-Preface to the Cultural Journey
2. Passion for history will always increase the load of life, and the vicissitudes of history will lead to the vicissitudes of life.
-Preface to the Cultural Journey
3. These people who walk on the edge of life seem to have laid a tragic foreshadowing for the whole cultural history of China. They yearn for peace and are anxious all over. They strive for wit and division everywhere. They mark a conscious cultural personality for the first time at a high cost of their lives. There may be no direct descendants in their lineages, but China's aesthetic culture began to stand on its own feet from their mental torture.
-"Distant Voice"
In Li Bai's time, the Chinese nation was not too dull, so it is not surprising that poets like today come and go in this land. They have no political and business feelings, only a pair of sharp eyes and a poetic atmosphere, wandering between mountains and rivers, and marrying the earth. It is enough to write rows of poems with no practical value and spread them among friends. They take this business as a serious matter and are not afraid of camping or long-distance travel. As a result, it was not the emperor, imperial concubine and general who stood in the center of the prosperous Tang Dynasty, but these poets.
-Three Gorges
As long as you are smart, you will have an expectation of books for this nation. They know that only books can connect such a long history into a cable, unite such a huge race, and keep such a vast land alive with the fire of civilization.
-"Stormy Days"
6. Cultural conscience based on sound personality, or conversely, sound personality based on cultural conscience. Without this kind of thing, he can't be so firm, light what ordinary people value and light what ordinary people value.
-"Stormy Days"
7. Unfortunately, the cultural personality of this group has become increasingly dim in the history of China. When spring comes to Qiu Lai, the plum blossoms wither and the cranes get old. Culture becomes a kind of aimless waste, and closed moral perfection leads to overall immorality. The sudden advance of civilization has also been cancelled, leaving a pile of plum petals and crane feathers, which are sandwiched in the history of national spirit like bookmarks.
-"West Lake Dream"
8. If you can't realize your ambition in society, you will hide in the small natural world and entertain yourself. They destroyed their ambitions and gradually regarded this destruction as their own ambitions. The philosophical cultivation of caring for the poor and being happy has become a spacious cellar in China's cultural personality structure. Although it has a strong musty smell, it is safe and quiet.
-"West Lake Dream"
9. There is also the great reason of human nature hidden in social filth, and the realization of this great reason is often too weird for normal people to tolerate. On the contrary, the great light of society is often at the expense of many important propositions of human ontology. The ideal state of one-way perfection is mostly a dream. One of the great sorrows that mankind cannot get rid of is here.
-"West Lake Dream"
10. An extremely striking part of China culture can be called "culture of demoting officials". As a result, many cultural relics are also demoted officials. The relegated official fell out of favor and fell down, and the sense of loneliness and tragic climbed into his heart; Exiled to the outside, I walked here and looked there, so I had to make out with mountains and rivers. Now, there are articles and poems, which are often well written. After a period of time, or a dynasty, things changed, and even the court thought this man was good and restored his reputation. In this way, characters and literature are complete, passed down in history and recited by later generations. The landscape pavilion they made out with became a relic. The ground is passed by people, and people pass by the ground. They are all famous.
-"A Corner of Dongting"
1 1. What I am most impatient with is a few simple generalizations about China culture. Even its most magnificent pulse is always overbearing and always obliterates its rich life rhythm. Those who are wronged often answer blows with blows, holding their own flags to the unified overlord of generate. In fact, everyone is small. Numerous small groups have created a great atmosphere.
-"A Corner of Dongting"
This is what I answered before. Post it for you and choose it yourself.
2. Cultural hardship 1 imitation of this sentence. We really know too little about the world.
Countless unknowns surround us, so that life keeps the fun of moving forward. When one day, everything in the world can be explained clearly, the world will become very boring.
You can pour the flood of anger on him, but he is too small and stupid, and the biggest pour is just casting pearls before swine, in exchange for Amoran's expression. 3. They lit thick smoke in the desert, and in the living room of China officials, the fragrance of tea remains the same.
There is no sound between heaven and earth, only the overflow of light and the cover-up of color. Peach Blossom Garden is a challenge to turbulent times.
This challenge is very calm, silently confronting and saying nothing. At the last straw, China people dug another water curtain hole.
This hole is no small matter, and the power of making trouble in the sky is bred here. 6. As a winding space, the Great Wall closely corresponds to the winding of time.
7. Up to now, historical relics that have been widely circulated are always emerging one after another, imbuing hundreds of generations with unique talents. 8. There is no repetition here, and true happiness never repeats.
