Although the family is very rich, but the nature is simple and stingy, food and clothing are poor. He gets up before dawn every day and sleeps until midnight, running his own business carefully, never satisfied with accumulating money and reluctant to spend it himself.

If someone begged him, he couldn't refuse for a long time, so he went home to get ten pence and then went out, reducing the money he was going to give while walking, leaving only half when he went out. He closed his eyes painfully and handed the money to the beggar.

After a while, he said to me, "You have all the money at home. Don't tell anyone." Some people even followed suit and asked me for money. "

The old man died soon. His land and house were confiscated by the government and the money was turned over to the state.

2. Explain that the purpose of the wealth and goods of the elderly in the Han Dynasty is the elderly in the Han Dynasty.

There were people in the Han Dynasty who were old and childless. Rich family, frugal nature, naked, not much food. Invade the morning, invade the night and rest, run the industry, gather money, and dare not use it for personal use. Or people who beg beggars from it (3) have to go in to get money (14) and then come out of the hall, and each step is reduced (5). Compared with the outside, I am only half, close my eyes and give it to the beggar. Xun Fu told Yun, "I spent all my possessions to support you. Be careful not to let him say that I came after the return. "

When old Russia died, there was no official in Tian Zhai, and the goods were filled in the Tang Dynasty.

-Adapted from Lu Xun's ancient novel Hooking Shen and Laughing Lin.

Attention 1 Bad clothes and vegetables: poor food and clothing. 2 invasion of the morning: at dawn. Invasion: approaching. 3 or person: someone. Four dollars and ten cents: ten coppers. ⑤ Step by step: buckle while walking. ⑥ Support: funding. ⑦ No official: Confiscated by the government. ⑧ Internal treasury (t m 4 ng lying): It used to refer to the national treasury. Treasury: gold and silk hidden in the treasury.

Translation:

There was an old man in the Han Dynasty who had no son. The family is rich, simple and stingy, and has no food and clothing. He gets up before dawn every day and doesn't go to bed until midnight. He carefully manages his own industry, never satisfied with saving money and reluctant to spend it. If someone asks him and he can't refuse, he will go home and get ten pence, and then go out, reducing the money he is going to give away while walking, and only half will be left when he goes out. He closed his eyes painfully and handed the money to the beggar. Repeatedly told: "I gave you all the money at home, so don't tell anyone." Some people even followed suit and asked me for money. "The old man died soon. His land and house were confiscated by the government and his money was turned over to the state treasury.

3. The author of Zuiwengting was demoted to know Chuzhou. The author's real intention in writing this article is that Zuiweng Pavilion was written in Song Renzong for six years. Ouyang Xiu is a famous essayist and poet in the Northern Song Dynasty. The article describes the deep and beautiful natural scenery of Chuzhou, the quiet and peaceful life of Chuzhou people, especially the author's pleasure in enjoying a feast in the middle reaches of the mountain.

Zuiweng Pavilion was written in six years (AD 1046), and Ouyang was the prefect of Chuzhou. Ouyang Xiu came to Chuzhou after Li Qing was demoted in five years.

Before he was demoted, he had served as Taichangcheng Zhijian Hospital, Youbao and Hebei Dubao. He was demoted because he always supported Han Qi, Fan Zhongyan, Fu Bi and others to take part in the Reform Movement in the Northern Song Dynasty to carry out the New Deal, but opposed the conservative Lv Yijian and Xia Song.

Han Fan and others were demoted as early as January of five years in Li Qing. In August of this year, Ouyang Xiu was accused of a relative's crime and was dismissed and demoted to Chuzhou. Ouyang Xiu practiced lenient policies and developed production in Chuzhou, which enabled the local people to live a peaceful and stable life, with rich wealth and intoxicating landscapes, which made Ouyang Xiu feel extremely happy.

But at that time, the whole Northern Song Dynasty was dark and evil spirits prevailed. Some people who are interested in reform and strive for strength have been hit one after another, and seeing the country's accumulated disadvantages and the scene of decline and death is increasing day by day, which makes him feel heavy anxiety and pain. This is his mood when he wrote Drunk Pavilion, mixed with sadness and joy.

These two aspects are mixed together and expressed in his works. This paper describes the beautiful environment and natural scenery of Zuiweng Pavilion, outlines a picture of Taishou having fun with the people, and expresses the author's political thoughts and feelings for mountains and rivers, so as to dispel the complicated feelings of being hit.

