By the end of the last issue, I should have answered the posts about "swinging", "knowing" and "burning right", but here is a building to answer this one first.
Recently, the author has been chasing the fantasy drama Kyushu. Put clouds on the sea. " Although this drama has many shortcomings, it is definitely a watershed of China TV series and has great demonstration significance.
In fact, the author also wrote a post in front of me to analyze "cloud grazing at sea", but I will make an in-depth analysis here for the time being and discuss it in the next article in order to fit the topic. Here is a temporary analysis. Edward Zhang, the actor who plays De Muyun in The Guardian of the Sea.
Edward Zhang
There is another answer to this question, which generally discusses the characteristics of Edward Zhang as a model that attracts fans. Interested viewers can go and have a look. But this post, I don't want to talk about this, but from the identity of Edward Zhang's main actor.
In my opinion, there is a funny point between China film and television circle and China audience. China audiences have been mocking Obuchi Keizo, China and Xiaoxin for their lack of strength. They are very popular in the market and easy to make money, but no one pays attention to real actors.
But the cruel fact is that the author also analyzed a post earlier. Audience consumption drives the market fever, and capital is eager to attract traffic stars to make profits, forming a vicious circle.
Bottom line: it's all the choice of the audience!
If you don't believe me, it's true that actors don't pay attention. Edward Zhang, the protagonist of this post, is definitely such a low-key strength among domestic young actors.
I didn't know much about actor Edward Zhang before, because Edward Zhang didn't have very good resources before, and the drama he participated in was not the kind I liked. Those overbearing presidents, urban romances and ancient costume romances were all supporting roles until the story of Hai Muyun.
In 2007, he played Guan Yue in the youth idol drama The Prince of Tennis. In 2008, the new year's comedy "Wedding 2008" starring in the guest show was released nationwide. In 2009, he played Liu Wu, the King of Liang, in the ancient palace drama Honey trap. 20 1 1 played Zhang Qing without an arrow in the historical costume drama "The New Water Margin" [3]. [4]2065 438+02 participated in the costume romance drama "The New West Chamber" [5-6], playing Zhang Xun. 20 13 participated in the legendary costume drama Heroes of Sui and Tang Dynasties, playing Yang Fan.
The opening part, guest movie, supporting role in "Beauty's Calculation". Only Zhang Qing in The New Water Margin can be mentioned in his resume. But there are too many stars in this play, and the audience's eyes are not focused on him. This drama should hone opportunities for Edward Zhang, improve the resources of some insiders and attract the attention of small fans.
Generally speaking, this drama can be regarded as the starting point of a slight turning point in Edward Zhang's career, but it is not a work and role that left a deep impression on the audience. After The New West Chamber, Lei Ju's Heroes of Sui and Tang Dynasties is the same, but he has honed his acting skills and accumulated experience.
The second stage:
In the same year, he played the role of "Flower Lord" in the IP network drama "Notes on Grave Robbery", played the black-bellied man Changqing in the Qing Dynasty drama "Lonely and Empty Spring Comes Late", played the gangster boss Jiang Shikai in the TV series "Pasturing Clouds at Sea", and starred in the idol drama "Love Crossing the Millennium 2: Exchange in the Moonlight" in 20 16.
From the data analysis, "Tomb Raider Notes" and "Lonely Spring Court". The former has attracted a lot of attention, but the eyes are still not on Edward Zhang. The quality of the latter play itself is not high, plus it is a supporting role, and there are not many highlights. From the time point of view, the original time of "Love Shuttle through the Millennium 2" is still behind. However, the book Mu at Sea has been suppressed for too long for various reasons.
The first broadcast of the former did not cause any sensation. Until Clouds on the Sea. De Muyun, an important character in the play played by Edward Zhang. On the surface, he is the son of a villain, and may even be the biggest hidden boss in the later period. In fact, so far, there are more scenes than Muru Hanjiang, who plays a small role in men's three fights.
However, I have been chasing Livestock of the Sea recently, although this drama has many shortcomings. But strictly speaking, Edward Zhang plays the Muyun Derby and plays the Hanjiang River in Shawn Dou, so he is the third person. Although, judging from the situation, he should be the last hidden boss.
Speaking of previous acting skills, this role was controversial in the early stage, and many people were sarcastic while watching the barrage. Every time I go to enlarger lens, Edward Zhang's face can be seen clearly because of the high-definition lens of the play, and there are still many potholes.
