In the description of realistic techniques, the painter has carried out bold artistic treatment, such as perspective and light and shadow treatment, which are not strictly in accordance with the sketch requirements in western realistic painting; Another example is the layout of the characters in the picture. Except for Chairman Mao, who stood sideways near the middle, all the others stood in the left third of the picture, while the square people were on the right.

According to the general law of composition, the disparity between the left and right is unbalanced, but it can highlight the festive atmosphere. Against the backdrop of warm red lanterns, red pillars and red carpets, President Mao Zedong's vigorous posture is at the center of the picture, which also embodies the core of leading all China, echoing thousands of people in Qian Qian from afar and proud of turning a new page in China's history.

The painter shows the boldness and elegance of a big country in the scenes of composition, color setting and character handling. For another example, according to the normal law, there should be a red pillar on the right front side of Chairman Mao, but it was removed, and the span between the two pillars in the middle of Tiananmen Gate was greatly relaxed, which was far from the actual architectural framework. Therefore, he used artistic perspective to make such a composition, all in order to show the bright and open Tiananmen Square and the grandeur of the mass scene!

Let this country * * * in such a magnificent atmosphere, thus reflecting the "People's Republic of China (PRC) was established! The people of China have stood up since then! " For the record.

To be on the safe side, Dong consulted several architects, and Liang Sicheng commented: "There is a column on the right side of the picture that has not been painted ... This is a big mistake in architecture, but it is a great success in painting art." All these are to meet and strengthen the needs of the theme and the overall picture, and at the same time, it is suitable for the aesthetic taste of the readers in China, thus making this work more decorative and lyrical.

In this painting, the painter strives to adapt the western oil painting techniques to the aesthetic standards of our nation, especially in color processing, emphasizing the simplicity and strong contrast of colors. The red carpet, red lanterns, red pillars and the sea with red flags in the distance are in contrast with the blue sky and green trees, making the picture warm and lively; The contrast between golden chrysanthemums and blue sky and white clouds. It not only points out the crisp autumn season, but also echoes the Huang Sui with lights, enhancing the luxurious and gorgeous celebration atmosphere.

The painter Ai Zhongxin once made the following analysis: "From composition to color setting, from characters to scenes, its style is enough to reflect the demeanor of a big country. Dong's handling of the main characters on the left side of Small Half Picture is not only bold, but more importantly, because he understands the overall situation of composition. Founding ceremony's big colors are easy to understand and seemingly simple, but red, blue and gold (tassels and chrysanthemums) are deliberately arranged. It depicts a solemn and warm scene on a sunny day. "

Founding ceremony embodies a profound truth: art is not a constant copy of life, and the truth of art is not the truth of life. The expression of art is determined by the needs of the theme.

Founding ceremony has always been regarded as "the artistic witness of the founding of the Republic". It is deeply rooted in the hearts of the people and embodies the patriotic feelings of generations of new Chinese builders.

2. founding ceremony is a famous oil painting by China painter Dong Yu 1953. It depicts the moment when People's Republic of China (PRC) founding ceremony read the announcement of the Central People's Government on the Tiananmen rostrum on June 6th, announcing the establishment of People's Republic of China (PRC). It is one of Dong's most famous masterpieces.

During the Cultural Revolution, due to political reasons, the original painting was unfortunately revised twice, which destroyed the authenticity of the art. In June of 20 1 1, in order to celebrate the 90th anniversary of the founding of the Party, the original painting was first opened to the public. This work is in the National Museum of China.

February 20 14, founding ceremony's first sketch was published, which will be exhibited in "China Style Oil Painting-Dong Centennial Birthday Exhibition" on October 8/20 15.

The oil painting "founding ceremony" depicts the grand occasion of the Tiananmen National Day ceremony when the Central People's Government of People's Republic of China (PRC) was established on June 1949+00+ 1. The scene was grand and festive, and Mao Zedong and other central leaders were radiant and prominent for a while. Blue sky and white clouds, sunny weather, empty square, red flag like the sea, Tiananmen Gate resplendent and magnificent.

