The official said that this year's Spring Festival Evening of the Year of the Ox will achieve some historic breakthroughs in dancing beauty:

First, for the first time, the 8K big screen is the main screen, which is the first time technically.

The second is to widen the stage to nearly 30 meters, which is the conventional stage width of sports venues, and this is the first time in history.

Judging from the exposed pictures, the shape of LED screen is different from previous years, and the real stage charm will not appear until the Spring Festival Evening broadcast.

What is the historical position of such a stage in the history of the Spring Festival Gala? Let's review the stage of the Spring Festival Gala in 10:

20 10

This year's Spring Festival Gala, many people were deeply impressed by the stage when Faye Wong performed Legend.

The highlight of the dance is the ceiling. On the stage of the Spring Festival Evening in 2009, a retractable ceiling design played this role. It can change with the needs of the stage and transform into different decorative prospects. 20 10 further magnifies this effect.

20 1 1

The beauty of dancing in the Spring Festival Evening has no obvious technical characteristics, and the marginal ornamentation with window grilles as the main body has become the main visual element.

There is no obvious change in the vertical or horizontal stage, and it is the most mediocre dance in the Spring Festival Evening in recent ten years.

20 12

After many years, when we think of the Spring Festival Evening directed by Ha Wen again, the biggest impression is the change of the stage.

This year, the stage has changed from a double-sided stage to a runway, which is a subversive change in the history of the Spring Festival Evening. The front-row audience also returned to the round table at the beginning of the Spring Festival Evening.

The real value of year of the snake's Spring Festival Evening dance is that it leaves some of the most precious stage elements-

Movable floor screen.

The floor of the stage is covered with LED columns that can be lifted. This picture lasted for ten years, and it is still the core mechanical way of the Spring Festival Evening dance.

Virtual projection.

In some performances, the audience becomes a virtual projection, which complements the performances on the stage. This is the first time that virtuality has been applied to CCTV Spring Festival Evening, which has made more TV viewers know this new media technology. For example, Sa Dingding's animism and so on, many stages are still considered as the peak design of CCTV Spring Festival Evening in the 10 era. ..

20 13

This year, the number of exquisite LED screens in CCTV Spring Festival Evening reached the highest in history at that time.

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In response to the austerity order of the party, AR virtual projection was featured in the 20 13 the Year of the Loong Spring Festival Evening, and a large number of wonderful virtual reality appeared at the party, both in quantity and scale.

The shortcomings of the T-shaped platform that lasted for two years also appeared intensively. Because the T-shaped stage has no audience facing the stage, there is no positive performer when performing cross talk sketches.

The program group arranged a group of comic sketch audiences, who were responsible for the "temporary audience" sitting directly opposite the stage to watch the performance and temporarily "make the big stage smaller" with a smile when the language programs were broadcast.

20 14

The Spring Festival Gala directed by Xiaogang Feng used four mobile phone screens.

Due to the change of the production team, the Spring Festival Evening of the Year of the Horse changed the practice of virtual blessing in the previous two years. With the blessing of four mobile screens, the whole party did not use a virtual projection.

20 15

After a year, Havin returned to the Spring Festival Gala. This time, it is no longer a runway, but a double-sided platform. The scale of the stage is also smaller than in previous years.

In order to better cooperate with the transition of two kinds of programs, 20 15 opened two stages for the first time-there are special language program studios!

On the main stage, AR technology is no longer the decoration of dancing beauty, but also applied to specific program performances, so there is the famous Chris Lee transformation performance.

The studio of language programs is smaller, but the atmosphere is stronger.

20 16

Starting from this year, the stage design of the Spring Festival Evening no longer pursues the full coverage of variable vision, but returns to plane and mechanical design.

The stage is surrounded by lanterns. To see this lantern, you have to spread your eyes all over the stage.

Virtual is like this.

20 17

On the dome of the stage in the Spring Festival Evening of the Year of the Rooster, a ring of rings was designed.

The inspiration of the whole stage is auspicious clouds, so there are all kinds of round and curved "faces" on the stage.

This year's technological breakthrough is to present dance moments with some ideas such as bullet time. (Yes, just like the drama "Dance Storm")

20 18

The beauty of the Spring Festival Evening in the Year of the Dog is called "China people". But in fact, only one or two places show the element of "middle".

The beauty of this dance is mainly a hollow box shape, and a suspended device is added outside the stage.

20 19

When the ground design reached saturation, the Spring Festival Evening once again focused on the ceiling of the stage design.

Yes, ten years ago was another idea.

The top-level design of the Spring Festival Evening of the Year of the Pig has also joined the LED column. The shape of the ceiling will also be more flexible.

However, the virtual effect is still concentrated in the audience as an extension of the beauty of dance, which means that the virtual effect is mostly used to set off the stage effect and is not integrated into the performance content.

2020

The creativity of the ceiling has been further upgraded, from the original three-dimensional column to a flat screen.

When Liu Huan performed The Wandering Earth, the stage achieved "the integration of heaven and earth".

They said, this is naked-eye 3D. In fact, it is a real scene. The ground screen rises to the highest, the top screen hangs to the lowest, light and shadow blend, and people are among them. Even without those AR virtual scenes, they can be realized by physical means for the audience to see.

In fact, over the years, the core members of the overall design of the Spring Festival Gala have not changed much. They have been trying to make different themes.

Also unchanged is the studio of CCTV Spring Festival Evening. Many people walk into this CCTV No.1 studio at the scene and feel much smaller than what is presented on TV.

Even if the new site is about to start broadcasting for ten years, CCTV has no intention of changing the studio of the Spring Festival Evening. What is the reason?

Perhaps the language project is the most important consideration. The performance of language programs such as cross talk and sketch needs a special atmosphere, and the stage should not be too big and the distance from the audience should not be too far. This is the mystery of 1 Hall that the Spring Festival Gala has held for more than 30 years!

After reading so much, which year do you think is the most classic dance?