Grandson, pink girl.

In court, it is both clever and cunning.

A tactical drama in which a mistake loses the whole game is doubly wonderful in cruelty.

Domestic costume drama ushered in a small blowout.

Joy of Life has a little fame, and "Lee and Hua Ting" is also very popular.

Between the cracks, another costume drama with high hopes is a bit embarrassing-

Daming Fenghua

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Yu Xiang vaguely remembers that the hostess was confirmed as early as the end of 17.

At that time, there was no so-called "the most severe ancient order".

Domestic costume dramas are thriving, showing the trend of starting a prairie fire.

From the beginning of the year to the end of the year, there were various "costume dramas" bombed every day for 365 days.

To the sky kingdom and Biography of Chu Qiao are frequent visitors to hot search.

Nirvana in fire and the Great Strategist Sima Yi's Alliance of Strategists supported word of mouth.

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The story of herding clouds on the sea, the silent drunkenness, the martial arts and Kunming in the hot shoot. ......

Even the starring candidates for major dramas such as "The Emperor" and "A Record of Hanzhong" began to spread as early as that time.

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In such a hot atmosphere.

Tang Wei, the heroine of Daming Fenghua, has been officially publicized, and the audience's expectation and attention have soared.

After all, Tang Wei, who has always been known as a "movie geek", has never made a TV series since Lust, Caution.

This is also her first suit.

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First-line actors "fall" to the small screen, which naturally attracts much attention.

There are more powerful actors such as Zhang, Zhang and so on.

Acting as producer on behalf of Zhang Li, director of Ming Dynasty 1566 and Towards the Republic.

In any case, it is different from those "sluts" who focus on the flow card outside and harvest fans.

So what's its score?

Douban score is 6.6.

Can't say it's not surprising.

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Yu Xiang simply turned over the comments and criticized them from various angles.

Some people were completely frightened by Tang Wei's modeling, lines and acting skills.

How can you question Tang Wei's acting skills?

Then why don't you go and see the informant first, and then we can continue to talk.

Some people can't stand the "factory smell" of the grandson of Emperor Zhu.

Well proportioned, crooked.

Others spit out rhythm, editing and lines.

In short, from modeling, clothing, special effects, dubbing, performance to plot, almost all of them have been criticized.

After watching the domestic bad dramas for so many years, Yu Xiang was not really frightened by these problems.

As long as my psychological expectations are low enough, I can grit my teeth.

There's only one place I want to talk to you seriously.

That's a script for a costume drama.

Among so many slots, the most violent thing in this drama is the history of magical changes.

The title of the play "Daming Fenghua" has also been criticized as "Daming Mad Devil".

Looking through the official Weibo of the drama, the word "drama" is written brightly.

Moreover, it is also known as "redefining the historical drama of the new era" and has a big tone.

What is drama?

Respect for history, excellent production, grand theme and profound values.

It is basically equivalent to the antonym of Mary Su, N-corner love and little love in recent years.

Especially at the moment when the traffic is constantly demonized and the IP of the net text is constantly falling, the audience is eager to see another drama like Yongzheng Dynasty and Daming Dynasty 1566.

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Propaganda under the banner of "drama" can first make people look up.

But the face is good. Can Lizi keep up?

Tell the truth.

First, modeling.

Let's talk first.

Today, one of the most prominent topics in Daming Fenghua is Zhu Yuanzhang's appearance.

Let the normal-looking actors wear inverted molds to restore Zhu Yuanzhang's face.

To tell the truth, this inverted mold is not as vivid as Liao Fan's interpretation.

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But "evil does not suppress right" is an obvious joke, and it is meaningless to play "drama" and "Daming Fenghua"

This has attracted the dissatisfaction of many fans of Ming history.

Netizens accused that it was too hasty and disrespectful to use the image of Ming Taizu maliciously smeared by the Qing Dynasty in Amin Dynasty's plays.

In this regard, the director gave a quick response.

It is said that experts are still arguing about this, and what Zhu Yuanzhang looks like is inconclusive.

It means that you can't insist that the style of the drama version is wrong.

Of course.

Yu Xiang personally thinks that it is understandable that the restoration of historical details is controversial, and there is no need to completely kill a play because of a mistake.

After all, even the Kangxi Dynasty, which is praised by the public, has the historical mistake of Xiaozhuang, played by Gaowa Siqin, calling himself "I am Xiaozhuang".

