Walking out of the temple and walking in the street, because the spectators can't see clearly, there is a feeling of holding high. According to Qing Qianlong's "Zhuanglang Know the Customs", "On the first day of beginning of spring, he greeted the local cattle and dressed up as a colorful coat to attract the gods, and the scholars and women actually watched it." , therefore
It can be seen that Zhuanglang has a long history.
Since ancient times, a grand temple fair (1994, named "Zhuanglang Art Festival" by the county government) has been held every year on the 12th day of the first month to commemorate Liu Hu, the general of Song Dynasty, and the metropolis of Zhuanglang people. Every town or village gathers together.
A grand sacrificial ceremony was held in Shuiluo City. At the sacrificial ceremony, gongs and drums were loud, firecrackers were ringing, and there were a sea of people. The scene was spectacular. After the memorial ceremony, all the people took to the streets according to a fixed route and were fined.
In the play, the characters dress up with care, cleverly and firmly attach themselves to the high lift, and they are lifelike, and there is a tendency to fall from the sky. Some are like "flying swallows in the air", some are like "goddess scattered flowers" and some are like "bright-winged white cranes".
Its wonderful, its high, its dangerous, precarious, thrilling, when the high lift meets obstacles such as wires and trees, there are two people next to each high lift to make a way for the high lift with crutches made of high-pole colored strips.
Long river, ancient rhyme today. Gao Lift originated in the late Yuan and early Ming Dynasties and flourished in the Ming and Qing Dynasties. In the process of inheritance and development, Zhuanglang people boldly innovated on the original basis, and the performance form was changed from people carrying shelves to carriages, tractors and cars.
The themes of rejuvenating the country through science and education, efficient agriculture, party building education and new rural construction also appear in the content. This innovative spirit makes Zhuanglang integrate life and art, and is rich in modern, simple, rough and enthusiastic artistic personality and cultural heritage.
Yun, deposited in the long river of time, carries the immortal cultural legend of Zhuanglang people and becomes a wonderful flower in Long Yuan culture and art.