More than a dozen museums gathered in Anren Ancient Town, Dayi County, Sichuan Province, with themes ranging from War of Resistance against Japanese Aggression to the Cultural Revolution to folk customs and earthquakes. Fan Jianchuan named them "settlements". On August 5th, 2005, on the 60th anniversary of the victory of the Anti-Japanese War, this 500-acre museum with a building area of15000m2 was opened to the public for the first time. In the overall design of Jianchuan Museum settlement, the anti-Japanese war series is undoubtedly a "bright spot". At the beginning of August, 2065438+00, there were five single pavilions, namely, the mainstay pavilion, the frontal battlefield pavilion, the Sichuan Army Anti-Japanese War Pavilion, the American Army's aid to China Pavilion and the Anti-Japanese Prisoner Pavilion, and two theme squares, namely, the China Heroes Sculpture Square and the Anti-Japanese War Veterans Handprint Square. The museum of Japanese invaders and the traitor ugly museum are important projects that will be completed soon. The two museums were later planned into the same building. "The Japanese Museum is above, and the traitor museum is below. The meaning is clear. It is with the support of these puppet regimes and the army that the Japanese army can run rampant in China for so long. " Fan Jianchuan said.

65 years later, how many stories and details of this war are still unknown to us? It's been a long time, and the 20-year-old youth is now over 80 years old. Who can tell those thrilling battles as a witness? Although it is catching up with the construction of Jianchuan Museum settlement, there are still many people coming from afar to find the answer to history.

The eight branches of the Anti-Japanese War Museum are all designed by world-class designers. The master plan is that Zhang Yonghe, Chester Huaidong, who designed the US military museum in China, Wang Weiren, Taiwan Province Province, who is looking for a traitor museum, and iso zaki Shinichi, a Japanese architect, voluntarily designed the museum of Japanese invaders to express the Japanese's apologies to the people of China.

"We don't talk, let history speak!" "shh! Don't drown out the voice of history. The nameplates everywhere in the museum record the subtle changes here. If the collections and exhibitions in previous years may still have some of Fan Jianchuan's own likes and dislikes, then try to keep the original appearance of the times without personal color and let visitors feel, think and judge for themselves. " The distribution of collections is carried out by telling stories, not in chronological order, nor as serious as traditional museums. Here, more attention is paid to ordinary life, and the whole building community will strive to create real scenes and reproduce social ecology. "Fan Jianchuan said.

Sublimate responsibility in cultural relics collection

Ragged bloody clothes, cold helmets with bullet holes, sirens that can still scream, yellowed wartime citizen cards, bloody diaries, cold commemorative medals for invading China, and faces with frightened or angry expressions in the photos. ...

In addition to the bloody wars displayed in these museums, the warehouse in the corner of the park is still locked with the vicissitudes of time. Under the dazzling white fluorescent lamp, the flood of old newspapers, old photos, letters, mirrors, sculptures and badges makes people feel as if they have fallen into a mud pond that has been silted up for decades, and their hearts are filled with emotion but they are speechless.

In the field of collection, Tang poetry and Song poetry, Mei Zhulanju, talented people and beautiful women can all make money after buying them, but Fan Jianchuan thinks it is too "light" and does not meet his ideal. He pursues a responsibility. "The biggest role of the Anti-Japanese War Museum or the Earthquake Museum is to sound the alarm." Fan Jianchuan has always believed that a person can't be irresponsible and a nation can't lose blood. Our nation has suffered too much in history. "I want Jianchuan Museum to become a' calcium tablet' to enhance people's sense of urgency and work hard."

Fan Jianchuan's passion for collecting anti-Japanese cultural relics was ignited by an old film, The Battle of Taierzhuang. His father was an anti-Japanese warrior, who fought bloody battles in the face of Japanese swords and guns. He himself is a soldier with a service of 1 1 year. By collecting information about Sichuan Army, he learned that 300 Wan Chuan soldiers participated in the war successively during the Anti-Japanese War, but the fate record of 3 million people was an amazing blank. A strong shock inside forced him to do something. He began to read and study the history of the Sichuan Army's Anti-Japanese War and collect anti-Japanese cultural relics. For more than ten years, he has been running, searching and pursuing all over the country.

After 30 years of hard work in the workplace, Fan Jianchuan's identity is constantly changing. He used to be a farmer, a migrant worker, an educated youth, a soldier, a teacher and a government official, and a 20 10 businessman. But in his mind, one main line has never changed-his love for modern cultural relics. He said that he was collecting "historical details" and finishing a "historical revelation".

Although he built the Anti-Japanese War Museum with his personal possession, he never regarded the museum as his own private property and always regarded himself as the temporary caretaker of social wealth. "I just keep my memory for the country. These things are my personal collection, but they belong to this country. " Fan Jianchuan said. He said that although he has a daughter, he still wants to return all his collections to the country behind him.

Today, Fan Jianchuan's collection network has spread all over the country, and many people come here every day to give him the anti-Japanese war collection preserved by their ancestors. However, whenever he is free, Fan Jianchuan will go to the market to look for treasures himself, because there are fewer and fewer collections during the Anti-Japanese War, and many foreign collectors are very active. What he can do is not to let them continue to be lost.

Let the museum feed itself

In 2000, Fan Jianchuan collected 500 pictures and materials of anti-Japanese war relics from his early collection, compiled a book called One Man's Anti-Japanese War, and was later awarded the first prize of 13 China Book Award. One of his friends explained that the name had another meaning: "Even if there is only one person left, we will fight to the end."

With the financial resources to start a real estate company, years of accumulation and collection, and superhuman wisdom and courage, Fan Jianchuan has done something that others dare not and cannot do. Fan Jianchuan, who calls himself a super "museum slave", actually knows very well that museums are economically disabled and mentally retarded. It is difficult for a medium-sized city to build a museum, and it is difficult for him to earn money to support more than a dozen. Moreover, compared with state-owned museums, folk museums do not enjoy financial allocation and tax exemption policies. It can be said that every penny spent is your own money, and the tax is still very heavy. How to endow museums with the ability of economic hematopoiesis? I'm afraid museums all over the world are looking for answers. This matter, from the beginning of the preparation of jianchuan museum, Fan Jianchuan was thinking. Only the modern history of China is 100, because this is the most changed 100 in China. During this 100 year, Fan Jianchuan said that it would achieve monopoly.

At present, the company posts more than 6,543,800 yuan in museums every year. For this "silly son" who hasn't learned to make a living, Fan Jianchuan has already made his own arrangements:

"Under the premise of diversification and enrichment of museums, we have been gradually integrating into businesses, such as antique shops, tourist goods stores, ethnic canteens, ethnic reception stations, Aqingsao Teahouse, Longmen Town Inn and so on. If the ticket income is not good, I will sell water, rice, tourist goods, books and CDs, run summer camps, expand training and accommodation, hold meetings and slowly pull up the industrial chain. At least now it has achieved initial results.

Fan Jianchuan said that what he wants to see most is that the museum can make blood by itself and support itself, without government finance or charity and sponsorship from others.