(Knowledge point: "Xiaozhuang" is posthumous title, sealed after his death. )

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As long as the "big festival does not lose money" and the defects are not concealed, it can still be a work above the standard.

However, the biggest problem of Daming Fenghua is that there is a problem with the basic historical view, and the adaptation does not pay attention to the basic law at all.

Here we need to give you a brief introduction to the story.

Like most female dramas, the C word in Daming Fenghua is a legendary harem woman-

Zhu Zhanji's second wife, Queen Sun.

Historically, she was chosen to accompany her great-grandson, and she was deeply attached to Zhu Zhanji.

However, Judy has married Hu Shanxiang, who is famous for her modesty and virtue, and later Hu Huanghou for Zhu Zhanji.

Naturally, the imperial orders could not be disobeyed, but Zhu Zhanji obeyed.

But soon after he proclaimed himself emperor, he began to prepare for the abolition of the emperor.

Hu Huanghou was unloved and childless, so Zhu Zhanji abandoned her for this reason.

Sun Shi, who gave birth to Zhu Qizhen, the eldest son of the emperor, was appointed queen.

Empress Sun's life was bumpy, which affected the move of the capital and the abolition of the martyrdom system.

Her historical evaluation is meritorious, and she is not a pure saint or villain.

There is indeed a lot of room to write.

But in the play, all this was subverted.

In a very vulgar way.

Queen Sun, named Sun (Tang Wei) in the play, became sisters with Hu Shanxiang (Deng Jiajia).

According to the setting.

They are "orphans in the south of Beijing", and their biological father is an old minister of Emperor Wen Jian, who was slaughtered after Judy invaded the Imperial City.

Sun was rescued by a general, and he was stranded in the Jianghu, bent on killing to avenge his parents.

Hu Shanxiang was saved by Prince Zhu Gaochi, changed her name and became a maid-in-waiting.

When the two sisters grow up, they are both related to the protagonist (Zhu).

There are countless problems with this pillar setting that lays the tone of the whole play.

First of all, it has been said in the lines that Sun is an orphan in Jingnan, which is all wet.

The so-called "Jingnan" is a war launched by Judy for "clearing the monarch's side and calming the national disaster".

If there are any orphans, they should be the orphans left by the soldiers who stood in Judy's camp and sweated for Judy.

Identity is legal and respectable.

As the son and daughter of an old minister, Sun should be an orphan of Renwu.

If the knowledge of history is not solid, forget it.

Secondly, in the Ming Dynasty, in order to prevent consorts from disasters, concubines were all selected from families with lower official positions.

Although Hu Huanghou's status is not high, she is also the daughter of a hundred royal guards. She will never be a palace maid.

As a disorderly party, it is quite nonsense that Sun finally married the emperor's grandson.

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But compared with the fact that Hu and Sun are sisters, this nonsense is nothing.

We have seen many sisters fighting for love or power.

For example, Mi Yue and Mi Fei in The Legend of Mi Yue.

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Dou and Nie in "The Honey Man".

The look and feel is quite bloody and vulgar.

Attributable to it, it is nothing more than a cosmetic and youthful plot set by people.

The heroine is bound to be magnificent, and the supporting actress is a green tea bitch.

Although in more than a dozen episodes that Yu Xiang has seen, the plot has not been broadcast yet, Hu and Sun have successively married.

This can be seen from the inevitable process of abolishing Hu and the careerist side played by Deng Jiajia.

Sister tearing is essential.

The script of Daming Fenghua is adapted from the online novel The Strange Tales of the Six Dynasties.

Yu Xiang couldn't help being curious because the plot of the TV series was so nonsense that he went to see some original novels.

I don't know if I didn't see it, but I was shocked when I saw it.

What orphans and siblings in southern Beijing are all added by writers.

The characters in the novel all follow the historical prototype.

But you can't blame the screenwriter for magic, because novels also have the magic of novels.

In the book, Sun is a traveler.

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Her father was congenial to the Crown Princess, that is, Zhu Zhanji's biological mother, and almost got married.

Her mother was taken by Judy and almost entered the palace as a princess.

Sun himself was predicted as "Fengqi Palace" by Yao (his counselor and the main planner of Jingnan Campaign) in his early years.

Originally, she entered the palace to accompany her great-grandson, who was the default candidate.