The author's eulogy of Chuzhou's beautiful scenery, his efforts and yearning for building a peaceful, stable and happy ideal society together with the people, especially the author's euphemistic and implicit confession of depression, are undoubtedly an objective exposure of the dark politics in the Song Renzong era, and naturally shine with the light of thought.

4. The synopsis of each round of Water Margin can't fit. Looking back at the previous 62: ● Song fought in Guan Sheng, the capital, and discussed that Liang Shanbo captured Lu Junyi and Shi Xiu alive and was put on death row. Heroes in the Water Margin posted dozens of headless posts. Liang Zhongshu did not dare to kill Mr. Lu and Shi Xiu, so he sent Suochao to Huyu Village, 25 miles away from the city, waiting for the people from the water margin to fight with them.

The water margin sent troops to fight Suochao, and Daming House was in danger. Cai Jing was frightened, and Guan Sheng offered a plan to rescue Zhao by besieging the state of Wei, claiming to attack the water margin.

Back to the sixty-fourth burning moonlit earn Guan Sheng snow low capture Wu Yong see through Guan Sheng's plan to rescue Zhao by besieging Wei, withdrawing troops gradually. Huarong Road and Lin Chong ambushed on both sides of Huyu and beat off the pursuers.

Song Jiangbing returned to Liangshan. Zhang Heng robbed Guan Sheng Village and was caught.

Three Ruan and Zhang Shun saved Zhang Heng, and Ruan was captured in Zhongfu. Hu Yan burned a fake and surrendered, but he was captured alive. He stole the camp at night and was captured alive.

In the loyalty hall, Song Jiang took great care of Guan Sheng, and Guan Sheng first wanted to die. Later, he joined loyally and became a striker who attacked Beijing. The first battle defeated Suo Chao, and Wu Yong deliberately lost to Suo Chao in the first battle, which made him happy to enter the city.

Wu dug a hole in the snow, led Chao Chao to chase, and was caught by the ambush. In the sixty-fifth dream of King Tota, the white water in the imaginary wave reported to Liang Zhongshu, but he failed to hold it. Song stayed and returned to Liangshan with him.

Sung River was ill, and Zhang Shun asked An Daoquan to come to Jiankangfu for treatment. On the Yangtze River boat, he was thrown into the water by Zhang Wang who stole his travel expenses. Zhang Shun bit the rope and went down to Jiankang House with the help of Wang, killed the fireworks and forced An Daoquan to go up the mountain.

He threw the boat into the Yangtze River and persuaded Wang to go to Liangshan. Dai Zong used magic to let An Daoquan go up the mountain and cured Song Jiang.

Wu Yong wanted to capture Beijing and save Lu Junyi and Shi Xiu in the Spring and Autumn Period. Back to the sixty-sixth, Wu Yong moved to Cui Yun Building and burned it. Wu Yongzhi was named Fu. During the Lantern Festival, Wu Yong ambushed the city from the inside and broke the city to save people.

Wu Yong also told Song Jiang that Tokyo Taishi urged him to woo. The Lantern Festival in Beijing is lit.

The water margin was guarded by Song Jiang, and Wu Yong led the Eighth Route Army to the gate. Moving to Beijing set fire to the Cui Yun Tower, and there was chaos in the city, so Liang Zhongshu could not rush out.

Then take this road from the south gate. Chai Jin saved Lu Junyi and Shi Xiu and captured Jia alive.

Low sung river sixty-seventh reward Guan Sheng precipitation fire. Song Jiang wanted Liu Yuan to sit in the front row, but Liu Yuan refused, and he was not happy. Wu Yong said, "Then he made meritorious service and gave way." Song Jiangyun, reward the three armies.

Zhao Ding, an admonition officer, advocated harness, while Cai Jing advocated repression. Cai Jing, the official of Dige, recommended Shanting Wang and Gui Wei Ding Guo to suppress Liangshan heroes.

With permission from Sung River, Guan Sheng, together with Xuan Zan and Hao, captured the monk Wang+Gui (General) and Wei Dingguo (General Shenhuo) alive. Guan Sheng used a broadsword to surrender King Shanting+,hoping to surrender.

Wei Dingguo defeated Guan Sheng by Shenhuo, but was set on fire by jy of Li Kui, so he dared not return to the city and settled in Zhong Ling County. During the siege of Guan Sheng, King Shan Ting+Gui and Guan Sheng said that Wei Dingguo had dropped the water margin.