There is no stereotype here, and there is no room for real humanity. 9. They are like lenses with different focal lengths, facing the same subject and choosing the clarity and blur they need.
10. There is no way for mountains and heavy waters to return to doubt, and there is another village. The maze of years will make the clearest mind dizzy.
The sound of the morning bell and the evening drum is always so secretive and surly. 1 1. will eventually become a ruin and a wasteland.
Behind him, the sand grave is like a tide. At present, cold peaks are like waves.
12. Light and shadow are separated by the straightest line, and gold and indigo are pure without noise. 13. The height of King's Landing only constitutes self-mockery.
14. However, people are used to all kinds of single exaggeration every day. 15. The truly warm beauty in the world clings to the earth and lurks in the deep valley.
16. Calm the floating noise, clear the fanaticism, dull the high dance, and bright the surge. Only the original, I didn't write the imitation.
3. Reflections on "A Corner of Dongting" to "The Rain Pavilion" in "Cultural Journey" (200 words) I still remember his "The Rain Pavilion", alone, no! A family bears the fate of sticking to a library, and Fan Qin left a library for the vast China, which has been preserved until now.
There are other bibliophiles and books, but in several generations, the dust of history buried them. However, what did Fan Tianyi Pavilion stay on, persistence and firmness, or "willpower beyond passion, hobby, talent and even time" as said.
Let's think about it. If we were book collectors in those days, would we be like Fan Qin? I don't think so. Fan Qin's persistence, at first glance, is unreasonable. Let's get started. It's hard! We are students, we need willpower to read and write, but how many can we really do it? Who stood up in the face of setbacks? What will you do after you finish your studies? Isn't that what we should think about?
4. Who wrote a good sentence during the cultural journey? 1, a poem in the rain at night;
The rain at night slowly deprives people of their vitality, so the imagination in the rain at night is particularly sensitive and timid. This timidity is mixed with a certain sense of security and condenses into a warm self-enjoyment and expectation in a small world. Chatting with family around the stove on rainy nights, almost never bickering; Concentrate on studying in the rain at night, and your body and mind will be burned abnormally; Miss your friends on a rainy night, and you will miss writing a letter immediately; Writing in the rain at night will make the words moist and meaningful.
2, "Book Sorrow":
I'm certainly not a bibliophile. There are many good books, but there are no rare books and rare books in the typological sense. What I am satisfied with is the solemn atmosphere with books as the wall in the study. Bookshelves reach the top of the wall, and the bookshelves are connected and surrounded, which creates a cultural pressure that threatens the body and mind. Walking into the study is like walking into a long history, having a bird's-eye view of the vast world and roaming among countless twinkling stars of wisdom. I suddenly became smaller and bigger, and learning became a ritual, running through the ups and downs of life.
3. A Pavilion on a Rainy Day:
A day's official business may be a trial of a major case, the impeachment of a corrupt official, the mediation of grievances of several officials, and the straightening out of several financial relations. The prestige of my government and the reputation of the ruling and opposition parties are numerous. However, he knew that the combined weight of all this could not compare with the thin blue cloth bag handed over by the officers at night, which contained some old books collected according to his meaning and was to be remitted to the luggage. He carefully turned the pages louder than gongs and shouts.
5. Yu Qiu's feelings after a cultural trip. After reading it today, I found the Rain Pavilion really well written and was particularly impressed.
The founder of Tianyi Pavilion is Fan Qin of Ming Dynasty. He is my family. The name "Tianyi" has a new meaning here. Originally, I only thought it meant "harmony between man and nature", but here I made the following explanation: natural water, water can stop fire. Fan Qin named his library after "Tianyi Pavilion", which implied that he hoped the library could avoid fire and preserve it forever. It was well-intentioned. Seeing this, I naturally thought of Gu Tianyi, a student in Class 9. I don't know why she was named "Tianyi".
Fan Qin has a huge collection of books in his life, many of which are handed down from generation to generation and collected in Tianyi Pavilion. Tianyi Pavilion can be described as a sea of books. I think it is very pleasant for Fan Qin to wander around Tianyi Pavilion with the wisdom of so many sages and wise men every day. I think this is even a reason for his longevity. In the feudal era when medical conditions were so backward, Fan Qin could live to be 80 years old.