But because Judy secretly took a fancy to her again and decided to keep it for herself, he gave Zhu Zhanji another proposal, Hu Shanxiang.

Sun's peach blossoms don't stop there.

Cabinet records, descendants of the Yuan Dynasty, and even Hanwang (Uncle Zhu Zhanji) are ministers under her skirt.

In addition, Judy's Piaofei seems to have an affair with Hanwang. ......

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Yu Xiang jumped more than a dozen chapters, but was scared away by Daming qingqing grasslands in the book.

Frankly speaking, Strange Tales of the Six Dynasties is nothing more than a novel by Wang Xiulan with two tassels that touches the history of porcelain, both in writing and depth.

The original work is not good-looking, and the screenwriter's adaptation is even less powerful.

No wonder the performance of Daming Fenghua, which calls itself a drama, is so bleak.

If something goes wrong with the script, it will inevitably affect the characters.

In the play, Sun is dressed as a Jianghu girl with a family feud and a free and easy spirit.

The performance of girl's aura is the key to the establishment of this role.

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Let's not talk about Tang Wei's clumsy and stupid makeup and hairstyle, but also ignore the acting skills of the movie "Coffee Goddess" for the time being.

Let's say a scene where a man and a woman are having a meal.

Sun Rewei, who didn't know Zhu Zhanji's real identity, stared at a picture on the wall and found it very interesting.

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Zhu Zhanji tucao:

"Interesting ghost. My grandfather gave it to my father and asked him to write a poem on it. Father was surprised and worried. 」

So, guess what?

Sun immediately saw from this painting that his grandfather and his father had a disharmonious father-son relationship, and immediately drove the poem out.

This painting was painted by Jie Jin, a contemporary college student.

The meaning of this painting is invisible to the prince and great-grandson, but Sun can see it at a glance.

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This is an obviously spiritual girl. Although her behavior is out of control, her thoughts are transparent and easy to understand.

It's no problem that the script has such an image.

The problem is that you can't even give a far-fetched explanation.

"What do you think of it? 」

"It's not obvious? 」

Anyway, a woman is a woman, and it's so coincidental, just blow.

It's like the default candidates get the standard answer directly, but they have to give the idea of solving the problem. Sorry, no.

Besides, Zhu Zhanji and Sun Rewei met for the first time.

Who can see that men fall in love with women at first sight after such a short meeting?

Although love at first sight is an unreasonable thing, it is at least convincing.

For example, let your eyes have more content and make Sun's style more amazing.

The director is not going to explain what is happening.

A few episodes passed directly, and through the mouth of the character, with a long list of unreasonable lines passed.

When I first met you, it was like looking in the mirror.

The same panic, I don't know what will happen next moment.

Just experienced more and learned to disguise.

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You can fall in love at first sight when you see a person's flustered expression. Your great-grandson is so annoying.

Such unconvincing plots abound, and in the final analysis, they are all the pots of the script.

In fact, Daming Fenghua may not be that bad. Although there are many slots, it is not without advantages.

Good shooting places focus on Wang Xueyin, Guanhua Liang and other drama bones.

The housework of Judy's first family and their children and grandchildren was filmed as fireworks.

Judy is always scaring her son, and the prince is clamoring to resign.

This is not our usual cheating court drama, but it looks like a happy family sitcom.

However, this in turn aggravated the failure of C-word Sun at this stage.

Since the explosion of Nirvana in Fire, costume drama seems to have a formula.

Adapted from a big IP novel with XX million hits.

The story revolves around a real or fictional legend.

The story is ups and downs, vigorous and heavy, which often stirs up several dynasties and involves the safety of the world.

Invite a powerful idol star, or simply send a first-line movie actor.

Then invite a few old opera bones to be green leaves and a big shot to be a producer.

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A pot of stew is a drama of conscience.

Unfortunately, up to now, among many TV dramas with resounding slogans, there is still no good drama comparable to Nirvana in Fire.

Scripts, casting, performances, special effects and costumes are always broken.

Or the early stage is full of energy, and the follow-up can't keep up, showing an unfinished trend.

Daming Fenghua is one of them.

Obviously, "The Most Strict Ancient Order" only delayed the broadcast time of these plays, and did not let the directors and screenwriters consciously improve their own level.

After that, there are countless dramas to be broadcast, such as Emperor, Song Gong Ci and Ancient City Pass.

Is to continue to have no mouth, or fight our way out.

It's really disturbing.

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