Back to Song Gongming on the sixty-eighth night, Lu Junyi, Zengtou City, was captured by Yu Baosi, Zengtou City, Shi Wengong, with more than 200 good horses in Liangshan. Sung River wanted to fight with him in World War I, and wanted Lu Junyi to be the current pioneer and make the meritorious military service, so he gave up his position, but Wu Yong did the opposite, and only called Lu Junyi to ambush in Pinghe. Song Jiang and Zeng Jiajun fought five times, each winning or losing.

Wu defeated Zeng Jiajun with tricks and took him alive. In Zhongyitang, Shi Wengong was cut by laparotomy and became a victim of classicism.

Song Jiang let Lu Junyi acceded to the throne, but Wu Yong disagreed. Back to Dongping House in the sixty-ninth session, Song Gongming, a nine-grain dragon, released double guns to beat Sung River and all the leaders to Dongping House, and Lu Junyi and all the leaders to play Dongchangfu.

Song Jiang went to Dongping Mansion and sent Yu Baosi and Wang to see Dong Ping. Dong Ping in a rage, make history in * * rui-li li, who was falsely accused by the father of satrap, cheng Shi Jin was sentenced to death. Wu used it to play tricks, asking Song Jiang to attack Wenshang County, Song Jiang to besiege the city, Dong Ping to play, and the recruit was captured.

Dong Ping, who was at odds with Cheng and Taishou because of marriage problems, surrendered to Sung River, led the troops into the city and got the daughter of Cheng Taishou. ● The seventieth time, the hero abandoned the grain to capture the strong man, and Mr. Lu attacked Dongchangfu. Because he had no arrow, Zhang Qing was defeated.

Song Jiang went to help and was hit by Zhang Qingyong with a stone. Wu Yong taught Zhang Qing to grab grain from the city with hay wagons and boats, and Zhang Qing was captured by the leader of the water army when he was in the water to grab the grain on the boat.

Wu Yong also let people into Dongchangfu. ZQQ was moved by Song Jiang's friendship and was willing to surrender.

Veterinarian Huang Shangshan is also recommended. ● In the seventy-first loyalty hall, Shijie received a row of heroes from the Astronomical Water Margin and stayed in loyalty hall for seven days, praying for God and retribution every day.

Shijie Tian Shu, for the sky, loyalty; One hundred and eight people lined up to swear to heaven. Song Jiang was drunk at the chrysanthemum meeting, hoping to win over.

Song Wu and Li Kui jy made a big fuss about the Chrysanthemum Conference and opposed it. Sung River wanted to behead Li Kui jy, so they dissuaded him and supervised him. Song Jiang sobered up, offered condolences, and advised Lu Lai to court him. Song Dong wants to go to Tokyo to see the lights privately.

Back to seventy-two, Chai Jin Zanhua entered the forbidden park, and Li Kui jy Lantern Festival made Song Jiang and Chai Jin in Tokyo pretend to be idle and cruel officials. With Dai Zhong, Li Kui jy and Yan Qing, they came to Li Shishi's house to give money and drink with them. Li Kui jy was dissatisfied and scolded. Song Jiang wanted Li Shishi to speak to the emperor, but Li Shishi didn't understand. At this moment, the emperor came, and Song Jiang and other three people discussed asking for mercy. Without discussion, Li Kui jy pushed Yang Taiwei down and set fire to Li Shishi's house.

Song Jiang and others went out of the city first, and Wu Yong sent someone to pick them up. Li Kui jy and Yan Qing are still in town.

Back to the seventy-third, black whirlwind Joe catch ghosts, water margin offer two heads. Li Kui jy chased ghosts for Di Taigong and killed Di Taigong's daughter and adulterer Wang Xiaoer. Liu Taigong said that his 18-year-old daughter was robbed by Sung River, and Li Kui jy went to Zhongyitang to pull apricot yellow flag and bet with Sung River.

Not sung river after the testimony. Li Kui jy offered a humble apology, went to Niutoushan to kill a strong thief, saved Liu Nv and returned to the mountain. Back to the seventy-fourth, Yan Qing went straight for Optimus Prime, and Li Kui jy kept Zhang Qiao to take the official which is near to Tai 'an mansion to wrestle with Optimus Prime Renyuan, making the pigeon spin and offering Renyuan to the stage.

Li Kui jy was very angry. Lu Junyi took Yanqing back to the mountain, but Li Kui jy was not here, so he sent someone to look for him. Li Kui jy went to Shouzhang county government, pretending to be the county magistrate to judge the case, releasing the hitters and flogging them.

Go to school to scare away teachers and cry students. Dragged back by Mu Hong.

