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How to evaluate the anti-Japanese TV series Red?
It took me a week to finish painting red. If I wake up from my dream, I can only say a good word. You asked me where it was. I couldn't say it at the time, but I knew it was good.

I have been painting red in August, and I gradually feel where the word good falls.

People, actors, lines, in addition to these advantages. I said something else.

As a spy war drama fan, I have only seen so many characters in Red, such rich details, such complicated clues, and such a good drama that is integrated with the main plot.

In the plot, the connection between the branch line and the main line of each role, the cooperation of time, place, characters and props. There are no common coincidences in domestic dramas in this drama, only countless lines of grass ash snakes, which are taken care of in advance. I admire the red screenwriter so much.

The rules used in the lens are accurate. In order to show Tian Ge's keen observation, many detailed features are used, but none of them are redundant.

The rhythm of the play is not fast, loose and tight, but it is very well grasped, and it is difficult to stop once it is brushed.

Two brushes, three brushes and four brushes are strongly recommended, which are different from the popular TV series with thirty or forty episodes on the market. There are no redundant settings, no redundant shots and no nonsense lines in this play.