In his rigorous realistic description, the painter draws lessons from folk art and traditional meticulous and colorful expression techniques. The author used carpets, red pillars, red lanterns and red flags to set off the blue sky, which increased the festive atmosphere of the festival.

In the description of realistic techniques, the painter has made bold artistic treatments, such as perspective and light and shadow treatment, which are not strictly in accordance with the sketch requirements in western realistic painting, and a column has been subtracted from the right side of the picture. These are to adapt to and strengthen the theme and overall needs of the picture, and also to meet the aesthetic taste of China readers.

It should also be mentioned that these works are highly decorative and lyrical. Some critics think it is "a large-scale historical painting with decorative significance."

Extended data

Founding ceremony is an oil painting created by China painter Dong. The original works are collected in the National Museum of China, and the replica of founding ceremony is exhibited in the National Museum of China. This painting depicts the moment when Mao Zedong read the announcement of the Central People's Government on the Tiananmen Gate on June 1949 10.

Founding ceremony's original oil painting was created on 1953. Founding ceremony's sketch first appeared in Beijing Central Academy of Fine Arts Art Museum 20 14 and 12.

Founding ceremony oil painting (vertical: 405cm；; Horizontal version: 230cm) depicts the grand celebration of the founding of People's Republic of China (PRC) held in Tiananmen Square on June 1949+00+ 1. Mao Zedong read the announcement of the Central People's Government at the Tiananmen Gate, announcing the establishment of People's Republic of China (PRC). The scene is grand and the festive atmosphere is warm.

At that time, China * * *,1/kloc-0 exhibited paintings: Chairman of the Central People's Government, Zhu De, Soong Ching Ling, Li, Zhang Lan, Gao Gang, Premier the State Council, Vice Premiers Dong and Guo Moruo, Secretary General of the Central People's Government Lin,

Dong's oil painting "founding ceremony" is influenced by China's national behavior, which shows a nation's political unconsciousness. As a red classic, this painting is the collective memory of a political party, a country and a nation, and it is the unconscious visual imagination of red politics, which is not the personal visual whisper of the painter Dong at all.

As an individual painter, Dong dare not assume that this work is original.

"founding ceremony" is full of the lofty aspirations of the people of China when the new China was born, and the conscious practice of the nationalization of oil painting. This oil painting is the collective memory of China's older generation of literati painters about political unconsciousness. Because the creation of this painting was an act of state in the art world of China at that time, it must be a red classic in itself. Founding ceremony is a national painting language.

Artists are not politicians, and artists should not be politicians. Artists should guard their pure professional identity. However, artists' unconscious obsession with politics, as well as their uncontrollable passion and paranoia, often make their position present an extremely avant-garde posture.

An artist, depending on his childishness, may become an unconscious flag-waving and spokesman of the politics of an era and be invincible with an irrational artistic passion.

The second edition of founding ceremony's oil painting was carved as a commemorative stamp on the occasion of the founding of People's Republic of China (PRC) in 10 in 959. Founding ceremony, as a masterpiece of the century celebrating the founding of New China, has attracted people's attention since its birth. After it came out, People's Daily published the oil painting founding ceremony in an important position on the front page.

People's Fine Arts Publishing House immediately printed adult paintings and various fine arts pictures and distributed them in large quantities, with a print run of more than 6,543,800 copies, which were included in the textbooks of primary and secondary schools at that time. "founding ceremony" is a revolutionary historical painting that met with the masses and won wide acclaim shortly after the founding of New China.

After careful design by artists, Dong's novel Oil Painting became the most important masterpiece and the most famous work in his life, which won him an international reputation. Since the publication of founding ceremony, this oil painting, full of China elegance, has opened the first chapter in the history of new China fine arts.

References:

Founding ceremony-Baidu encyclopedia

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Art appreciation of the oil painting founding ceremony?

