Mr. Chen Yinque's brief introduction to Jiangxi Xiushui people. Historian. I studied abroad many times when I was young. He has gone to Japan, Switzerland, Germany, France, the United States and other countries for further study. Able to use multiple languages. He has a profound knowledge of the history of China. He used to be a professor at Tsinghua University Institute of Chinese Studies. 1930 later served as director of academia sinica. After the outbreak of the Anti-Japanese War, he followed Tsinghua University to Changsha and Kunming, and then taught at the University of Hong Kong. After the Pacific War broke out and Hong Kong was occupied by the Japanese army, it attracted Japanese personnel to seduce and give gifts to it, but it was rejected and maintained a noble national integrity. From 65438 to 0945, he went to London, England to treat eye diseases. He lost his sight because of the failure of the operation. 1946 returned to Tsinghua University to participate in the struggle for democracy and against the civil war, and signed the appeal of professors from various universities in Beijing to support the student movement, refusing to accept American flour. After liberation, he served as professor of Sun Yat-sen University, deputy curator of central research institute of culture and history, member of the Department of Philosophy and Social Sciences of China Academy of Sciences, and member of the Standing Committee of China People's Political Consultative Conference.

Chen Yinque is a famous historian in China, who has made great achievements in the study of Tang poetry, especially in Bai Yuan.

As for the New Yuefu, Chen Yinque thinks that "Lotte's works are better than Yuan's". "Bai Yuan's new Yuefu works are based on the traditional theory of collecting poems and observing the style in the past, taking the proposition of Du Fu in the Tang Dynasty-Yuefu as its concrete model. There seems to be no sign of imitating the Book of Songs in the emblem. As for Lotte's new Yuefu, 300 laws have been marked. " In connection with the development of poetry genre, Chen Yinque thinks that Bai Juyi's "March 37" poetic style is an improvement on popular folk songs at that time. Although this achievement is different from the improvement of Chen Ziang's and Li Bai's poems on Liang, "its value and influence may be higher." Regarding Song of Eternal Sorrow and Biography of Song of Eternal Sorrow, Chen thinks that they are not the relationship between preface and postscript and this poem, but an inseparable community, "a new style integrating ancient poetry", "its advantage is easy to create, and its characteristic is many styles."

In methodology, Chen Yinque put forward the research method of "using poetry to prove history". Bai Juyi's Fifty Poems of New Yuefu is analyzed from the overall structure combined with the history of Tang Dynasty. It is believed that 50 articles respectively described the events from entrepreneurship to Yuanhe in the Tang Dynasty. Among them, the following four paragraphs of "Seven Virtues Dance" are a group, ranking first among them, including "Telling the meaning of ancestors and training their descendants"; Nine Swords is the summary of the first forty-eight poems, and Picking Poems is the ideal of his Yuefu. These two poems are a group, and they are put at the end. "They all end the whole work, and the effect of returning to the first one is also the same." In addition, he also put forward a method of "comparative study", that is, to research the creation date of works of the same nature and subject matter, and "seek differences in similarities and seek common ground in differences". His research on Bai Juyi's Pipa Xing was carried out by comparing it with Yuan Zhen's Pipa Qu.

References:

Liu Jianye. China War of Resistance against Japanese Aggression Dictionary. Beijing: Beijing Yanshan Publishing House. 1997. Page 132 1.

Wang Hong, Tian Jun. Encyclopedia of Tang poetry. Beijing: Guangming Daily Press. 1990. pp. 669-670.