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Exhibition content of widow's village
The main exhibition hall is divided into three parts: human catastrophe, human sadness and dawn in the Straits.

The first part of "The Disaster on Earth" has columns such as "Catch Ding", "Born on both sides of the strait" and "Died as Sauvignon Blanc". With a large number of precious historical and realistic photos, the book comprehensively introduces the historical background and process of the capture of Ding in Dongshan Island on the eve of liberation of 1950, lists 4,792 able-bodied men, and focuses on the capture of Ding in Tongbai Village. 1950 at 2 am on May 10, Kuomintang troops suddenly surrounded Tongbai Village and captured 147 able-bodied men, of whom 17 was the youngest, 55 years old and 9 1 married. When you go out to sea, your loved ones are in tears, and where you are going is vivid in your mind. Since then, the woman who lost her husband has fallen into a long and painful life in The Grass Widow, looking forward to her relatives. What appeared in front of us were Lin Xiuchun, Lin et al. Young women who were full of youthful vitality in their youth have now become "living widows" of all ages who are senile, haggard and sad. The contrast between the past and the present is strong, which makes people tremble and sigh.

In the column of "Death is like Sauvignon Blanc", some people who went to Taiwan Province died in Taiwan Province Province, and Tomb-Sweeping Day and his family went to the seaside to pay homage to the deceased, accompanied by the poem "The sea and the sky are boundless, incense sticks burn a column of incense, and they love their homes for life and death, even ghosts must go home". Return of the soul! "Let's look at a cloth shoe that can never be paired. On the night of Ding's arrest, the young man in the village woke up in his sleep and his right foot was forcibly taken away as soon as he put on his cloth shoes. His wife, Lin Xiu Pearl Krabs, hides the cloth shoes on her left foot, hoping that her husband will come back as soon as possible. Unfortunately, her husband died in Taiwan Province Province, and the cloth shoes separating the two sides of the strait can no longer be paired. It's heartbreaking to see it.

The second part, Tragedy of the Past, uses a large number of objects and models, with sound and light, and selects the representative and universal objects in Taiwan Province's family. In front of us is a broken mirror with a huge rectangular mural "Taiwan Province Strait" in the background. There are a stone mill, a single bucket, a net bucket, a songbook, an aluminum bowl, an old pig tied with a red line (my son didn't wait for his wedding when he returned to Taiwan Province Province), a pair of shoes that have been waiting for 38 years, a fake banquet with chopsticks for relatives in Taiwan Province, a tea set for Aunt Abel Tamata, a gold ring and a crying flute. Every object is filled with homesickness and bitter tears, telling people heartbreaking sad stories. An aluminum bowl is filled with the grief of Liu Kou, the owner, who missed his loved ones for half a century. The old stone mill has worn away the stormy years and the beautiful years, but it can't wear away the faithful love of its owner. Wu Ayin was originally from Guangdong, lived in Tongbai Village, and formed a loving couple with the young Xie Laowang. On holidays, the couple push a stone mill and make rice cakes together, which is meaningful. Since her husband was arrested in Taiwan Province Province, Ayin has been grinding alone, year after year, with tears in her eyes, grinding her hair and heart step by step, but she can't get rid of her thoughts about her husband. Really: Gu Rong's love, Gu Jing's tears, Yuanyang's robbery, spirit of war and Shi Mo's hatred.

The case of Fish Goose v. Divorce on both sides of the Taiwan Strait mainly shows thousands of letters from compatriots on both sides of the Taiwan Strait to and from Hongyan, poems and manuscripts of veterans in Taiwan Province Province, and books published in Dongshan County, such as Bridge of the Taiwan Strait and Widow's Village, which fully embodies the compatriots on both sides of the Taiwan Strait's "spiritual calling and emotional telling". More than 300 poems written by Taiwan Province tourist Mr. Cai Bo in Taiwan Province Province are all about homesickness and homesickness, such as "The body and mind are separated by water, and the flesh and blood are different; Home dust is ashamed of the south crown guest, and fallen leaves are willing to be the soul of Dongshan. (I dream of crying on the hard day of Jiazi's mother). " These poems are endowed with sweat and tears, which make people cry and touch the world.

The third film Dawn in the Straits has three columns: Kindness and Care, Breeze in the Straits and Great Changes in Hometown. A large number of pictures show the earth-shaking changes in Dongshan Island and the vicissitudes of Tongbai Village.

"cordial care" embodies the concern of the party and governments at all levels for the production and life of "families of war victims" since liberation. Especially since the reform and opening up, Dongshan has vigorously carried out exchanges with Taiwan in various fields, promoted cross-strait "three links" and created favorable conditions for family reunion. Wang Daohan, president of ARATS, Tang Shubei, executive vice president, and many other central, provincial and municipal leaders are concerned about supporting the "widow village" to develop its economy and set up public welfare undertakings. In the past 20 years, journalists and experts from 20 countries including the United States, French, Japanese and Russian, as well as Taiwan Province Province, Hongkong and Macau have visited this village. "We can't let these grandmothers become grass widows any more" is the sigh of Lawrence, an American journalist who visited Tongbai Village in June, and his wife. 1986 165438 Loyalty and Tenacity shows the moving image of 965,438+0 married women who support the burden left by men, cultivate fields, respect the old and love the young after their husbands are arrested and sent to Taiwan. It shows their unswerving love and persistent expectation for their loved ones, and their broad and tolerant mind is an unshakable belief in the great cause of the reunification of the motherland.

Through the scenes of Taiwan Province compatriots such as Huang and Huang Asong returning home to visit relatives, reuniting old friends, returning home to settle down, and investing in setting up factories, The Breeze across the Taiwan Strait reflects the close cultural exchanges between the two sides of the strait, the strengthening of agricultural economic and trade cooperation, and the establishment of enterprises by Taiwanese businessmen. It is reported that 147 people were arrested and sent to Taiwan Province province that year. Except for death due to illness, 85% people came back to visit relatives, and 17 people have returned to their hometowns to settle down.

After liberation, especially since the reform and opening up, great changes have taken place in Tongbai village, which shows us that this village has changed from a poor village to a rich one. Standing in the corridor of the exhibition hall, you can enjoy the new look of the bronze bowl: high-rise buildings, spacious roads, bustling streets, villas, new villages, schools and kindergartens complement each other, and there are new scenes of prosperity everywhere.