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The Historical Development of Qin Shu in Anhui Province
Some people call Anhui Qin Shu "dulcimer", Huaibei Qin Shu, Bengbu Qin Shu and so on. Because its main accompaniment instrument is "dulcimer", which is sung in Anhui dialect, it was collectively called "Anhui Qin Shu" in 1930s. Mainly popular in Lu 'an, Chuzhou, Bengbu, Fuyang, Suxian, Sixian, Wuhe, Lingbi and other places.

Around the middle of Qing Dynasty, Qin Shu in Anhui Province had begun to take shape. At that time, due to the famine in Anhui, Shandong, Henan and northern Jiangsu, a large number of victims went south to survive. At the same time, the completion of the Jin-Pu Railway connects the north-south traffic and accelerates the population flow. With Bengbu, Anhui as the center, refugees from both sides of the Huaihe River poured in, reaching 80,000 for a long time, which made Qin Shu, Anhui take root in this land.

In 1930s, the audience listened to Qin Shu mainly because of the continuous civil war, the invasion of foreign enemies, and the general public was in dire straits. So at that time, the audience listened to Qin Shu more, and all the people who listened to sad songs were sad people. Heartbroken people like the sound of heartbreak.

After liberation, under the leadership of the Party, Qin Shu artists persisted in innovation and actively publicized the Party's line, principles and policies in the new period. A large number of outstanding talents have emerged. Yuan Yuee, Lu, and others have won many awards from provinces, cities and the Ministry of Culture. During the "Cultural Revolution", artists in Qin and Shu suffered a devastating blow. Most artists are branded as ghosts. Bookstores closed, troupes dissolved, actors devolved and changed careers.

From the 1950s to the mid-1960s, "Anhui Qin Shu" spread widely in China, and it became a custom to sing "Anhui Qin Shu" during festivals and celebrations. During the "Cultural Revolution", Qin Shu was banned. After 1976, Qin Shu was revived. From 65438 to 0979, Anhui Qin Shu Troupe in Guangrao County and Anhui Qin Shu Troupe in Kenli County began to perform traditional plays. 1982, in order to cooperate with the family planning propaganda, Qin Shu Troupe of Guangrao County rushed to arrange a new drama "Happy Family" and toured inside and outside the county. 1987, Lijin County Peking Opera Troupe was renamed Lijin County Peking Opera Troupe in Qin Shu. During the period of 1984, the Municipal Cultural Bureau organized some literary and art workers to study in Qin Shu, Anhui Province, and went deep into the countryside to visit old artists and collect historical materials. /kloc-0 In the winter of 1985, the "Seminar on Historical Materials of Qin Shu, Anhui Province" was held, and more than 20 old artists from Qin Shu, Anhui Province were invited to participate. 1986 spring, invited 14 old artists to make imitation videos. On this basis, 1987 completed the manuscript of Anhui Qin Shu Music Integration, and 1988 completed the compilation of Anhui historical materials of Anhui Shuqinyuan Liukao. These two manuscripts are important achievements in the study of Qin Shu. In the process of writing, I received enthusiastic guidance and help from the relevant leaders of Anhui Provincial Department of Culture, many experts in the field of piano calligraphy in Anhui Province and famous actors (such as Li Yu and Lang Xianfen). 1991From March 5 to 8, 2000, the First Anhui Piano and Book Fair was held. Eight teams and 240 people participated in the performance, divided into professional group and amateur group, and performed a new drama 12. 1994, Anhui Qin Shu group was established on the basis of Qin Shu group in Guangrao county. By the end of 1995, a total of 15 Anhui Qin Shu actors had won the title of provincial excellent actors.

After several generations of singing, Qin Shu reached the 1990s. How to face the new era, adapt to the audience's constantly updated aesthetic requirements, and make the genre of "Qin Shu" develop healthily is an important lesson that many Quyi artists have been thinking about since they stepped onto the Quyi stage.

Qin Shu is indeed a unique artistic flower on the stage, and its unique performance charm has fascinated thousands of audiences and listeners. It has also made certain contributions to the socialist construction of the motherland. On the side of the sinking ship, Qian Fan passed by, and there were thousands of trees in front of the sick trees.