Xinyu Pu (1896- 1963), a Manchu, was a famous painter, who was famous for his landscapes and figures. Good at calligraphy. His calligraphy, which comes from all the way, mainly comes from the "two kings", has a unique structure, a light pen and a variety of elegance. In particular, his calligraphy inscribed on paintings is integrated with paintings, creating a beautiful and elegant artistic conception.
Qi Baishi (1863— 1957) is a famous painter and seal engraver in China. Both painting and calligraphy have created a new world. He is also quite accomplished in calligraphy. His calligraphy, seal script and cursive script are unique. The seal script originated from Tian Xi Ji Gong Bei, and the brushwork is pure seal script brushwork. The strokes are horizontal, straight and vertical, full of real power, thick and simple, and have a sense of strangeness.
Huang (1865—— 1955), a native of Shexian County, Anhui Province, is a famous landscape painter. And good at calligraphy. Running script is natural, seemingly random and contains bone strength. Seal script is very distinctive: I like to write seal script with semi-dry Jiao Mo, especially big seal script. The strokes are slow and thick, with a faint, Gu Zhuo flavor.
(1875—— 1964) A native of Shaoxing, Zhejiang Province, was named Li and Xu in his early years and Weng in his later years. He was a beginner in Yan Zhenqing and later lived in Beibei. His handwriting is strange, clumsy and spicy. Sometimes it seems as if he has completely given up using the pen, but it is very interesting. His handwriting has never been praised by others, but it is really elegant.
Xu Beihong (1895—— 1953) is a famous modern painter and art educator. Chinese painting and oil painting are all fine. His calligraphy attainments are very high, and the reason why he is often ignored is completely covered up by his painting name. I have been instructed by Kang Youwei, who likes to take the center as the running script and has a childlike charm.
Pan Tianshou (1897 ——1971) is an outstanding painter and calligrapher. His official seal is based on the Three Halls and Zan Xie Dao. The cursive script began in the Jin and Tang Dynasties, and then merged the hazards of Huang Daozhou and Ni. Generally speaking, the book style is bold and unconstrained, "blindly overbearing." Especially when reading the inscriptions of his paintings, I saw the uneven level and his paintings, which together constructed a dangerous artistic conception.
Tao (1900—— 1996) was a famous painter and calligrapher from Jiujiang, Jiangxi. In his early years, he studied in Shanghai Changming Art College and studied under Huang. Later, he retired to the village and spent his life on cloth. He was not famous before his death or in the village. It can be described as "a hundred years of loneliness"! His landscapes, flowers and birds are all exotic flowers and grasses, and they are all brushstrokes. Calligraphy is also soaring, pure use center. I like to collect couplets with big seals. His calligraphy has developed a new look on the basis of Wu Changshuo. Lai Chusheng (1903—— 1975) was born in Xiaoshan, Zhejiang. The flowers and birds he made are known as "calligraphy and painting seal cutting", which is full of interest and opens up a new world. In his calligraphy, cursive script is the highest achievement, with simple lines and slightly tight structure, forming a dense and muscular effect. Lu (1909—— 1993) is a famous landscape painter from Jiading, Shanghai. He once worked in China Painting Academy and Zhejiang Academy of Fine Arts. His cursive script is written purely with the strokes of seal script, and the structure is adjusted according to the strokes, and then it is convenient to introduce composition. So his calligraphy looks round and full. Xie (1910 ——1997), a native of Wujin, Jiangsu. Famous modern and contemporary painters and appraisers. His calligraphy, like his paintings, originated from Chen Hongshou, which is gentle, unique and beautiful. As for cursive script, the pen is round and smart, and it is chic and elegant.
For scholars, calligraphy is only one aspect of their multi-faceted cultivation, and there is no respect. However, while people admire their achievements in literature and scholarship, they are pleasantly surprised to find their talents in calligraphy.
Li Shutong (1880- 1942), whose real name is Wen Tao, has several aliases. Pinghu, Zhejiang, was born in Tianjin. He is a rare all-round figure in modern times. He was one of the first people in China who went abroad to study art, introduced drama to China, founded art education, and began to sketch with mannequins. Good at calligraphy and seal cutting. He is also accomplished in music. Among his students, musician Liu Zhiping and painter Feng Zikai are famous.
Li Shutong's writing is naturally divided into two distinct periods, that is, before becoming a monk and after becoming a monk. Influenced by the ethos of the times, Li Shutong naturally learned from Wei Bei at an early age, and repeatedly studied the inscriptions such as Longmen Twenty Products, Zhang Menglong and Xian Baozi. However, Li Shutong's inscription is more artificial and moist than ordinary people, which seems to be mainly based on its wonderful structure. Basically, it has not formed its own face. After Li Shutong became a monk, "all arts are abandoned, and calligraphy alone is not abolished." He promoted Confucian classics with calligraphy and made extensive contacts with Buddhists. However, the early sharp wit and Wei Bei's vigorous and dignified style disappeared, replaced by a flat and solemn, out-of-touch face. In his later years, Li Shutong's calligraphy was mainly based on copying Buddhist scriptures and couplets. The font is long and narrow, the pen is lighter and slower, and the composition space is sparse. It presents a solemn and lofty Buddhist atmosphere.
Lu Xun (1881-1936), formerly known as Zhou Shuren, was a great writer, thinker and revolutionary. In fact, Lu Xun's accomplishments in calligraphy are extremely high. In his early years, he copied ancient monuments for a long time, was keen on searching for rubbings of inscriptions, and had a high appreciation for the art of calligraphy, which was quaint, heavy and full of popularity. Whether it is carefully written couplets or improvised manuscripts and letters, there are considerable points. At an auction, a page of Lu Xun's manuscript was sold for 40 thousand yuan. Visible its value.
Ma Yifu (1882—— 1962) was born in Shaoxing, Zhejiang. Formerly known as floating. He is a famous scholar who knows many foreign languages and is good at studying Buddhism and Confucianism. After liberation, he served as director of Zhejiang Literature and History Museum. His calligraphy mainly comes from Chu Suiliang, but also blends with other schools. The cursive script has the highest achievement, with the right character, steep nib and bright corners, with a faint literati atmosphere and high style. Guo Moruo (1892— 1978) is a modern poet, playwright, historian, archaeologist, archaeologist and social activist. Originally known as Guo Kaizhen, he was born in Leshan, Sichuan. Guo Moruo has many aspects of learning and cultivation, and his calligraphy is also outstanding. His calligraphy is the highest in the running script. The pen is cool, spicy and crisp, pays attention to pressing, and has a natural and arrogant genius. Especially good at inscriptions. The word Rong Baozhai can be regarded as his masterpiece. Mao Dun (1896— 198 1), a modern writer and social activist, was originally named Shen Dehong, and his real name was Yan Bing. Mao Dun's handwriting is a typical literati handwriting, with thin strokes, tight middle palace and long strokes. Appears elegant, reserved and gentle. Lu (1899- 1980), formerly known as Ziping, had a slightly cheerful personality and made many achievements in his later years. Zhejiang Pinghu people. A contemporary calligrapher with comprehensive cultural accomplishment in traditional China. Since 1979, he has been appointed to recruit the first batch of graduate students majoring in calligraphy and seal cutting in China, so he is also a calligraphy educator. Lu began to learn from Wei Bei, but he didn't stop posting. He took the road of attaching equal importance to inscriptions. He described it as "monument can strengthen bones, post can nourish qi", which can be described as a good scholar. ; On the basis of official script, he integrated the thought of grass and intended to create a new official script style, which was neither official script nor official script. He used both Fiona Fang and pen, and his style was flat, which was called "flat seal" by the ancients.