At this point, the author's observation has caused many netizens' cynicism, and such remarks can often be seen.
diagrammatic presentation
But I don't think this is important at all, because domestic audiences often spit out domestic dramas Po, and the characters are severely skinned, which leads to the drama's texture is far less than that of European and American dramas. However, domestic dramas have real skin reactions and often don't like being too ugly.
Fire and ice.
Fire and ice, a European and American fantasy drama, is called dirty aesthetics in Chinese circles because of the actor's skin problems, makeup problems and temperament problems. In fact, ancient European and American epic dramas are all trying to restore the true performance of history. This is related to the appreciation view of European and American audiences.
Compared with European and American audiences, due to historical development, there is a huge gap in the aesthetic response of China audiences on the real stage. Limited to space, I won't go into details.
Significance: The audience in China is at the present historical stage, and the aesthetic view of film and television is the projection of realistic response. Strictly speaking, there is nothing wrong with this.
However, if we treat the dramas of Europe, America and China with double standards, I think it will be really tangled and somewhat funny. Here, I return to the discussion of actor Edward Zhang. The author has checked the information, and Edward Zhang, like many traffic stars, is not from a professional college, but also from a draft. The information is as follows:
Chinese mainland actor, Chen Kun Studio (Shen Dong Children's Painting) signing actor.
In 2005, she participated in the 6th CCTV Model Contest and won the "Best Photography Award".
In 2006, he participated in Dragon TV "Come on Lycra! My hero officially debuted. In 2007, he played Guan Yue in the youth idol drama The Prince of Tennis.
However, Edward Zhang's performance in "Pasturing Clouds at Sea" is quite different from other traffic stars. It may be because the commercial value of traffic stars is too high, capital is sought after, fans like it, and there are too many resources, so they are busy all day.
There is no time to calm down and think about acting.
Edward Zhang's early low-key precipitation, in the level of role performance, the small fresh meat that can't be completely exploded is definitely a strength level. I have to say that Edward Zhang interprets the role of De Muyun very well, and there are no problems in acting, lines, emotions, figure and temperament.
As the picture shows, this character has an affair with two female characters in the play. But Edward Zhang's attitude is just like the scene in the 48th episode. The mood of these two women is obviously very different. And Mu Yunsheng, played by Huang Xuan, is calm and powerful.
If compared with Huang Xuan, you can't say anything provocative like going beyond or stepping on it. However, Edward Zhang and Huang Xuan confronted each other in this play, and they didn't lose to Huang Xuan. How hot Huang Xuan is this year can be proved by the upcoming Fanghua, the upcoming demon cat legend and this drama.
Needless to say, he and his Asian fathers Mo and Wang Qianyuan played the role of Muyunluan, forming a pair of plastic father and son.
The father-son relationship between De Muyun and Mu Yunluan is definitely a highlight of this drama.
Up to now, the author insists that the villain and his son are the only online characters with low IQ in the play, and they are better than the three main lines without a good clue to explain the devil, Machiavellian, affection and father-son relationship.
Edward Zhang's performance in the last performance definitely deserves the praise of the actors in China Youth Power School.
After talking for so long, it's almost over. After consulting the materials, I found that Edward Zhang is an actor who signed a contract with Chen Kun Studio. The core of this studio is Chen Kun, and the resources are needless to say. The future development of Edward Zhang is still very predictable.
After all, in two or three plays next year, Lu, played by "Liangsheng, can we not be sad?", can only be regarded as the fourth man, which is really not very pleasing. This play should also be an external task, which is different from our company's play.
It's two major dramas starring Chen Kun. Edward Zhang plays He Lianzheng in the costume drama "Burning the World".
Judging from the current role, the youth role can be regarded as male number three, and the other drama is also the spy war drama "Get Away" starring Chen Kun.
Edward Zhang's role is Wu Yunfu, the first leading actor is Chen Kun, and the best leading actor Liao Fan should be a special actor. Male number two should be David Wang. Not surprisingly, Edward Zhang is also male number three. I believe that Edward Zhang's strength and role interpretation should be no problem.
Summary: Edward Zhang is definitely not the only one who supports the young powerful actors in China!
Next issue: How do you evaluate Mu Jiyun at Sea?