With the rise and fall of commercial trade, Huang Er's operas are also in a state of prosperity and decline. The remains of Shaanxi Banshe were transferred to Huang Er from the Han Dynasty, and were destroyed by the Ming and Qing wars, so it is difficult to find them. It is said that the inscription on the Wangye Temple in Hegou, Shen Dong, Ankang County recorded that Zheng De of Ming Dynasty (Zhu Houzhao, Wuzong, 1506- 152 1) or Emperor Yongle of Ming Dynasty (Judy, 1404- 1424) watched Huanger's play here. I only know that the Haoping Music Building in Ziyang once had the inscription ink of Qingganlong Huang Er Banshe. Jiaqing Daoguang Time Club includes Hanrong Class, Xiduo Renfeng Class and Chenggu Yitai Class in Hanzhong. In the early years of Xianfeng, Yang Jinnian, Fan Renbao and other famous artists set up branches in Xixiang and Ankang respectively, and successively trained a generation of artists such as "Red, Lai, Yong, Qing", "Ji, Shou", "Tian and Jiu". Because these artists show their skills everywhere, Huang Er board houses are spread all over Sichuan and Shaanxi. These include Yutai and Tai Ding in Xianfeng period, Rentai and Ren Rui in Tongzhi period. These class associations are scattered all over the country, and have formed different styles and schools due to different ideas and teacher-student relationships. Ankang school is good at literati drama, which is universal: "Ziyang is elegant and soft, and its words are rich in Sichuan flavor;" Shangluo school is good at prancing and jumping, and is good at martial arts; Guanzhong school pays attention to singing, doing and acting delicately, and its singing skills are bold. Although the characteristics are different, the basic style is still the same. In each generation of classes (clubs), many accomplished artists have been trained successively. For example, during the Daoguang period, Charleston was good at life and good at the end, and was once known as the "drama champion" in northern Sichuan. Qu Laishou is good at cleaning up horns and performing more magic tricks. He was once known as a "living spiritual official". Liu Jiuqiang was born, but he didn't grow up. He also has a good reputation in Sichuan and Yunnan. Yao, Zhao Qingping and Dong Xingping in the late Qing Dynasty, Xing Dalun and Yang Dajun in the middle of the Republic of China, and Shan, in the late Republic of China, are also famous. These class clubs and famous artists have played an important role in the development and continuation of Huang Er in Diao Han.

Before and after War of Resistance against Japanese Aggression, Diao Han and Huang Er once declined. In the early days of the People's Republic of China, the Party and the government organized separated artists in Ankang, Shangluo, Hanzhong, Xi 'an and Chengyang respectively, and established a number of professional literary and art groups. While training young artists with the troupe, they also set up drama classes in local drama schools. All these groups were almost lost in the "Cultural Revolution". The only existing Ankang Han Opera Troupe is also crumbling. After the downfall of the Gang of Four, Ankang, Hanzhong, Shangluo and other places successively resumed a number of professional theatrical troupes, and the Han Dynasty and the Huanger Dynasty were restored.