Tian Bing loved painting, calligraphy and drama since childhood. The book entered from the Zheng Wengong Monument, visited all European calligraphy, extensively studied the inscriptions of ancient masters such as Erwang and studied literature, aesthetics and calligraphy theory for many years, honed the solid efforts between the lines, and condensed it into a neutral, free and easy, elegant and vigorous calligraphy style. His works have been selected in national and international exhibitions for many times, and won more than 20 awards, including the first national calligraphy exhibition sponsored by China Calligraphy Association, the outstanding works award of the first national regular script competition (no grade award) and the gold award of the sixth international calligraphy and painting aesthetic exhibition. His works have been exhibited in France, Japan, South Korea, Singapore, Hong Kong, Taiwan Province and other countries (places), and have been included in dozens of high-end albums published in Hong Kong, such as Selected Contemporary Paintings and Calligraphy of China, Calligraphy Collection of Zhongnanhai, and Collection of Works of National Famous Paintings and Calligraphy (see related links: some albums with various works), and have been collected by many professional units and friends at home and abroad, and have been collected by government leaders many times. I applied to teach at China Calligraphy and Painting Correspondence University for eight years, and often gave counseling lectures to calligraphy lovers, learning from each other. Since 1996, he has been invited to hold personal book exhibitions in Hungary, Japan, Guangzhou and Shunde for many times, and give lectures in universities such as Roland University in Hungary. Xinhua News Agency, China Calligraphy and Painting Newspaper, Japanese Shudao magazine, European Times, and European Herald have published special articles to introduce Tian Bing's calligraphy.