In the 20th year of Jiaqing (18 15), Jiang Yinyinpei, an old man from Tai 'an, led Chai Langao, Yi Tong, to find two residual stones in the Jade Girl Pool on the top of the mountain, with the remaining word 10, so he embedded them in the wall of Dongyue Temple in Daiding.
In the 12th year of Daoguang reign in Qing Dynasty (1832), the wall of Dongyue Temple collapsed, and Xu Zonggan, the magistrate of Taian County, "desperately searched for residual stones in the rubble", instructed Taoist Liu Chuanye to move the residual stones down the mountain and embed them in the monument wall of Daimiao Temple, and wrote a postscript to record the process.
In the 16th year of Guangxu reign (1890), the stone was stolen. The county magistrate Mao took the stone to the North Gate Bridge for ten days, and then put it in the courtyard of Dai Temple.
In the second year of Xuantong (19 10), Qing Yu Lan, a magistrate of a county, built a stone house in the Yongting around Dai Temple to protect Qin Taishan's carved stone, Xu Zonggan's postscript and his preface, and embedded three stones in the stone house and surrounded it with iron fences. 1928 moved to the East Throne of Daimiao, and built a portal tablet niche with the above three stones.
After the founding of People's Republic of China (PRC), the front of the monument was protected by glass.
Lisi and Taishan Stone Carvings
"In twenty-six years, the emperor became a vassal of the world, and he was made emperor." In 22 1 year BC, the king of Qin, with his extraordinary talent, annexed various governors, unified China, divided the world into 36 counties, and established the first centralized autocratic dynasty in the history of China, taking the title of "Three Emperors and Five Emperors" and calling himself the first emperor. During this period of great change in China's history, Li Si, as the most important strategic adviser of Qin Shihuang, made immortal contributions to the great cause of Qin Shihuang's reunification. Therefore, Sima Qian called it in Historical Records: "It is the right time to push Qin, stand proudly in the sea and take the lead."
Li Si, born in an unknown year, died in two years (208 BC). At the end of the Warring States Period, a native of Shangcai (now southwest of Shangcai County, Henan Province) was born in Chu. As a student of Xun Kuang, who was different from Han, he was a county commandant in his early years and went west to Qin in 247 BC. At first, he was appointed as Lang, who could lobby the king of Qin. Later, he was deeply appreciated by the king of Qin, persuaded him to destroy the princes and became emperor, so he was appointed as a long history. The king of Qin adopted his strategy, and sent advisers to lobby the six countries of Kanto with gold and jade, alienating the princes and ministers of various countries and making him a guest. In the tenth year of the King of Qin (237 BC), he ordered the expulsion of six guest ministers. Li Si's "Zhuke Shu" stopped it, which was adopted by the Qin government, and soon the official worshipped Tingwei. After Qin unified the world, it was suggested to implement the county system, and presided over the formulation of a series of laws and regulations of Qin. Soon Reese became prime minister. In the thirty-fourth year of the first emperor, Li Si said that the Book of Songs, Books and Books of a Hundred Schools were burned and adopted by the first emperor, which caused a cultural catastrophe. After the death of Qin Shihuang, Reese and Zhao Gao conspired to rectify the imperial edict, abolishing Prince Fu Su and making his youngest son Hu Hai the second emperor. Since then, although he tried his best to succeed, he was eventually jealous of Zhao Gao and beheaded in the city.
In literature, Lisi's prose inherits Xun Kuang and develops Mei Cheng and Zou Yang. His book is full of arguments, metaphors and brilliant rhetoric, and its style is similar to that of Han Feizi. Mr. Lu Xun called it "the article of Qin, and Lisi is the only one" (Outline of China Literature History Lisi).
In the twenty-sixth year of Qin Shihuang, at the suggestion of Li Si, a decree was issued to "write in the same language" throughout the country. Li Si's Cang Xie, Zhao Gao's Calendar and Hu Wujing's Bo Xue all adopted the newly revised script of Xiao Zhuan, making it famous all over the world. Li Si's seal script is not only the official script of Qin Dynasty, but also the originator of seal script art in later generations, which has a special position in the history of calligraphy. Li Si's achievements in the revision and popularization of Biography have been highly praised in history. In the Tang Dynasty, Li Sizhen called his calligraphy "the essence of seal cutting, the wonder of ancient and modern times, the mountain of the king of Qin and the jade seal, the giant crossbow of a lady, and the boulder of Hong Zhong". Scholars and masters are also a national heritage. Yu Dou's Shu Shu Fu also said: "The method of thinking is also the ancestor of later learning." . "Is to take care of the whole history of calligraphy, not many people can do this evaluator.
