Praise of Poplar, Whistle Selling Tofu, Rayon, Impression of the National Games, A Glance in the Car, Firecrackers, Talking about the Moon, Story of Encounter in the Fog and Tales of Mountains and Rivers all describe the broad picture of China society in the early 1930s from various angles: workers' strikes, peasant riots, and repression by reactionary authorities.

I think it is advancing in a meaningful direction. Finally, Wu Sunfu's tragedy symbolically implies the writer's rational understanding of China's social nature: "China has no capitalist development path, and China is more colonized under the oppression of imperialism." ?

Midnight introduces this kind of non-fictional discourse into the novel and blends it with fictional discourse, which should be said to be a bold and creative stylistic experiment. The epic of Midnight undoubtedly benefits from the ingenious adjustment and combination of poetry and history.

The overall layout of Midnight is epic, but the detailed description is extremely euphemistic and meticulous, analyzing the characters' psychology until its subtle and trembling ripples. As early as the 1930s, Mr. Wu Mi pointed out this feature and praised it greatly, saying that Midnight was "beautifully written, full of beauty, and the brushwork was uncontrollable". And its subtlety can be restored in many ways, which is extremely valuable.