The son of heaven listened to Cui Jing, an ancient imperial doctor, and sent Qiu Chen to the water margin to woo Liao soldiers. Low back to the seventy-fifth live Yamaraja ship steal royal wine black whirlwind letter scold poor drinking.

5. Data of Romance of the Three Kingdoms The Romance of the Three Kingdoms is the first chapter novel in ancient China and a classic of historical romance novels.

This novel describes the contradictions and struggles between the political and military groups of Wei, Shu and Wu Sanda, headed by Cao Cao, Liu Bei and Sun Quan in the 3rd century. On the broad social and historical background, it showed the sharp, complex and distinctive political and military conflicts of that era, which had a far-reaching impact on future generations in political and military strategy.

This book has vivid language, grand scenes and distinctive personality, and has shaped many immortal historical figures such as Cao Cao, Liu Bei, Guan Yu and Zhang Fei. His outstanding literary achievements have influenced all aspects of China's literature, art and social life. Before The Romance of Three Kingdoms appeared, China's novels were generally short and pithy, and some even had only a few dozen words.

Romance of the Three Kingdoms is China's first novel. We should pay attention to how China's novels developed from short stories to long stories. It turned out that storytelling was popular in the Song Dynasty, and storytelling became a profession. Storytellers like to use stories of ancient characters as themes, and Chen Shou's The History of the Three Kingdoms is the best material for telling stories.

Some scattered stories of the Three Kingdoms have also been circulated among the people. In addition, the storyteller takes a long time to draw materials, the content is getting richer and richer, and the characters are getting fuller and fuller. Finally, many independent stories gradually combined and grew into a masterpiece. These isolated stories have been passed down from mouth to mouth in the society for a long time, and finally they were processed into a book, which became China's first novel. This is a great collective creation.

It is different from the novel written by a single author in form, which deserves our attention. This novel originated from outstanding talents, followed by The Journey to the West, a ghost story novel, and Water Margin, another historical novel.

Romance of the Three Kingdoms has a certain enlightening effect on later novels. The origin of historical literature, the literary value of this masterpiece itself and its influence on later generations are all worthy of our in-depth discussion.

First, the ideological tendency of Romance of the Three Kingdoms: the expression of supporting Liu against Cao 1 and supporting Liu against Cao in the works; 2. The formation of the thought of supporting Liu and opposing Cao Cao: 4. It was formed in the process of long-term circulation, which was inherited and cast by Luo Guanzhong and strengthened by Mao Zonggang when he revised it; 3. The connotation of supporting Liu and opposing Cao: it reflects people's ideal of ruling by virtue, benevolent government and their willingness to oppose tyranny; It is the reflection of national thought; Is a reflection of orthodox thought. Second, the images of Liu Bei and Cao Cao.

1, Cao Cao: treacherous, cruel and hypocritical; Great talent and vision; -This is a complicated image. Luo Guanzhong wrote both his short and his long, which did not affect his tendency. 2. Liu Bei: An idealized monarch image is also a hypocritical side unique to the representatives of the ruling class.

Third, the description of the war. The three major battles: the battle of Guandu, the battle of Battle of Red Cliffs, and the battle of Yiling are all similar: they are all weak against strong, and they all use firepower, and the outcome is that the weak wins.

Different characteristics: the two sides of the struggle have different characteristics and face different situations, so they will never be the same. Learning content 1. The origin of historical literature The speaking skills in Song Dynasty were very developed.

The performance venue for speaking is not limited to Goulanwa Temple, but also in rural temples. According to "Tokyo Dream", Huo Sijian, a famous artist in Bianjing, the capital of the Northern Song Dynasty, is famous for "telling three points", that is, telling the story of the Three Kingdoms, while Yin often tells the history of the Five Dynasties as a selling point. They are both excellent historians.

Whether the speaker is an expert or not, he needs to give a speech. At that time, there was a "reading club" dedicated to writing speeches.

People in the book club must have profound literary accomplishment and extensive historical knowledge if they want to write stories. After constant polishing, addition and deletion, the speaker's manuscript may evolve into an increasingly long novel.

In Song Dynasty, Ned Weng recorded four stories in Ji Sheng Wa She Zhong Ji: There are four stories: one story is called silver, such as smoke powder, ghosts and legends. When it comes to solving crimes, they are all flying knives and sticks, making a lot of money.

When we talk about fighters, we mean horses and golden drums. To say scripture is to say Buddhist scripture.

When we say "participation", we mean "participation in Zen and enlightenment". Talk about history books, the history of the previous generation, and the battle for prosperity and abolition.

