Haizi, a short-lived genius poet, has become a myth of our time from his nameless life to his death. He changed from a mortal idol to a bright god, and his poems were sung by countless people.

Elephant, as the name implies, is far and near, meaning is far and image is near. It is intended to be inclusive, as if it were examining. Therefore, the poetic image is not only an objective artistic image, but also an objective subjective artistic image.

For example, the core image "Asian Copper" in Haizi's poem "Asian Copper" is an objective artistic image by which Haizi expresses a certain meaning. As far as poetry as a whole is concerned, the poetic image is at the bottom of the whole poem and is the smallest unit that constitutes the overall meaning of poetry.

From the perspective of poetry ontology, poetic imagery is the sacred gateway to understanding.

For example, the interpretation of cuprous must rely on image group with cuprous as the core. In addition to this core image, other images in this poem, such as "grandfather, father, bird, grass, sea water, wild flowers, drums and moon", are also key indicators to help us understand the poem.

Therefore, the effective grasp of poetic imagery creates infinite possibilities for the road to "poetry", that is, it provides a reliable road. On the other hand, improper understanding will lead to misunderstanding, that is, deviation from what is closest to the poem itself. Deviation is only the most common manifestation of misreading, and it also provides an opportunity for the opening of the poem.

1On February 28th, 988, Haizi wrote in a short poem "Night" that "at night/I have three kinds of sufferings: vagrancy, love and survival, and I have three kinds of happiness: poetry, throne and sun".

In the dark, it has already constituted the "inherent magnetic field" for us to interpret Haizi's poems, and this magnetic field has gained various statements in the eyes of post-researchers. Of course, this magnetic field is also the hidden core of Haizi's poems. His three wanderings and the three kinds of happiness corresponding to them constitute an "anxious contrast", that is, the mutual contrast and conflict between the real world and the ideal world.

For example, Haizi wrote in Poems of the Sun Messiah, "I came here with this old and blind stranger on my back, to the night and center of this world.

Empty people/a mountain leads to heaven, and goes down to the ruins in hell/desert. "The reality is the ruins in the desert, and on the ruins, the poet builds his own place with the help of the power of the poet God. The real world contrasts with the ideal world.

1February 22, 989, Haizi's poem Dawn (2) was more obvious and intense. "The scroll of the holy book is my wing.

Today is exceptionally bright/sometimes gloomy/the holy book is dirty and happy/of course, it's also my injured wings/the desolate land bears a more desolate sky/my empty land and sky/it's a holy book in which the first volume and the second volume are combined/.

This is my heavy and divided limb. "Haizi committed suicide with four books, one of which is the Bible. The "anxious contrast" split a divided Haizi.