, the poet described how Xuanzong of the Tang Dynasty emphasized color and sought color before the Anshi Rebellion, and finally got Yang Guifei, who said, "As long as she turns her head and smiles, there will be a hundred spells, and the makeup of the sixth palace will go up in smoke." It describes the beauty and charm of Yang Guifei. After entering the palace, he was favored by color. She not only "inherited her kindness", but also "listed all her sisters and brothers in the soil". Repeatedly rendering how Tang Xuanzong indulged in debauchery, how to have fun, and how to indulge in singing, dancing and drinking in the palace all day. All this led to the Anshi Rebellion: "Until the drums of war exploded from Yuyang, shaking the earth and breaking the tune of rainbow skirts and feather clothes". This part describes the internal cause of "long hatred", which is the basis of the tragic story. Through the realistic description of this court life, the poet ironically introduced the hero and heroine of the story: an emperor who valued the country and despised the people, and a charming and pampered concubine. This also vividly implies that the misunderstanding of Tang Xuanzong is the root of this tragedy.
Below, the poet specifically described the scene that the emperor's military forces fled to the southwest after the Anshi Rebellion, especially the destruction of the love between Tang Xuanzong and Yang Guifei in this turmoil. "People in the army stop, and no one will move until under their hooves, and they may trample on those moths. The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird. The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, the land of blood and tears wrote their scene "Where are you going, Maweipo". The "Sixth Army refused to send" and demanded the execution of Yang Guifei, which was an anger against Tang Xuanzong's infatuation with women and brought disaster to the country and people. The death of Yang Guifei is a key plot in the whole story. After that, their love turned into a tragedy. Then, from "hiding in the yellow dust blown by a cold wind" to "there is no beloved spirit to visit his dream", the poet seized the "hate" in the spiritual world of the characters, described the loneliness and sadness of Yang Guifei in Shu after her death, and also recalled the past on the way. The lingering lovesickness is heartbreaking. It is precisely because the poet exaggerates the feelings of the characters to such an extent that the arrival of Taoist priests and the appearance of fairyland behind them give people a sense of reality and will not think that they are purely castles in the air.
From "There lived a Taoist priest in Lingqiong who was a guest in the sky" to the end of the poem, Taoist writers helped Xuanzong find Yang Guifei. The poet used a romantic technique. Suddenly he went to heaven and then to the ground. "Above, he looked for the green void, below, the yellow spring, but he didn't find the person he was looking for in either place." Later, Yang Guifei was found on the ethereal fairy mountain at sea, and was allowed to reappear in the fairyland with the image of "tears falling down her sad white face, like spring rain on pear flowers", warmly welcoming the envoys of the Korean family, expressing their feelings, sending messages in a symbolic way, reaffirming previous vows, taking care of Tang Xuanzong's thoughts about her, and further deepening and rendering the theme of "long hatred". At the end of the poem, it ends with "and this endless sorrow is endless", points out the theme, responds to the beginning, and achieves "silence", giving readers room for association and aftertaste.
The Song of Eternal Sorrow first gives us the enjoyment of artistic beauty, a moving story in the poem and a delicate and unique artistic conception. The center of the whole article is "Song of Eternal Sorrow", but the poet tries his best to write and render it with "thick ink and heavy color" as the starting point. "Work at sunrise and rest at sunset", "Don't go early", "Stay up late", "I can't get enough of it" and so on. , appear extremely happy, like a comedy. However, that kind of extreme joy is only in contrast to the endless hatred behind it. The dissoluteness of Emperor Xuanzong of Tang Dynasty led to a political tragedy, which in turn led to a love tragedy between him and Yang Guifei. The maker of the tragedy finally becomes the hero of the tragedy, which is a particularly tortuous part of the story and the reason why the hero and heroine in the poem have to "hate" for a long time. Many people used to say that Song of Eternal Sorrow has a moral, and this poem is the moral. So, how does the poet express "long hatred"? After the death of Yang Guifei in Majipo, the poet described it very delicately, showing the inner contradictions and painful feelings of Tang Xuanzong who could not bear to give up love and wanted to save it. Because of this "blood and tears" death, there will be endless hatred.
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This poem is the author's masterpiece and was written in the first year of Yuanhe (806). The whole poem vividly describes the love tragedy between Xuanzong of Tang Dynasty and Yang Guifei. With the help of historical figures and legends, poets have created touching figures, reproduced the truth of real life through plastic artistic images, and infected readers for thousands of years. The theme of this poem is "Song of Eternal Sorrow". The first part, starting with "Emperor China, lust may shake the beauty of an empire", describes how Xuanzong was greedy before the Anshi Rebellion, and finally got Yang. Because of Yang's love, chickens and dogs ascended to heaven. And repeatedly rendered Xuanzong's indulgence, debauchery, and disregard for state affairs, which led to the Anshi rebellion of "until the drums were beaten, Yuyang was blown up and the world shook." This is the basis of sad drama and the internal cause of "long hatred". "No one in the army will move" is the second part. After describing the Anshi Rebellion in detail, Xuanzong fled to Xishu in panic, which caused the Sixth Army in Malaysia to demand the recall of the imperial concubine who had brought disaster to the country and people. This is the key plot of the story. After Yang returned to Yin, Xuanzong was lonely and sad, and acacia became a disease. The poem depicts Xuanzong's "Song of Eternal Sorrow" in a sour and touching style, which makes people cry. ? In the third part of "The Taoist priest who lives in a heavenly abode", Xuanzong, with the help of the Taoist priest, found the trace of Yang in the illusory Penglai Fairy Mountain. Reproduce Yang's "Pear Flowers with Rain" in fairyland, and further strengthen the theme of "Song of Eternal Sorrow" by expressing emotion, supporting things and reaffirming previous vows. Finally, the theme of "the length of heaven and earth is sometimes exhausted, and this endless sorrow is endless" deepens and adds the weight of "long hatred". ? The whole poem is sentimental, and the book hates endlessly. The words are sad and touching, and the tone is melodious. It's a famous article through the ages, and it's often read and updated.
This makes Yi Ding and Fang Chao think that this poem is a lyric work by Bai Juyi through historical figures. The article said that when the poet was young, he fell in love with Xiang Ling, a girl from an ordinary family. However, due to family values and fashion, he failed to get married formally. When breaking up, the poet wrote, "Don't cry, sneak away; Silent, dark acacia; Except for two hearts, no one knows ... there is no end to each other. " The article points out that Song of Eternal Sorrow was written a few months before the author got married, and the poet suffered because he lost the possibility of meeting Xiangling. For this reason, Ding and Fang believe that Song of Eternal Sorrow is not a record and evaluation of history. "We hope to fly in the sky. Two birds grow together on the ground with a new wing. The two branches of a tree ... the earth lives forever, and the sky lives forever; One day, both will end, and this endless sorrow will continue forever. "This is the poet's expression of his pain and feelings through the tragedy of his ex-wife. ".？ From the perspective of "expressing ambition with poetry" and "expressing emotion with poetry", Ding Hefang's statement is not unreasonable. However, as far as the historical truth and social significance reflected by the works and their influence for thousands of years are concerned, it can not be said to be a historical record or an evaluation of historical events. As far as Bai's own love tragedy experience is concerned, observing and analyzing Li Yang's love tragedy will undoubtedly help his poems to be delicate, sincere and sincere, and be endowed with infinite artistic charm.
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