People who are most afraid of novels, people who cover novels, can tell stories from generation to generation in an instant. The fourth one is "talk about history books, talk about the history of the previous generation, and talk about the rise and fall of the war."

Stories about the Three Kingdoms should fall into this category. The novel Romance of the Three Kingdoms can be said to have directly or indirectly collected the stories of the Three Kingdoms circulated in the Tang and Song Dynasties, especially the lecture materials handed down from generation to generation by novelists. This is a work that has been revised many times.

The Three Kingdoms of Omni-directional Pinghua, which is described below, is a product of the Yuan Dynasty, but its ancestor may have originated from the speaker's manuscript in the Song Dynasty. How can oral materials become scripted novels? Probably the speaker started with word of mouth, not words, but word of mouth is easy to forget. The more embellished the story, the more complicated the content, and the harder it is to remember. It can only be recorded in words to avoid omission when speaking.

With the continuous arrangement of written records, the space is getting bigger and bigger. There are two small problems worth considering here: first, the manuscript may be simple and rough, and the later revised version may be more complicated, while the abridged version is the opposite; Second, once the first draft is circulated, many different versions of the same story may appear later, because different artists or literati have polished and interpreted it.

Here are one or two examples to illustrate. The New Publication of Zhi Zhi, The Three Kingdoms of Quanping Dialect, consists of three volumes, which was published by Yu's family in Jian 'an (now northern Fujian) during the period from Yingzong to (1321-kloc-0/323) in Yuan Dynasty. Each volume is engraved with the full version of Zhi Xin's new publication "Three Kingdoms Pinghua", commonly known as "Three Kingdoms Pinghua".

This book is now in the Cabinet Library in Tokyo, Japan. It has 138 pages, and each page has two columns. The left and right pages are merged, with pictures on the top and text on the bottom. With this notebook, the speaker can read pictures, foam at the mouth and perfunctory at will.

This is not necessarily the first draft of the speaker, but it is an earlier version, which shows that it is relatively simple and rough. Another example is A Brief History of the Three Kingdoms, which is also the Romance of the Three Kingdoms. It consists of three volumes, not written by the author, but also by Jian 'an Bookstore.

Although the first line of the first volume is engraved with "Introduction to the All-round Three-Point Publication of Zhiyuan New Publication" and "Introduction to the All-round Three-Point Publication of Zhiyuan New Publication".

6. Who wrote the Romance of the Three Kingdoms? Anecdotal evaluation of Luo Guanzhong's representative wedge 1. Wedge: the end of the yuan dynasty.

War and chaos. * * * and wailing spread throughout the suffering middle-earth world.

An intellectual nicknamed "Wandering Lake and Sea" wandered around Dongyuan (Shandong), Hangzhou, Luling (Jiangxi) and other places. He worships Zhao Xie, who is a teacher of "Tao is in the time". He has made many speaking artists and zaju writers, and he went to Shandong to collect folk stories about heroes of the Water Margin. He listened to the people's songs and tears and compiled a series of novels based on folk scripts and operas. Among them, the popular Romance of San Shi Zhi, with the background of the late Eastern Han Dynasty, is most admired by later generations.

Go back to page 1 2. Biography: Robben Luo Guanzhong was born in Taiyuan, Shanxi in the late Yuan Dynasty and early Ming Dynasty. In the mid-Yuan Dynasty, with the gradual fading of the trauma of the War to Destroy the Song Dynasty, the economic and cultural focus of society began to shift from the north to the south.

Hangzhou, the capital of the Southern Song Dynasty, not only became a prosperous city with a large population and developed commerce, but also became an important center for the development of theatrical performances and "storytelling" art. Therefore, many northern intellectuals and scholars such as Guan Hanqing and Zheng Guangzu moved to Hangzhou.

As a writer of novels and zaju, Luo Guanzhong is bound to be influenced by this social trend and become one of these writers who moved to the south. Luo Guanzhong's nickname is "the prodigal son of the Jianghu", which means wandering around the world.

1345 ~ 1355 years ago, he came to Hangzhou. Many rappers comment on books here, and some zaju writers are also active here.

Luo Guanzhong makes friends with like-minded people. In addition, he loves folk literature very much and naturally doesn't want to leave here.

At this time, Luo Guanzhong met Shi Naian, who lived in Hangzhou at that time, but was about twenty years older than him. Luo Guanzhong's hometown is also called "Oriental Hometown" because he lived in "Oriental Hometown" (now Shandong Province) for a period of time after roaming out of Jin Dynasty.

