In the past twenty years, few films in China really recorded that era. The Desire for Survival directed by Muyewen is one of them. This year's miracle silly child, despite the limitation of proposition composition, the director's control of characters, emotions and rhythm is excellent, and the viewing experience is very comfortable. The place where you should cry and laugh is well managed by the director. Although some people will say that it is too neat, there are really not many creators who can do this in the field of genre films in China. Director Muyewen has a unique talent in telling the stories of ordinary people. Generally speaking, he can always grasp the pulse of the times. When watching movies, I can't help following the characters on the screen, because they are us and we are them.
Although the movie "Miracle" is not a portrayal of real life, we are still willing to believe that those little people deserve to be treated well by life and fate when we look at those people on the screen with mixed feelings of sadness and joy. This is a gift from a good movie, and it is what those of us who enter this industry because we believe in movies and dreams are willing to believe. Real life can't always be kind to all kindness and dedication, but we are still willing to believe that it should be like this.
I also hope that the film Miracle will be treated well by the audience and fate. It should be.
Finally, talk about something else. This year's ticket price is really outrageous. There is no cinema near my home (Chaoyang District, Beijing) less than 100! Even at 8 am or 1 o'clock, it's 80-90! I can understand the difficulties of cinema operators in the epidemic era, and high ticket prices can't hit all the boards on the manager's ass, but this market model of exhausting resources and fishing will really completely destroy the audience's viewing habits and will cause irreversible ecological damage to the industry.
Maybe this is the wheel of history.