From ancient times to the present, people who can study in Tianyi Pavilion are cultural celebrities, such as Huang Zongxi, a great scholar in the early Qing Dynasty. After more than 300 years of wind and rain, Mr. Yu visited Tianyi Pavilion in person, which is his fate with Tianyi Pavilion. I think this also shows the distinguished position of Tianyi Pavilion in the field of book collection. With Yu Xiansheng's reputation in the cultural circle, he should be qualified to ascend Tianyi Pavilion.
After reading this work, I have been thinking constantly, when can I see the elegant demeanor of Tianyi Pavilion and satisfy a sweet wish of my fans?
6. After appreciating the sentence of "Cultural Journey", he walked on the land of the Chinese nation, used his unique observation and insight to ponder the profound culture of this ancient nation, and wrote a book for this "hard journey" of Chinese culture with delicate brushwork! Not sweet, because there is too much bitterness in it that I can't bear to experience personally. The bitter taste adds another flavor to this book which records the thousand-year-old culture of China. Before I saw the "cultural tour", I probably wouldn't have thought that a fascinating scenic spot and historic site would have such profound significance behind it. And the author's wonderful pen, with clean and beautiful writing and combination, makes it an article to awaken the descendants of the Chinese people. When we walk into the situation and thinking in the book, we can't help being serious. Just like a group of exiled children, exiled to a strange land, because of the promotion of that history and culture, we are forced to move forward. The caves living in the Mogao Grottoes appear before our eyes. These caves are still spectacular and lifelike, and the murals remain silent. We quietly watched the changes of light and shadow projected on the stone wall, just as they quietly watched the Millennium changes of Dunhuang. The first stroke a thousand years ago opened the glory of the Millennium Mogao Grottoes. It was devastated: the Taoist King guarded Dunhuang for thousands of years with a bunch of keys in his hand, but left it in the hands of foreigners, but China people abandoned it, and the carts of cultural relics were exported to foreign countries. Many years later, the mysterious and meaningful cave. Why can you attract everyone's attention? It is not a dazzling appearance, but it is just a ceremony, a kind of humanity, and its deep meaning. We can see here that beauty also has a religious world. It is a thousand-year-old specimen of China, and it is as beautiful as ever, even though it was once mutilated, heartless and arbitrarily transformed. The couplets of "Shallow Zhu Lang Fan Yun" and "Small Bridge Flowing Water Family" fully show the charm of Jiangnan water town. Jiangnan Town is not a natural landscape carved by nature, but a humanistic landscape of ancient China culture. We have never been here, but the Jiangnan town in the book gives us a feeling of being at home. It is no wonder that many literati have come here to live in seclusion in the past few years when their politics are unclear or their lives are frustrated, but they have troubles in building houses in this barren mountain. "Hiding in the street" has become the best thrust for literati to live in seclusion in Jiangnan. In fact, our views on "seclusion" are both positive and negative. On the bright side, when China culture began to wither due to some factors, such as the northern nomads invading the Central Plains, literati or scholars would come here to live in seclusion with their knowledge to avoid war or political persecution; Secondly, birth, illness and death, ups and downs of officialdom, are all moments when literati are frustrated and everything goes well. At this time, the best way is to relieve their body and mind, find a place to live in seclusion, and when they have enough rest, it is the beginning of a new journey. The disadvantage is that some people will use seclusion as a tool to seek fame and gain official positions. These actions made China's unique recessive culture begin to deteriorate, and the hermit's arrogance before his death and his reputation after his death were completely dark. Nevertheless, our view on "concealment" or "existence" is affirmative, because the development space of ancient China literati is too narrow, and besides concealment, they are forced to die. Instead of letting their ambitions fall like this, we will choose diving and make a comeback one day. Yu Zeng said that he often stood where his predecessors stood and observed their feelings in the natural and human environment. In front of Liu Hou Temple, there is a stone statue to commemorate Liu Zongyuan's life. From his literary talent to his relegation, Liu's mansion is a remote place. As a result, he put himself among the mountains and rivers, and pinned his sad mood entirely on sightseeing and writing, which made China's literary history have such excellent landscape literature as "Eight Stories of Yongzhou". The integrity and pride of such a generation of scholars forced later scholars to respect his cultural consciousness and personality and pay tribute to this great writer with reverence and suspicion. When we close the book, we can't help walking to the window, and the flowing traffic and people are announcing another culture. This is Kaohsiung, home to thousands of years of culture. Maybe we should pick up our doubts about China culture and take a walk on the vast land in person, so that we can take a heavy and difficult step after reading the book. I walked on it, too. Comments on "Cultural Journey" "The newspaper said that my writing style is relaxed and chic, but it is not like this at all. This is a kind of hard work that I can't control myself. When I first started writing, I felt that I was getting older. Whether it's spring or autumn, I have mixed feelings. Finally, I had to close my eyes, calm my heart and return to the indifference of history and the severity of reason. "This is more than. A family is burdened with the fate of sticking to a library, and Fan Qin left a library in China, which has been preserved until now. Other bibliophiles have books, but after several generations, the dust of history buried them. However, what did Fan Tianyi Pavilion stay on, persistence and firmness, or as he said, "beyond the spirit, hobbies, talent, and even the willpower of time. "Where is this willpower? He once rudely contradicted the powerful royalty Guo Xun, so he was beaten by the court and sent to prison. He seems to have no pity for anything. In his official career, it is not good to be honest and clean. In the end, even the right to rape Yan's family can't help him. " A successful bibliophile, at least a person with strong personality. "Yu Yu Qiu concluded here. Seeing this, we scholars should reflect. We are students, reading and writing are indispensable, but how much can we really do? In the face of setbacks, who got up after studying and for what? This is exactly what we should think of. Looking down, I found another "strange thing": Fan Qin, who is 80 years old, finally came to the end of his life. When he divided his property, he divided it into two parts, either books or twenty-two thousand pieces of silver.
