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What is the difference between electronic music and electronic dance music?
1. Electronic music is music made by using electronic musical instruments and electronic music technology; Electronic dance music is a dance music record made only by electronic musical instruments; Generally speaking, electronic dance music still belongs to the category of electronic music, which is a small category;

2. Electronic music originated from the end of 19 to the beginning of the 20th century, and almost existed from the appearance of tape recorders; Electronic dance music rose in the late 1980 s, only produced in modern times;

3. At one time, electronic music was almost in line with western art music, especially European art music, and the styles represented by electronic music were diverse; Dance music is a combination of strong and fast music rhythm and electronic timbre, and its melody has a very novel feeling, and it can be mixed many times, so that the works played each time maintain a slightly different uniqueness.

Extended data:

The main categories of electronic music:

1, French concrete music

Not long ago, composers in Paris also began to develop a new composition technique by using recording tapes, called figurative music. This technology includes editing pre-recorded natural and industrial sound clips. The first concrete music in Paris was composed by Pierre Schaefer, who later collaborated with pierre henry.

1948 10 10 On 5th October, the French Broadcasting Corporation (RDF) played the composer Pierre Scheffey's Etude aux chemins de fer. This is the first movement of Cinq études de bruits, which marks the beginning of the practical application of recording studio and specific music (or auditory art).

2. German electronic music

1953, NWDR formally established a radio recording studio in Cologne, and later became the most famous electronic music recording studio in the world. In fact, as early as 1950, the studio began to prepare, 195 1, making works and broadcasting them. This lab was the brainchild of Weiner Meyer-april, Robert Baer and Herbie Eimert (he became the first editor), and soon Karl Hindes Stockhausen and gottfried Michael Koenig joined in.

1949, in his paper Elektronische Klangerzueung: Elektronische Music and Synthetische Sprache, Mel-April completely deduced the concept of synthesizing music by using electronic production signals. In this respect, German electronic music is obviously different from French figurative music, because figurative music uses real sound as its source.

3. Japanese electronic music

The early electronic musical instruments such as Materno, Tremen and trout Nick were little known in Japan before World War II, but some composers at that time, such as Nanxiong in Chai Tian, already knew these instruments.

A few years after the war, Japanese musicians began to try electronic music; Under the sponsorship of some organizations, composers can apply the latest recording and processing equipment. These efforts show the integration of Asian music and new trends, and finally pave the way for Japan to become the master of music technology development in decades.

4. American electronic music

In the United States, electronic music came into being as early as 1939 when John Cage published "Imagined Scenery 1", using two variable-speed turntables, tape recorders, silent pianos and cymbals. During the period from 1942 to 1952, Cage created four other series of works, all of which contained electronic elements.

195 1 year, Morton Feldman, who later collaborated with Cage, created a work called Edge Crossing, which was composed of wind instruments, brass instruments, percussion instruments, stringed instruments, two vibrators and attractive sound effects, and was accompanied by Feldman's diagram.

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