Founding ceremony described the grand occasion of the Tiananmen National Day ceremony when the Central People's Government of People's Republic of China (PRC) (China) was established on June 1949 10. The scene was grand and festive, and Mao Zedong and other central leaders were radiant and prominent for a while. Blue sky and white clouds, sunny weather, empty square, red flag like the sea, Tiananmen Gate resplendent and magnificent. In his rigorous realistic description, the painter drew lessons from folk art and traditional meticulous and colorful expression techniques. The author used carpets, red pillars, red lanterns and red flags to set off the blue sky, which increased the festive atmosphere of the festival. In the description of realistic techniques, the painter made bold artistic treatments, such as perspective and light and shadow treatment, which were not strictly in accordance with the sketch requirements in western realistic painting, and a column was subtracted from the right side of the picture. These are to adapt to and strengthen the theme and overall needs of the picture, and also to meet the aesthetic taste of China readers. It should also be mentioned that these works are highly decorative and lyrical. Dong's realistic oil paintings absorb the nutrition of China's traditional art, with bright colors and rich decorative meaning, which embodies China's spirit and aesthetic ideal. Founding ceremony has always been regarded as "the artistic witness of the founding of the Republic". It is deeply rooted in the hearts of the people and embodies the patriotic feelings of generations of builders of new China ... The painter Ai Zhongxin once made the following analysis: "From composition to color setting, from characters to scenes, its style is enough to reflect the demeanor of a big country. Dong handles less than half the width of the left side of the main character, which is not only a bold technique, but also important, he understands the overall situation of composition ... The color of founding ceremony is easy to understand and seemingly simple, but the red, blue and gold (tassels and chrysanthemums) are deliberately arranged. It depicts a solemn and warm scene on a sunny day ... "Xu Beihong commented after watching founding ceremony:" It lacks a little oil painting characteristics. " The "lack of a little oil painting feature" here means that this painting uses the techniques and styles of China traditional painting to a great extent. But this is exactly what many painters think of founding ceremony's success. If traditional oil paintings were created with lights and colors, this painting would not have such a warm atmosphere. Ai Zhongxin said: "founding ceremony's main achievement in oil painting art is to create a new style of China oil painting that people love to see. This is a new type of oil painting, which successfully inherits the style of decorative murals in the prosperous Tang Dynasty and embodies the characteristics of national painting, making oil painting develop in the direction of nationalization. " At this point, the painting world has set off the "China oil painting style" that Dong has always advocated. Founding ceremony has undoubtedly become a model of this theory, and this trend of thought has influenced it to this day ... founding ceremony's overall theory is extremely rigorous sketch, full and decorative colors, smooth lines and symmetrical composition sketches and colors, as the main elements in oil painting, have their own strong and weak positions in each period, and we can't blindly say which side is more important. Modern painting also has a deep study on the negative side of composition elements. The characteristics of oil painting materials can create ever-changing effects, which gives painters a lot of room to play. Personally, I think the characteristics of oil painting can only be illustrated by comparing with the characteristics of other paintings. The overall effect of oil painting material is heavy and full, which can depict very realistic effects and create rich mechanism effects. At the same time, it also has certain transparency and charming luster, which are characteristics that other paintings do not have. Oil painting, with its unique realistic expressive force, is good at expressing social themes with realistic methods. During this period, it has achieved unprecedented development, and many works with new styles and new contents have appeared, such as founding ceremony (Dong). On the screen, although the country * * * only occupies one third of the picture on the left, it stands out against the warm red lanterns, red pillars and red carpets. In the center of the picture is President Mao Zedong's vigorous posture, which also embodies the core of leading the whole of China, echoing the thousands of people in Qian Qian, Qian Qian in the distance and being proud of turning a new page in China's history. Painters show the boldness and elegance of a big country in composition, color setting, character handling and other scenes. Founding ceremony embodies a profound truth: art is not a constant copy of life, and the truth of art is not the truth of life. The expression of art is determined by the needs of the theme. In this painting, the painter strives to adapt the western oil painting techniques to the aesthetic standards of our nation, especially in color processing, emphasizing the simplicity and strong contrast of colors. The red carpet, red lanterns, red pillars and the sea with red flags in the distance are in contrast with the blue sky and green trees, making the picture warm and lively; The contrast between golden chrysanthemums and blue sky and white clouds. It not only points out the crisp autumn season, but also echoes the Huang Sui with lights, enhancing the luxurious and gorgeous celebration atmosphere. In a word, painting emphasizes the inherent color of objects, weakening the color method of western painting that changes with light and environment. Soft into China's meticulous painting skills and the characteristics of Dunhuang murals. When the painter painted the red carpet, he also ingeniously added sand grains to the pigment, which received unexpected artistic effects. The painter's profound artistic foundation makes this painting an excellent work with strong artistic appeal. Every art has its own unique language. Photography forms its own modeling language through light, tone, line and tone. Photographers use these languages to construct the beauty of photography. The special aesthetic functions of photographic art language, such as tone, line, color and light, lie in that they alone or together give people a sense of form and formal beauty. Photographic works give us a very rich sense of form, including space, three-dimensional, texture, movement, rhythm and so on. Film and television-"moving pictures with sound and pictures", that is, film and television art and its influence on social life, is characterized by concreteness. The basic contradiction between reading and watching first constitutes all paradoxical factors in the aesthetic creation of film and television literature. The Dictionary of Cinematography describes movies in this way: "According to the principle of' visual persistence', images (and sounds) of external things are recorded on film by photography (and recording), and moving images (and sounds) are produced on the screen by projection (and playback) to express certain contents. Film is the product of long-term development of science and technology to a certain stage "(Dictionary of Film Art, China Film Publishing House, 1986, 12 edition).

