Brief introduction of Li Shangyin Which dynasty was Li Shangyin from?
Li Shangyin was a poet in Tang Dynasty.
Li Shangyin, whose name is Yishan, was born in Yuxi and Fan Nansheng. He was born in Qinyang, Henan, and moved to Xingyang, Zhengzhou with his grandfather since childhood. Claiming to be a member of the same clan of the royal family, the generations below the great-great grandfather were only junior officials such as county magistrates and county commandants. The so-called "clan decline, has nearly rested", "nowhere to return to the four seas, nine families have no relatives to rely on", which truly reflects his relative poverty.
At the age of 65,438+06, Li Shangyin wrote "On Talent" and "On Sacredness", which was later recruited by Ling Huchu, the special envoy of Tian Pingjun. In the sixth year of Daiwa, Linghu Chu was transferred to Hedong and stayed in the north. Li Shangyin followed him to Taiyuan. Cui Rong stayed in the shogunate after a short observation in Yanhai. In the second year, I entered the Jinshi. There are not many poems left at this stage, but it has formed an important beginning. Some of these poems directly reflect social politics, such as Sui Shidong, Two Poems of Sentiment, Heavy Sentiment, Life in An Gongzhu and Hundred Rhymes in the Western Suburb, etc., which refer to touching things and show young poets' ambition and consciousness of caring about the fate of the country. Other works, such as Eating Bamboo Shoots First in the Seats, Untitled, Stealing a Mirror at the Age of Eight, express the author's lofty aspirations and desire to use the world by contrast, with full brushwork and fresh style. In addition, there are some social poems and colorful poems.
Li Shangyin was in middle age, and the rough life at that time made his creation develop in depth. The theme is wider than the previous issue, including feeling time, expressing feelings, expressing feelings, giving answers, traveling, pastoral, chanting history and chanting things. The feelings in the poems are more depressed, the expression techniques are more graceful and restrained, and the art has reached a mature level, such as Ding An Tieta, Zhong Hui's two peony poems raining, and Ren Hongnong and Wei Qi's vacation back to Beijing. On the other hand, negative and decadent thoughts and gorgeous poems have also developed, such as Threshold in the Mirror, Quchi, Banquet in the County, Drunk under Flowers and so on.
Li Shangyin drifted in his later years, and had no choice but to settle down in the distant shogunate. In the twelfth year of Dazhong, he resigned and returned to Zhengzhou to live in seclusion. He died around the end of this year. Wandering career makes the poet's poetic style change more diversified in his later period, and his poetic realm matures day by day. The poems written are more thought-provoking and lamentable.
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