7. Please briefly describe the basic content and writing characteristics of Yu's Rain Pavilion. Abstract: Yu's prose has always been favored by readers and praised by many critics.
Yu's cultural prose is more devoted to the shaping of culture. Prose has a unique cultural vision, with its unique perspective, using the spotlight of culture to express the context and rhythm of culture.
Yu also boldly created a new cultural essay combining "meaning" and "thinking", seeking China's cultural implication and the true meaning of life through the scenery, and exploring the great connotation of China culture and the personality composition of China literati. Therefore, the theme is very prominent in his prose, always shining with the author's unique ideological light, and the author also embodies the sensational characteristics of his prose in accurate and popular language.
This paper attempts to make some personal analysis of the short article "Rain Pavilion" selected as a Chinese reading book for middle schools from the cultural perspective. Yu, a native of Yuyao, Zhejiang, is a contemporary scholar and essayist.
He was awarded the title of "National Outstanding Contribution Expert" and shocked the literary world with his first collection of essays "Cultural Journey". Since then, the banner of "scholar prose" (or "cultural prose") has been played. His works are quiet and have cultural connotations, so they are loved by readers. The essay "Rain Pavilion" is one of Yu Xiansheng's essays "Cultural Journey" published in 199 1
Even if it appears on almost all Chinese websites or magazines, it is logical to be selected as a famous Chinese article in middle school. 1. The Cultural Perspective of Stormy Pavilion is the only essay about China's book collection culture in Mr. Yu's Cultural Journey.
It is not a simple prose about scenery, lyrical prose, or prose about things, but a prose about realizing the context and significance of a cultural phenomenon. History and culture can be seen everywhere in this paper. The book Cultural Journey pays more attention to the topic of China culture. He looks at mountains and rivers from a cultural point of view. His articles have different meanings, both describing scenery and expressing feelings or comments.
Mr. Yu stands in a unique angle, uses his unique perspective, and uses the spotlight of culture to express the cultural context and rhyme. Yu said in the preface of "Cultural Journey": "I found that the place I particularly want to go is always the place where ancient culture and literati left deep footprints, which shows that the landscape in my heart is not entirely a natural landscape, but a human landscape."
Pay more attention to the China culture attached to the landscape. This is also the prose feature of Cultural Journey.
So, what is culture? What is culture? Culture is a big concept, which refers to all material wealth and spiritual wealth created in the historical development of human society, especially social ideology. In other words, everything is human culture; Diet has food culture, architecture has architectural culture, tourism also has tourism culture and so on.
Moreover, different nationalities also have their own culture. The same culture, different nationalities and countries will be different.
Our Chinese nation has a civilization history of 5,000 years. The recording and circulation of characters have formed two cultures. One is the content of words, which is history. The first is to record the way, process and change of history, and the historical spread of history. [2] The spread of China's history depends on books, so the history of book collection is tantamount to book collection culture, but many of us may never think and observe from the perspective of book collection culture.
After reading Yu's Stormy Days, we can find that there is such a discipline field and branch in China culture. It can be said that "Tianyi Pavilion" is a very important library in the collection history of China.
