Kojima Yasuyichiro
In recent years, TV dramas about anti-Japanese themes have become so popular on the screen that people are too busy to watch them. In these TV dramas, quite a few are not only stylized, but also similar in content, absurd in plot and even openly contrary to history and common sense, which has reached the level of fabrication. For example, when a grenade blows up a plane, a beautiful woman shoots hundreds of Japanese soldiers with an arrow in the dark, and a beautiful woman bid farewell to the anti-Japanese soldiers naked. There are also some people who are anti-Japanese, either supernatural or gentlemen and ladies, and so on, which makes people wonder whether this is a comedy or a kung fu film, and whether it is playing anti-Japanese or fashion. In this regard, we have to ask: Why is the absurd so-called "anti-Japanese drama" so rampant?
There are three reasons for this. First, money is at work. Because efficiency and benefit should be emphasized, the script should be written quickly, the crew should be built quickly, the film should be released quickly, and the return on investment should be fast. Under the requirement of "fast", how can we avoid cutting corners? How can it be so good that it is full of loopholes? Second, review the harm. In China, how well your film is made is one thing, and whether it can pass the censorship and then be broadcast is another matter. The artistic quality of your film can be a little worse, but your theme and content must be in tune with real politics, that is, your film can't touch sensitive topics and there can't be "political issues". In this way, in order to pass the customs safely, we have to choose the theme carefully. There are too many court plays, and the audience is bored; There are too many scenes of the Kuomintang, which usurps the role of the host; There are many ethical dramas about happiness, which everyone can't feel; There are many costume dramas, and the audience is like watching a clown show; What other martial arts films are there? I'm afraid it's hard for even the screenwriter to make up any new tricks himself. Finally, anti-Japanese dramas are the only ones that are politically safe and can be performed boldly. And how many anti-Japanese dramas did China shoot? I'm afraid no one can fully count it. So, what can we do to attract people's attention, create high ratings, and not create some unique shots that may cause ignorant people to laugh and be dumbfounded? Third, Ah Q psychology. The victory of China people's War of Resistance against Japanese Aggression was great, but the victory of this war was hard-won. It was not only the bloody battle of all the China people under the leadership of the * * * production party, the Kuomintang and the anti-Japanese United front, but also the great sacrifice and valuable support of the world anti-fascist alliance countries including the United States and the Soviet Union. We can say that China's War of Resistance against Japanese Aggression would not have ended at least in 1945 without the dropping of the American atomic bomb and the sweeping of the Northeast by millions of Soviet Red Army. However, at present, some narrow nationalists blindly fabricate jokes about China and War of Resistance against Japanese Aggression regardless of historical reality, misleading people, especially teenagers who know little about the history of War of Resistance against Japanese Aggression, making them think that War of Resistance against Japanese Aggression is simple and even fun; The Japanese aggressors are vulnerable. It is precisely because of this psychology that those "anti-Japanese dramas" were unscrupulously fabricated by their imagination under the fanatical stimulation of narrow nationalism.