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Evaluating the oil painting founding ceremony from the perspective of artistic expression.

1 founding ceremony is an oil painting. In the realistic description, the painter made a bold artistic treatment. For example, perspective and light and shadow are not strictly in accordance with the sketch requirements in western realistic painting, and a column is subtracted from the right side of the picture. These are to adapt to and strengthen the theme and overall needs of the picture, and also to meet the aesthetic taste of China readers. It should also be mentioned that these works are highly decorative and lyrical. Compared with Moonlight on a Spring River that denies narrative logic, Debussy's Moonlight and Beethoven's Moonlight Sonata seem to be "positive narrative logic". However, it is also a positive narrative logic. Debussy's Moonlight seems to remain in the realm of lyric prose in the Six Dynasties, while Beethoven's Moonlight is already a Tang poem and a Song poem with xing as the main form of expression. I secretly feel that Beethoven's moonlight seems to "surpass" Bi Biao's moonlight. If Debussy's Moonlight is caused by "looking at the natural scenery", the impression has changed; Then, Beethoven's Moonlight sublimated heroic feelings because of "introspection of the inner world". This is the so-called "Xing" in China's poetics. Beethoven's Moonlight is a hero's inner monologue and a great man's meditation. Here, the main form of artistic expression should be "Xing", and fanatical pursuit and fiery action are brewing in "positive narrative logic". Two kinds of moonlight, two kinds of feelings, this is determined by the composer's mood at that time. Beethoven expressed his sadness. At first, he developed a tragic theme with a slow introduction of four bars, which developed into groans and sobs. The melody part of the right hand gradually broke off and almost disappeared, leaving only the accompaniment sound pattern of the triplet flowing evenly, as if it were a silent pain in my heart. There are "bright colors" in painting and "bright sounds" in music. The third interval has a feeling of flashing eyes. It reminds people of the bright and glittering moonlight. The long melody line and steady rhythm, coupled with soft and clear harmony, achieve a quiet and far-reaching effect. This is the difference between Debussy's Moonlight and Beethoven's Moonlight. No one wants to be sad in life, but it often becomes a kind of beauty when reflected in works of art, which is a strange aesthetic phenomenon, not to mention expressing beautiful things in life. This is why Beethoven and Debussy's Moonlight are loved at the same time.