It is a distinctive library, which embodies the basic characteristics of book collection and circulation in China feudal society. The story of Tianyi Pavilion and its ups and downs is almost a condensed history of China's book collection.
Therefore, the author also named the article "Rainy Days". Tianyi Pavilion is located in Ningbo, Zhejiang Province, and it is really appropriate for Yu from Ningbo to write this article.
Since the Ming and Qing Dynasties, the cultural atmosphere in Jiangsu and Zhejiang provinces has been very strong, which may also be closely related to the economic, cultural and artistic relocation of the Central Plains after the Southern Song Dynasty moved its capital to Hangzhou. Under the guidance of the rule of "learning to be excellent is to be an official" in feudal society, children in cities and villages regard reading as a fashion.
In such a piece of land, there is a library like Tianyi Pavilion, and everything seems natural. Second, the cultural significance of "Stormy Sky Pavilion" traces the sad collection history of Tianyi Pavilion and praises the valuable cultural conscience of Fan Qin and his descendants.
The title embellishes "Tianyi Pavilion" with "wind and rain", which lays the tone of the full text, constructs the materials of the full text and metaphors the main idea of the full text. The beginning of a stormy day is a cold natural storm.
"The water in the yard is too deep to waste, and the shoe system has already flooded. The only way is to simply take off your shoes, roll up your trouser legs and wade in. It was already chilly by the wind and rain, and I felt a chill immediately when I entered the water barefoot.
In this way, Pei Minghai and I helped each other and walked to the library with one foot high and one foot low. "This is real words, is a metaphor; This is a symbol, but also a performance.
Rainstorm Like a Pavilion conveys a strong message of historical and cultural storms: about its name, its majesty, its painstaking collection and its tragic inheritance ... The second part, "Yes, it is just a library, but in fact it has become an extremely difficult and tragic cultural miracle", which can be interpreted as the author's overall impression of Tianyi Pavilion. This sentence tells the true face of the word "wind and rain", which refers to the historical and cultural vicissitudes in the passage of time.
So I wrote all the way with this feeling. At the end of the article, the author concludes: "Tianyi Pavilion Collection ... exists as a cause and symbol of classical culture, which reminds people of the difficult course of China culture preservation and dissemination, and how sad and sacred an ancient nation is to culture." The words at the end make the concrete image of "Tianyi Pavilion" become a deeper and broader image of "ancient national culture", which readers can feel.
8. Yu's Rain Pavilion is a masterpiece. What is the black light in Dujiangyan? Rain Pavilion is a collection of Yu's essays, which is included in Cultural Journey. What did the author do after visiting Tianyi Pavilion in stormy weather?
Eternal silence: Ji Kangsheng's prelude to Guangling, scattered into silence.
This is a real troubled times.
A number of veritable heroes of iron and blood have emerged, spreading a strong will to life and popularizing the political logic of "the winner is king and the loser is the enemy". Even the obscure alleys were stunned by shock, worship, peep and excitement. Suddenly, heroes died one after another, and dragons lived among them for most of their lives. They are about the same age, so they always leave this world at the same time. Like suddenly breaking free from the tight rope, history suddenly becomes slack, but it shakes violently again. The passion left by the hero is still there, the descendants are still there, the subordinates are still there, and the cronies are still there, but the giant who ruled all this has withered in the dark grave; At the same time, all kinds of social forces that were concealed and subdued by the great power of heroes in the past suddenly surged again, fighting for power and status for themselves. The collision of these two forces has lowered several social values compared with the majesty of heroes in the past. As a result, the grand vision is gone, the magnificent battle is gone, the poetry of history is gone, replaced by intrigue, collusion and opportunism, replaced by politics, rebellion and murder. At the beginning, the heroes will also play all this, but this play stops at playing, and their struggle theme is still loud and full of personality charm. When the hero dies, all means become the theme, and history loses its soul that can be put on the table and enters a disorderly state. Authoritarian order will brew darkness, and chaos and disorder will also brew darkness. When we are used to talking about troubled times, we mean disorderly darkness.
Wei and Jin Dynasties were such a chaotic and dark "post-heroic period".
black light
Mozi's universal love and non-attack
Dujiangyan irrigation system
This article was written on.
One of the most striking masterpieces in cultural prose.
The full text consists of three parts:
The first part compares Dujiangyan with the Great Wall, the second part depicts the spectacular scene of Dujiangyan, and the third part shows the image of Li Bing and his son benefiting the people.
The organic combination of the three parts shows the author's deep admiration for Dujiangyan and his unique thinking on national culture.