There are singing red songs, reading red books, watching red movies, writing red inspirational aphorisms, holding red lectures, understanding the Long March of the Red Army and visiting red tourist attractions.
Red culture is an advanced culture with China characteristics created by China people, advanced elements and people in the revolutionary war years. It contains rich revolutionary spirit and profound historical and cultural connotation. Red culture is an important resource, including material culture and intangible culture. The fundamental difference from other cultures is red, which represents authority, courage and revolution.
China's red culture has a cultural evolution process of formation, development, accumulation, enrichment and innovation, which has gone through or will go through various historical periods, including the period of new-democratic revolution, socialist revolution and construction, and the period of Socialism with Chinese characteristics construction led by China, until communism is finally realized.
Red classic:
It is the collective name of Yan 'an literature for the mainstream literature before the revolution or the left-wing orthodox literature in the new period, and it is the narrative practice of socialist realism. Related expressions are "red literature" and "red narrative". As far as the red classics of the Republic are concerned, there is a so-called "three reds and one creation, green mountains and green waters". What is that? Hongyan, Red Sun, Red Flag Spectrum, Entrepreneurial History, Song of Youth, Great Changes in Rural Areas, Defending Yan 'an and Linhai Snowfield.
Features: Fully embody the traditional consciousness of Yan 'an literary revolution, keep up with the political and ideological needs of the times, and pursue grand narrative and narrative artistic modeling.
Negative effects: The dualistic thinking of "sanctifying" our army and "demonizing" the enemy forces, while acknowledging the importance of historical truth, emphasizes serving the politics of the times, which of course easily leads to the contradiction of sacrificing historical truth because of established political concepts. The red classics that pursue grand narrative generally have the problem of theme first. The epic structure, plot setting, scene organization and characterization are all based on the premise of theme first, in order to implement the theme demand.