The craft patterns in Song Dynasty emphasized realism. In the Song Dynasty porcelain patterns, especially flowers and birds, a large number of realistic patterns appeared, forming a distinctive decorative style and characteristics of the times. The realistic atmosphere of craft patterns was formed in the late Tang Dynasty and the Five Dynasties, and this change was mainly reflected in silk fabrics. The flower pattern of silk fabric has developed from the layout of parallel patterns in the past to realistic folding branches, that is, the so-called "colorful flowers". In the Song Dynasty, embroidery and reeling paid more attention to colorful flowers and raised them to an unprecedented level. This trend also influenced contemporary crafts, such as gold and silver wares, architectural paintings and ceramics. The realistic flower-and-bird patterns on Song porcelain mainly belong to flower themes: peony, peony, lotus, chrysanthemum, sunflower and plum blossom. Peacock, crane, goose, butterfly, mandarin duck, fish and duck are the most common themes of birds, fish and insects. In order to adapt to the characteristics of ceramic technology and the needs of decoration, the vivid and natural appearance characteristics and growth posture of flowers and birds are often preserved, and the point-line-surface combination method is adopted to simplify them into plane images. In the form of composition, there are few strictly symmetrical forms, but balanced painting composition is used. Balanced composition is a form of movement, which is characterized by different shapes and equal components on both sides of the fulcrum, so it is rich in variety and lively. For example, the double flower pit, which is common in Ding Kiln and Cizhou Kiln in Song Dynasty, has two opposite flowers on the same plane, but their shapes are different, up or down, or up or down, or one is in full bloom and the other is in bud.

In Song Dynasty, silk was the main clothing fabric, and the varieties were brocade, embroidered silk, yarn, silk and silk. Chengdu Shu Brocade is the most famous brocade in Song Dynasty, and its patterns include eight halos, six halos and carpets with combined geometric patterns. Geometric flowers inserted sunflower, four golden eagle clusters, big nest horse carpet, snowflake carpet road, double nest cloud goose and so on. Music in the World with artifacts as its theme (Lantern Brocade written by Wen Yanbo to flatter Renzong Zhang Guifei in Chengdu). The theme of characters is suitable for male flowers. Zhen Hong Chuanhua Peak, Zhen Hong Baihua Peacock, Green Cao Rui Cloud, etc. Ruyi Peony, Hibiscus, heavy lotus, True Red Cherry, Zhen Hong Moist, etc. Lions, Yunyan, Gastrodia elata, goldfish, Heng, Xiang Luan and so on. Geometric patterns include turtle pattern, meandering water, palindrome, square victory, ripple, persimmon, jujube flower and so on.

The costume patterns in Song Dynasty were influenced by the flower-and-bird paintings outlined by the Academy of Painting, which tended to be realistic and closely composed. The pattern style of the Song Dynasty is completely different from that of the Tang Dynasty, but its influence on the Ming and Qing Dynasties is very obvious, and almost a pattern has been formed from the theme to the modeling techniques.

In the Song Dynasty, due to the weakness of national strength and the emptiness of financial resources, a large number of tapestries were used to pay tribute or trade to foreigners, and most of the clothing fabrics of domestic rulers were silk yarns, such as objects unearthed from Hejiaso's tomb in Hengyang, Hunan, Zhou Yu's tomb in Maolu, Jintan, Jiangsu, and Huangsheng's tomb in Fucang Mountain, a northern suburb of Fuzhou. In the early years of the Northern Song Dynasty, the royal guards of honor in the Song Dynasty all wore gorgeous costumes, and later they switched to printing, and the printing process was prohibited from being used by the people. However, Tang, the bureaucratic landlord of the Song Dynasty, was forbidden to open a colored silk shop in Wuzhou, his hometown, and use public funds to carve printing plates for printing and dyeing. There is also a famous engraving and printing artist Li in Luoyang Xianxiangfang, who is called "Hua". Book collection (68 1 volume) Suzhou textile famous objects talk about the Southern Song Dynasty Ningzong Jiading period (A.D. 1208- 1224), when Guixing founded a medicinal patch in Anting Town, Jiading, it was dyed green with grey medicine; Stay dry, remove the ashes, and then blue and white, with figures, flowers and birds, poems of various colors, and fill the curtains. "Medicinal patch, also known as watering cloth, is the predecessor of today's folk blue printed cloth. This printed fabric is an important clothing fabric for folk women.

Embroidery technology was highly developed in the Song Dynasty. Clothes unearthed from Huangsheng Tomb of Southern Song Dynasty in Fuzhou are generally embroidered along the border. The theme is mainly sketching flowers, combining all kinds of flowers all year round into "one-year scenery" flowers, which also has great influence on future generations.

I don't know much, but I still present all the information I can collect, hoping to help you effectively. Thank you.