1. Recording is always incoherent, so it is impossible to speak lines fluently. Why?
2. What if the voice is dry or too ordinary to be gorgeous?
3. How to integrate into the role, feelings are always not in place, very distressed.
4. How to change the voice, how to practice in a method and how to apply it concretely?
The first part is the basic skills and training of dubbing.
The art of sound should be divided into two kinds, one is singing, the other is to say, from the perspective of sound production, the skill similarity is relatively high, but there are great differences in application and operation. A good singer may not be worthy of a good voice, and a good dubbing may not be able to sing a good song.
If you want to be a small partner in broadcasting, hosting, falsetto dubbing and radio anchor, and make your writing pleasant, lasting and enjoyable, it may be difficult for you to learn an article quickly. You can come to this suit, starting from 778, starting from 6,000 in the middle and ending with 396, and get a beautiful and humorous live class, and start your broadcasting art road from 0 foundation ~
1. The use of breath, if you want to be proficient in dubbing, broadly speaking, proficient in pronunciation and experiencing * * * vibration * * singing, you must understand breath.
Inhale through your nose, pay attention to smell the flowers on the hillside in the forest slowly, and feel your belly bulge at the same time. This is the process of inhaling. Exaggerate and experience the spirit of Tian Chan. Then exhale through your mouth, slowly exhale, and so on. You can even do this when walking, going to work or doing light exercise, inhaling fresh air through your nose and exhaling polluted air through your mouth. After practicing skillfully, you can inhale through your nose and practice speaking. It is important to feel the airflow exhaled from your mouth when you speak, and it is also the premise for us to learn airflow vibration. In physics, it is the same basic theorem to say that the sound should vibrate and honk the horn, and put it into vocal music training.
2. Oral exercise exercises the flexibility of your oral muscles and trains your breathing and vibration through vocalization.
Simply put, only by mastering the oral muscles flexibly can you make more accurate sounds and use your mouth. Pay attention to oral practice, practice frequently and persist.
Bubble sound: the lower the sound part (cervical fossa), the better, and the bigger the bubble, the better. Take it easy. It is best to practice in bed. When the pillow is adjusted to relax, it is the feeling of spitting bubbles deep in the neck. Giggle and feel for yourself.
Pursed lips: Pull out as far as possible. 20 at a time is pouting recycling. The bigger the action, the better.
Lick your lips: try to pull to both sides. 20 at a time is similar to the action after using lipstick, but attention should be paid to traction, that is, both sides of the corner of the mouth stretch out to the root of the ear while pulling.
Button lip: try to button your lower lip with your upper lip. The upper and lower lips make a sound, and the upper lip is buckled to the lower lip as much as possible. A simple understanding is to use the power of the lips to experience the power of the upper package and the lower package. Don't say you don't understand.
Top tongue: try to top the left and right faces with the tip of your tongue. 20 force is to simulate the swelling feeling of food on the left or right side with the tip of the tongue at any time.
Tongue wrapping: Try to draw the largest circle in your mouth with the tip of your tongue. The tip of the tongue starts from the maxillary cavity and turns around the oral wall, clockwise or counterclockwise as you like.
The sound made by the tip of the tongue and the hard palate of the palate is also the position of the "de". It is the action of hitting the tongue up and down, such as playing a rattle when I was a child. You use your tongue to simulate the sound.
Swing your chin: lean forward 45 degrees, relax your upper body naturally, and expect your chin to fall off. Relax your shoulders and arms naturally, and relax your fingertips.
Tongue spit: lean forward 45 degrees, the upper body naturally relaxes, and you feel that your tongue is going to fall off. Relax your shoulders and arms naturally, and relax your fingertips.
Hold your head up and open your mouth: keep your chin still and try to open your mouth upwards. The feeling that the back of the neck can pinch your fingers. Five seconds each. Five seconds one. Shut up.
Breathing and vibration exercises
DuDu until there is no strength. Simply put, you can make your upper and lower lips vibrate with the speed of exhalation and make a beep. Imagine you are imitating a tractor.
The interruption of beeping is combined with continuity. Simply practice toot, but also practice tone sandhi, play toot when tone sandhi, pause to play toot when tone sandhi and so on.
Breathe like a flower. Stay still. Do not move.
Similar to the thin, long and uniform hiss of a flat tongue.
Smell the flowers slowly
Slow smell and slow suction
Do humming exercises to improve the position of vocal cord vibration. Smiling to improve position is similar to music class. Yeah, yeah, yeah, yeah, yeah, yeah, hum this sound, keep smiling, hehe.