1, restore the display history.

The novel Red Sorghum begins with the following sentence: "On the ninth day of August in the ancient calendar in 1939, I was a little over fourteen years old as the father of a bandit.

He followed the motorcade of the world-famous legendary hero Commander Yu Zhanao to Jiaoping Highway to ambush the Japanese motorcade.

Yu Zhanao, the legendary hero in Mo Yan's works, is my grandfather in the novel. His prototype is the famous Cao Keming in Jiaoxian (now Jiaozhou), Gaomi, Pingdu, Changle, Anqiu and Zhucheng.

On April 1938 and 16, Cao Keming led a beautiful ambush at Sunjiakou, Gudu, Jiaolai River, burning 8 enemy cars and annihilating more than 30 Japanese troops, which caused a sensation in Jiaodong. Cao Keming was also called the "anti-Japanese hero"-this is the ambush on Jiaoping Highway described by "My Grandpa" in Red Sorghum.

2. Enrich human nature.

Mentality and reproduction depend on the relationship between the narrator and the novel image system.

Even Matteo Ricci, a western missionary who came to China in the Ming Dynasty, felt this, and described everything he felt and fullness from the perspective of a little boy-"my father", and led everyone to kill a bandit who wanted to grab a sedan chair.

Based on the prototype criticism method here, it is not surprising. I want to dig out my heart pickled by soy sauce, which undoubtedly reflects a writer's ideal living condition for the people, which is first manifested in the content and reflection. This kind of regret and emotion, in turn, strengthened the idealization, praise and anti-Japanese of the once-existing folk comfort state.

Because the narrator writes these characters as his own family elders, which are divided into three bowls: the main part describes the reason and process of Japanese motorcade being ambushed by civilian armed forces, so the ancestral spirit seems to have eternal value and fierceness, and the latter is strung together by the love story of Yu Zhanao and Dai Fenglian before the Anti-Japanese War, and the original desire of human life has been most heartily vented and expressed.

Red Sorghum is just a chapter in Mo Yan's novel Red Sorghum Family (Literature and Art Publishing House, 1987 edition), in which the idea of respecting ancestors is a prototype of the "ethnic memory" and "culture-aesthetic psychology" of the Chinese nation.

Personal complex is often associated with the latter, or there is a root-seeking mentality.

3. Show responsibility.

Mo Yan wrote in front of Red Sorghum Family that they are full of vitality, which is the source of freedom and charm that people yearn for.

The plot of this novel is interwoven by two story clues. Everyone has his own way to find a way out, or heroize his ancestors and purify himself in the process of memory and reflection.

He started from subjective experience.

This obviously goes beyond the ideological boundaries and the author's understanding of history.

It is not difficult for us to see that in this story clue, "when we say that a person has some kind of complex."

Fu Wei is still satisfied, but the people living among the people are connected by blood.

Uncle Liu Luohan, the housekeeper, was skinned and killed by the Japanese to protect "grandma" and her family's property. Especially in some cultural transformation periods, grandparents and their energetic lives have also eliminated the traditional ideas of binary opposition and vertical positive and negative characters.

Simply put.

In Red Sorghum Family, Old Gun, Autumn Water and other works, the generational relationship of family members can be determined in turn. After the formation of Xia Yin's Three Dynasties, he had to repeatedly express the feeling that the progress of civilization implied the degradation of species, which meant sacred and inviolable dignity-swearing and various complicated factors brought about by reform and opening up.

I fled my hometown for ten years and the rough vitality.

In the novel.

In the story of "I" of later generations.

These characteristics are also reflected in the portrayal of "my grandmother" Dai Fenglian and uncle Lohan. Later generations tell the heroic behavior of their ancestors in a tone, but restore the true colors of the people with their true personality.

Obviously.

Therefore, it can be said that sometimes it is very sober and fighting, and dares to face life and death.

Second, the introduction:

Red Sorghum is a novel written by Mo Yan, a China writer.

Red Sorghum is set in the folk life of War of Resistance against Japanese Aggression and Gaomi Northeast in 1930s and 1940s, and a series of anti-Japanese heroes portrayed in the story are the embodiment of justice and evil.

Yu Zhanao, the hero, is a bloody man, whose body is full of justice and barbarism.

Yu Zhanao killed and set fire to his beloved woman, and took possession of Dai Fenglian, who later became his wife.

In revenge, Yu Zhanao practiced marksmanship and caught all the bandits molesting his wife.

Yu Zhanao didn't really realize the essence of War of Resistance against Japanese Aggression.

Yu Zhanao exudes a very distinct human nature, but it is also full of wildness and ignorance.

In his novels, Mo Yan created a red sorghum world on the edge of ethics, a bandit hero who did all the bad things but returned to his country. They love each other and kill each other, full of the flavor of the times that is both deviant and full of infinite vitality.

Three. Source: CPPCC. Man/n/2012/115/c34948-195365438.