Li Si's calligraphy remains, no matter where he went on patrol with the first emperor, should be regarded as the stone carving works of Ji Gong. Although these works of stone carvings in the Kikuji Palace are not signed, historical materials have always thought that they would be written by Li Si, so here we should follow the old theory. There are seven stone carvings found in historical materials, namely: Mount Tai, Langyatai, Yishan, Jieshi, Huiji, Zhifu and Dongguan. Among the seven carved stones, Jieshi did not enter the sea for a moment, and it was not recorded in previous dynasties. The two carved stones of Zhifu and Dongguan have long been lost. The original stone carved by the mountain has already been destroyed by the fire. There were also engravings in the Song and Yuan Dynasties, and they still exist today. Langyatai stone carving is a cliff of Langya Mountain and a natural stone pillar. At this time, the stone calligraphy is similar to the stone drum, and the horizontal painting is in an arc state. Its drooping oblique pen is beautiful, natural and vivid, and its breath is ancient and thick, which is one of Li Si's representative works of Xiao Zhuan. Unfortunately, it is too difficult to finish. As a model, it will bring great difficulties to learners. The stone carving of Huiji Mountain is the last moment of the first emperor. This stone was fashionable at the top of Huiji Mountain in the Southern Song Dynasty, but its handwriting was almost completely destroyed. After a turn, the calligraphy was dull and lost its original style. To be sure, only Taishan stone carving can fully reflect the style of Li Si's seal script. Although some scholars have verified that Taishan Stone Carvings are not rubbings of original stones, they are closer to the original appearance of Qin Zhuan than Yishan Stone Carvings and Huijishan Stone Carvings.
Taishan stone carving, also known as Taishan tablet. In the 28th year of Qin Shihuang, the first emperor visited Mount Tai. This stone is engraved with words on all sides, with letters from the first emperor on three sides and letters from the second emperor and the names of his subordinates on one side. Historical Records of Qin Shihuang's Biography recorded his deeds and remarks in detail. The original stone carvings were located in the pavilion on the south edge of the Huangfeng Mountain in taishan jade. After Jiajing in the Ming Dynasty, this stone was scattered beside the Jade Girl Pool outside the western wall of Yuan Jun Temple in Bi Xia, with only four lines and 29 characters left. During the Yongzheng period of the Qing Dynasty, this stone was moved to the east of Yuan Jun Temple in Bi Xia. Five years after Qianlong, a fire broke out in Bi Xia Temple. In the spring of the twentieth year of Jiaqing in Qing Dynasty, Jiang Yinpei and others found two residual stones in the Jade Girl Pool, and there was a cross of "I died of illness, please be my minister". After several storms, Xuan Tong fashion has nine words. The residual stone exists in Dai Temple in Tai 'an, Shandong Province, or is suspected to be non-original.
Liu Gang in the Northern Song Dynasty was the first person to make a detailed investigation of Taishan stone carvings in history. He visited Mount Tai twice and found out the stone and shape of the stone carvings. The biggest discovery is that the stone is carved on all sides, except the inscription of Qin Shihuang and the inscription of II. He personally rubs the ink, 146, which is recorded in detail in the Preface to Mount Tai Qin Zhuan, providing valuable information for studying the stone carvings of Qin Shihuang.
The earliest Taishan stone carving was handed down from generation to generation as a remnant carved by Song people in Tieji. The earliest and most famous rubbings are the Taishan Stone Carvings of the Northern Song Dynasty 165 and 53-character editions collected by Xishan Anguo in the Ming Dynasty, which flowed into Japan in the 1930s. Another rubbings is a 29-character version of Qin Jin stone carving. There were many rubbings of Taishan stone carvings in Qin Dynasty.
As one of Qin Zhuan's representative works, Stone Carvings on Mount Tai has been highly praised by all previous dynasties. Zhang Huaiguan's Shu Duan in the Tang Dynasty said: "Mount Tai, Mount Yi, King of Qin and other historical sites and their remains are also called the treasures of the country and the French style of a hundred generations." Yuan Ang's book review also said: "Li Sishu is the best in the world, and it is hard to win." Li Simiao's Back of the Book said: "Qin Xiang's inscriptions are as rotten as Jin Shu's." Liu Jigang's Preface to Mount Tai Qin Zhuan said: "Li Xiaosi passed on what he has learned from ancient times to modern times." Zhao Ming Jian Guangyun: "Qin Si is a master of ancient and modern times, and calligraphy ends here."