Oil painting is based on sketching, constantly refining and gaining valuable experience. While pursuing subtle colors, it creates a poetic mood with flexible brushstrokes. Every artist has different ways of experiencing his own landscape painting creation. He should freely express his feelings according to his own ideas, and at the same time, he should not regard the experience of his predecessors as a cage for creation, but as a wing leading to the artistic airspace. This is that art is infectious, true, straightforward, a new understanding of nature, and a focus on creation, so that the artistic conception of the picture is more abundant.

Keywords: creation; Brush strokes; Artistic conception; paint from nature

The connotation of landscape creation is to love life, love nature and express the beauty of simple natural scenery, but it is not simply the pursuit of nature. It reveals the personal feelings of landscape painting, and personal feelings are hidden in natural scenery. As a creator, only by constantly establishing, overthrowing, exploring and searching in the creative process can we truly reflect the joy of artistic creation and deserve endless exploration and deep thinking. In any case, the artistic conception expressed by colors and strokes is created by artists according to their own emotional melodies. For creation, the world is changing all the time, which has to attract our attention, an instinctive response, a longer and deeper response.

First, creation is inseparable from sketching.

As the saying goes, art comes from life, and oil painting landscape creation is also inspired by sketching. It goes without saying that you should think more and draw more pictures in your creation. As long as you look at a very ordinary scenery with appreciation, all the scenery will be close to your eyes.

If every sketch is combined with creation, the harvest is self-evident, so when sketch and creation are organically combined, creation will have a new starting point. Otherwise, you can't make substantial progress in your creation by sketching blindly. Only bold choices, changeable shapes and subjective colors can express the feelings in my heart one by one.

Second, the pursuit of color and brushwork in creation

1, capturing the subtle relationship of colors. Whether the color collocation is bright or not, and whether the tone is reasonable, harmonious and beautiful is directly related to the quality of the work. Make the picture lively and impactful, with the same color and shape, and make the original picture unstable. Like what? Many painters in barbizon school, France, sketched in different natural climatic conditions, and realized the relationship between the primary colors, inherent colors and environmental colors of the scenery, as well as the great significance of color tones in the contrast between artistic themes and time, environment and atmosphere, forming the artistic conception and emotional appeal of the picture. A large number of their landscape creations depict the natural wind, rain, morning, dusk and other specific color atmosphere. ? First of all, using bright colors for natural sketching is the key to express emotions. Sometimes many oil painters face the same set creation, and the painted works are too different, and the color differences vary from person to person. Painters pay different attention to the scenery. In the process of painting, we grasp the key tones and accurate colors, aiming to make the picture smooth and save time in one go. This practice is to prevent the visual angle and light from being disturbed in a short time, or in a shorter time, thus interfering with the first feeling. The subtle change of color really makes you helpless. When we don't play cards according to the routine when we are creating, then the picture we draw is not vivid, messy and bright, and there is no sense of transparency. Therefore, set the tone for ten key issues.

2. The use of brush strokes. Art is higher than nature, higher than the expression of life, and it is also the highest realm of art attracting philosophical thinking. The brush strokes we pursue are:? The trajectory of the brush moving on the canvas. ? The painter's emotion makes them pay attention to the movement of creating brushstrokes and learn to control the movement of brushstrokes with emotion. In addition to the emotional control of brush strokes, in fact, brush strokes themselves are also expressive. Images created by different motion trajectories are dynamic and have special priority. Brush strokes make people feel moved and yearning for the scenery, which is attributed to the fact that the color of music improves the emotion rising from the natural scenery. Nowadays, we also pay attention to the accidental effect of brush strokes in our creation, which improves the expected effect of the picture. Only by constantly trying can we release our inner feelings.

Third, the expression of artistic conception and emotion in creation

A connotative painter's concern for culture is the recognition of artistic pursuit and painting concept, and also an attempt to put various techniques and artistic conception into formal language. It is the result of natural perception and artistic conception experience.

The layering of works varies from person to person, and people's experience of artistic conception is also different. Facing the same painting, in different moods, different places and different times, everyone's understanding of artistic conception is different. Artistic conception sometimes gives people the feeling that it is unspeakable, empty and intangible. Artistic conception is the product of the combination of reality and fiction, and its essence lies in the imaginary part, which is the extension and expansion of reality. Then, take Barbie Song School as an example, which is a painting school with the theme of painting landscapes. Most of the works written by painters show the scenery of that area. The natural features of the works are not expressed by simple realism, but by exploring the inner beauty of life in nature. The works strive to convey the painter's sincere feelings about nature, shock and express emotion through painting, and endow nature with great vitality. Among them, barbizon school has been asking two masters who return to nature, Miller and Connor, to pour out their poetic feelings about nature enthusiastically in their works. For example, Miller's Late Bell and Connor's Memories of Montfontein.

Life is the soul of art, and oil painting landscape creation is the body that art recreates nature and is higher than life. The process of painting works is very important. If the picture can't attract the viewer, then the creation will lose its meaning. I think as a creation, we must first impress ourselves. Therefore, the relationship between color, brushwork and artistic conception is extremely subtle and complicated, whether it is sketch or creation. Writing is not as easy as it looks, but it takes a long time to write. Every voice and part is subject to a general requirement, charm and rhythm. Such a large number of continuous paintings, continuous thinking, adjust ideas and mentality anytime and anywhere, and make up for shortcomings. All this makes you know what you are doing, and you can write boldly and freely, paving the way.

References:

[1] Gombrich, Yang (translated). Art and illusion [M]. Nanning: Guangxi Fine Arts Publishing House, 20 12.

[2] Editorial Committee. Special series of teaching materials for teachers' open recruitment examination [M]. Beijing: Education Science Press, 20 1 1.

[3] On the artistic elements in oil painting landscape sketch [J]. Journal of huaihua university, 2005(03).