The process of coating utensils with paint. The lacquer used in ancient China is a kind of juice secreted by lacquer trees. After sun drying and dehydration, it becomes cooked paint, which can be used as coating. At the same time, dry vegetable oil such as tung oil is often added to the paint. When making lacquerware, use wood, bamboo, hemp, etc. They are all used as fetal bones, and then the surface is painted and dried before use.

You can also mix colors in pigments to draw patterns and draw patterns. Painting can not only protect objects, but also make them durable and beautiful. China has a long history of making lacquerware. "Ten Years of Mistakes" shows that Yu Shun used wood as a food container and "painted ink on it". Painted vehicles, several boxes, plates, jewelry boxes and other cultural relics from the Western Zhou Dynasty to the Warring States Period were unearthed.

Colored plates from 475 BC to 22 BC1year were unearthed in Yangshan Ocean Tomb in Xinjiang. A round lacquer cover from the Eastern Han Dynasty was unearthed from the tomb of Gao Tai in Lop Nur, which is more exquisite than the lacquer plate on it. Tang Dynasty lacquer box unearthed from Astana tomb in Turpan, wooden tire, black.

History of lacquer ware development in China;

China ancient lacquer craft appeared as early as the Neolithic Age. Lacquerware made of wood tires in the Xia Dynasty was not only used for daily life, but also for sacrifice. It was often painted in two colors: red and black.

During the Yin and Shang Dynasties, there was a lacquer art of "carving with stone tools and carving with discretion". 1973 Lacquerware fragments unearthed from Shang Dynasty site in Taixi Village, Chengli City, Henan Province, with gluttonous patterns engraved on wooden tires and painted with red and black pigments.

From the Western Jin Dynasty to the Southern and Northern Dynasties, due to the prevalence of Buddhism, large-scale Buddha statues were made by sandwich technology. At this time, lacquerware technology was used to serve religious beliefs, and sandwich tire lacquerware also developed. The so-called clip is made of lacquer grey hemp, and the fetal bone is light and strong.

With the economic development and cultural prosperity in the Tang Dynasty, various factors made arts and crafts develop, and they were much more advanced in art, technology and production. Lacquerware in the Tang Dynasty shines brilliantly, showing a gorgeous style, and the production technology of lacquerware is also developing in a rich direction. The time-consuming and expensive technology of making gold and silver, mother-of-pearl and Qi Diao was very popular at that time.

The technology of tire making and lacquer painting in Song Dynasty was very mature. At that time, not only the official production organization was established, but also the folk production of lacquerware was very common. Lacquerware vessels are diverse in style and simple in shape, showing the beauty of structural proportion. Generally speaking, lacquerware in Song Dynasty is mainly plain and quiet.

The arts and crafts of the Ming Dynasty entered a new stage, and the official factory set up various royal lacquerware, which was managed by famous lacquerware artists. In addition to the official lacquerware factory, folk lacquerware production is also spread all over the country.

There were many famous lacquerware artists in Jiangnan in Ming Dynasty, including Zhang Degang and Bao Liang in the early Ming Dynasty, Fang Xinchuan in the middle Ming Dynasty and Jiang in the late Ming Dynasty. And there is a work that integrates lacquer craft: Huang and Yangming note "Lacquer Decoration".

At this time, there was a great innovation in decoration technology, combining a variety of traditional techniques, combining more than two techniques, and changing different decorations on different plains, creating a prosperous situation.

Lacquerware is still an important part of traditional folk crafts in China. The famous lacquerware crafts include the lacquerware painting skill of Pingyao pushing light and the lacquerware painting skill of Poyang.

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