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What are the details of the film "Braving the Wind and Waves"?
Since the release of the film "Braving the Wind and Waves" directed by Han Han, the national father-in-law, the word-of-mouth box office has soared. Although the box office is not as good as Jackie Chan's Kung Fu Yoga and The Journey to the West of Star Tsui Hark. But as a new director, it would be nice to have a place in the Spring Festival file. What's more, the word-of-mouth is obviously much better than the movies of the same period.

? Firstly, the theme of the film is interpreted. At the beginning of the film, there is a noodle scene, in which Yu Yan plays Du's autobiography. You know, Du has a life motto: eat "three bowls of noodles"-dignity, scenery and respect. Corresponding to the characters in the film: Zheng Tai wants to be decent. Even though he doesn't have much skill, he must be loyal first. On June 1 day, the scene of his eldest brother's wedding should be glorious enough. He was killed by the villain played by Ronghao Li. Zheng Taihe Taro finally fought with the gangster out of pity, and as a result, Zheng Tai lost a leg. None of the characters in the film died well, which also corresponds to Du's three bowls of noodles.

Secondly, Zhao's career as Xiaohua is also a highlight of the film. Although some viewers didn't see the egg part, in fact, there were some hints ahead. For example, Dalang asked her to go to the movies, and she said she worked the night shift. Secondly, Jiayi called her Xiaohua. Of course, because of her occupation, this also explains why Zheng Tai always wants to defend nightclubs to the death.

The part of the movie that looks like a bug is also very interesting. For example, when the house caught fire, Zheng Taihe and Taro only rescued photos and ashes, but Taro replied when asked by the police that the brand of TV set was Hitachi. This part is contradictory. Supposedly, he should not know the brand of TV set at home, but in fact, when asked by the police, he answered Hitachi and Toshiba.

Finally, with regard to the gang gestures made by the father and son at the end of the film, it is particularly interesting here whether or not to cross: from the result, Taro "crossed" the past, in fact, there is no change in history, and he is more of a bystander. Here, he personally prefers the setting of the film. During Taro's coma, his father kept recalling his past to Taro, but Taro was actually conscious, so he substituted himself into that situation.