He was attracted by the stories of Liang Shanbo and Song Jiang, which were very popular in society at that time. He went there to investigate the local customs and collect materials about heroes of the Water Margin.

This is an important reason why he later participated in the compilation and creation of Water Margin. Stories about "Thousand Saints" and "King Zhou Bei" were also widely circulated in the society at that time.

So Luo Guanzhong collected and sorted out this story in this area, and even had the book "Three Rides to the Demon". About 136 ο ~ 1363, Luo Guanzhong, who is "aspiring to seek the king", visited Zhang Shicheng, which was striving for hegemony.

However, Zhang Shicheng did not attach importance to intellectuals and did not listen to their opinions. In September of the 23rd year of Zheng Zhi (A.D. 1363), Liu Liang, Lu Yuan and others left one after another. Soon, Luo Guanzhong also left Zhang Shicheng and went north again. In the 26th year of Zheng Zhi, Luo Guanzhong returned to Hangzhou.

The writing of the popular romance of the Three Kingdoms should be after that year. At this time, he is over 50 years old, has a mature outlook on history and life, and is fully qualified to create the popular Romance of the Three Kingdoms.

In the third year of Hongwu in Ming Taizu (A.D. 137O), Luo Guanzhong had written twelve volumes, four years later than Hongwu. When Luo Maizhong wrote The Romance of the Three Kingdoms, Shi Naian moved from Suzhou to Xinghua and died in Hongwu for three years.

After completing the well-known Romance of the Three Kingdoms, Luo Guanzhong decided to process and supplement the Water Margin in memory of his mentor. This book was written between four and ten years in Hongwu.

While processing and supplementing Water Margin, Luo Guanzhong continued to create a series of historical romances. Luo Guanzhong has finished creating these works, and he is already an old man in his sixties.

In order to publish these works, Yu Hongwu came to Fujian from Hangzhou in about thirteen years, because Jianyang in Fujian was one of the centers of publishing industry at that time. However, Luo Guanzhong failed to achieve this goal.

From 1385 to 1388, Luo Guanzhong lived for seventy years and died in Luling, the hometown of Wen Tianxiang, a national hero in the Song Dynasty. Go back to page 3. Representative Works: Popular Romance of the Three Kingdoms Luo Guanzhong wrote the popular Romance of the Three Kingdoms with far-reaching influence on the basis of long-term folklore, scripts and operas created by folk artists, official historical materials written by Chen Shou and Pei Songzhi's notes.

After The Romance of The Three Kingdoms was written, it was added, deleted and sorted out by later generations. The most popular one now is the one revised by Mao Zonggang in the Kangxi period of Qing Dynasty. The Romance of the Three Kingdoms tells a historical story from 184, when the Yellow Scarf Uprising began, to the unification of China by Sima in 280.

The Romance of the Three Kingdoms not only exposes the cruel suppression of the peasant uprising by the feudal landlord class, but also exposes all kinds of fierce political, military and diplomatic struggles between them. At the same time, it also reflected the sufferings of the people at that time, and it was difficult to oppose separatism and demand reunification.

In the Romance of the Three Kingdoms, the central idea of supporting Shu against Wei and respecting Liu over Cao runs through the book. People think that Shu Han is orthodox and Cao Wei is a usurper.

Under the guidance of this thought, it contradicts the structural length of Chen Shou's The History of the Three Kingdoms. In the history of the Three Kingdoms, there were at most 30 volumes, and Shu was the least, with only 15 volumes.

In the Romance of the Three Kingdoms in the120s, all the stories told in the120s involved Shu Han. As far as the difference between good people and bad people is concerned, Shu Han has many good people and few bad people.

In Cao Wei, there are many people and few good people. In the attitude towards all the figures, they mainly praise and criticize Cao. Therefore, in Luo Guanzhong's works, Liu Bei was a good emperor who was kind to the people.

He is "innocent in autumn, and everyone will be affected by his people." People praised him: "Xinye Pastoral, Liu Huangshu, since I came here, the people have been rich.

"When I entered Xichuan (Sichuan), I was welcomed and supported by the people all the way. This is the author's idealized "sage king" and "sage master".

And Cao Cao, a treacherous and cruel traitor. His philosophy of life is "I would rather teach me to be negative about the world than teach the world to be negative about me."

The Romance of the Three Kingdoms provides a lot of war experience and various military scientific knowledge, and describes the war very well. Write the battle of Guandu, first introduce the comparison between the two armies.

Yuan Shaobing has plenty of food.