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Appreciate the oil paintings in the junior high school art textbook (Su Edition) and talk about your own experience.

Founding ceremony described the grand occasion of the Tiananmen National Day ceremony when the Central People's Government of People's Republic of China (PRC) (China) was established on June 1949 10. The scene was grand and festive, and Mao Zedong and other central leaders were radiant and prominent for a while. Blue sky and white clouds, sunny weather, empty square, red flag like the sea, Tiananmen Gate resplendent and magnificent. In his rigorous realistic description, the painter drew lessons from folk art and traditional meticulous and colorful expression techniques. The author used carpets, red pillars, red lanterns and red flags to set off the blue sky, which increased the festive atmosphere of the festival. In the description of realistic techniques, the painter made bold artistic treatments, such as perspective and light and shadow treatment, which were not strictly in accordance with the sketch requirements in western realistic painting, and a column was subtracted from the right side of the picture. These are to adapt to and strengthen the theme and overall needs of the picture, and also to meet the aesthetic taste of China readers. It should also be mentioned that these works are highly decorative and lyrical. Some critics think it is "a large-scale historical painting with decorative significance."

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Founding ceremony's oil painting evaluation is less than 300 words.

In the realistic depiction of oil painting founding ceremony, the painter has made bold artistic treatments, such as perspective, light and shadow treatment, which are not strictly in accordance with the sketch requirements in western realistic painting, and a column has been subtracted from the right side of the picture. These are all to adapt to and strengthen the theme and overall needs of the picture, and are also suitable for the aesthetic taste of our readers. It should also be mentioned that these works are highly decorative and lyrical.

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Comments on founding ceremony's Oil Paintings

