Simple and elegant colors and exquisite scenery make me feel as if I were there, as if I were hiding behind curtains, quietly making unannounced visits to that distant era.
Indeed, the cultural implication of this play deeply attracted me.
When the plot is put aside, just look at the courtyard, costumes and so on. The play has its own flavor. This is the magnificent palace picture that Director Li wants us to see when telling a history, and it is also an interpretation of the culture of the Song Dynasty.
History is still the background of the play. Song Zhenzong Zhao Heng, the protagonist, and Liu E, the queen, have been in the same boat through thick and thin since they met, facing all kinds of difficult and dangerous stories together.
The cast of Song Gongci never forgets their original intention, which is to show the ancient culture of China.
In the interview, director Li made no secret of his love and admiration for Song Dynasty. So the TV drama scene we saw is the Song Dynasty scene restored by the crew, and the crew also built the Northern Song Dynasty Palace-the Qing Palace in Hengdian.
It is also because of this drama that this is the only real scene of the Northern Song Dynasty Palace in China.
It is really commendable to treat the director of his own works with such care.