Founding ceremony has always been regarded as "the artistic witness of the founding of the Republic". It is deeply rooted in people's hearts and embodies the patriotic feelings of generations of builders of new China ... 195 1 At the beginning of the year, according to the instructions of Publicity Department of the Communist Party of China and the Ministry of Culture, the Museum of Chinese Revolution began to prepare for the 30th anniversary painting exhibition, which was organized and implemented by Cai Ruohong, Jiang Feng and Wang Chaowen, leaders of the China Artists Association and the Central Academy of Fine Arts. The participating artists are dozens of famous painters from Beijing and East China. In a few months, these powerful painters produced nearly 100 paintings for the exhibition. This is a great event in the art history of New China. The fine works of various governors in the painting world not only aroused people's resonance in this exhibition, but also many works were collected by the Museum of Chinese Revolution, and even some works later won a place in the art history of China. For example, tunnel warfare, Chairman Mao's rectification in Yan 'an, robbing the Shanghai Bridge and so on. Later, in the summary, everyone agreed that there were many good works, but the atmosphere reflecting the founding of the Republic was not enough. No one could have predicted at that time, and this conclusion laid the foundation for the birth of the historical masterpiece founding ceremony. Li Rencai, a researcher at the Museum of Chinese Revolution, said to the author: "As a national museum, there is no painting about the history of the Party that shows that the establishment of the People's Republic of China (PRC) (PRC) is obviously inappropriate. At that time, the exhibition hall of the Revolutionary Museum really needed such good works. " 1952, the Museum of Chinese Revolution decided to entrust the Central Academy of Fine Arts to organize and complete a huge oil painting: founding ceremony. Walking into the art hall of China's art history, people can easily find that from the Shang and Zhou Dynasties to the unification of Qin State, from the establishment of the Tang Dynasty to the entry of the Qing army-the beginning of every dynasty in China's history, there is no historical painting about founding ceremony that has been handed down to this day, but what a boldness of vision it is to create a huge oil painting of the new China founding ceremony! The Central Academy of Fine Arts handed this arduous task to Dong, a 37-year-old young painter and famous professor. He has painted many portraits of leaders and heroes and participated in founding ceremony. It should be said that this is a fair choice and a historical choice. Dong has long been famous in the art world, and his works have been praised by famous painters such as Xu Beihong and Ai Zhongxin for many times. Dong was born in Shaoxing, Zhejiang. After graduating from Hangzhou Art College, he went to Hunan and Hanoi, Vietnam for further study, and then went to southwest, west and northwest to study and create. He used to copy murals in Dunhuang for three years. His sketching and oil painting skills are well-known among his peers. /kloc-at the beginning of 0/949, when Beiping was liberated, Dong created a gouache painting "Beiping Entering the City". Although it is not clear whether the success of Peking Into the City is related to Dong's creation of founding ceremony, Dong's skill in revolutionary theme creation and figure painting is indeed well-known in the industry. At that time, Dong consulted painters such as Xu Beihong, Ai Zhongxin, Jiang Feng, Wu Zuoren and Luo. It is worth mentioning that from the sketch, we can see that Dong has two creative breakthroughs. The first picture is a sketch. Except for Chairman Mao standing sideways near the middle position, other people are standing in the left third of the picture, while the square crowd is on the right. Therefore, according to the general composition rules, the layout of the left and right gaps seems to be unbalanced. The other is that according to the normal visual law, there should be a red column at Tiananmen Gate on the right front side of Chairman Mao. Colleagues in the art world are surprised and appreciated by Dong's bold composition idea, and think that the first breakthrough has increased the contrast effect between * * * and people in the square, with one reality and one emptiness, one near and one far, one less and one more, which can better highlight the festive atmosphere. The second breakthrough is considered to be extremely bold. If this pillar is removed, the square will be more open. On the contrary, if this column is drawn, it will be more complicated. In order to stabilize the overall situation, several architects were invited, and everyone understood and agreed with him. Liang Sicheng, a famous architect, commented: "There is a column on the right side of the picture that has not been drawn ... This is a big mistake in architecture, but it is a great success in painting art." Soon, Dong devoted himself to founding ceremony's real painting creation. Two months later, the groundbreaking ceremony for the huge oil painting ended. Founding ceremony aroused great repercussions and set off an artistic trend of thought of "China style oil painting". After its completion, founding ceremony was collected in the exhibition hall of the Museum of Chinese Revolution. The painter Ai Zhongxin once made the following analysis: "From composition to color setting, from characters to scenes, its style is enough to reflect the demeanor of a big country. Dong handles less than half the width of the left side of the main character, which is not only a bold technique, but also important, he understands the overall situation of composition ... The color of founding ceremony is easy to understand and seemingly simple, but the red, blue and gold (tassels and chrysanthemums) are deliberately arranged. It depicts a solemn and warm scene on a sunny day ... "Some famous painters think this painting is a rare masterpiece after seeing it. After this painting was exhibited in the Museum of Chinese Revolution, it caused great repercussions in the art world and society. After watching founding ceremony, Xu Beihong was very excited and gave a high evaluation. He said: "Dong's successful completion of the task deserves a hundred points." But at the same time, he also made the second half evaluation with the traditional standards of western oil painting: "Because of the lack of oil painting characteristics, five points will be deducted." The "lack of a little oil painting feature" here means that this painting uses the techniques and styles of China traditional painting to a great extent. But this is exactly what many painters think of founding ceremony's success. If traditional oil paintings were created with lights and colors, this painting would not have such a warm atmosphere. Ai Zhongxin said: "founding ceremony's main achievement in oil painting art is to create a new style of China oil painting that people love to see. This is a new type of oil painting, which successfully inherits the style of decorative murals in the prosperous Tang Dynasty and embodies the characteristics of national painting, making oil painting develop in the direction of nationalization. " At this point, the painting world has set off the "China oil painting style" that Dong has always advocated. Founding ceremony has undoubtedly become a model of this theory, and this trend of thought has influenced it to this day ... 1953 People's Daily published the oil painting founding ceremony in an important position on the front page. Also in this year, People's Fine Arts Publishing House printed founding ceremony as an adult painting and distributed it nationwide, with the circulation reaching its peak.

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