A five-hour movie is not long. On the contrary, the rigorous structure and cruel depiction of attacking from the bottom of the sea make people struggle under the cloud of war and become extremely nervous in the claustrophobic space of submarines. When the shocking and lamentable ending came, I only felt that this reflection on the war from the German perspective was so profound.
War itself does not represent justice. As a German film with documentary color, The Destruction of the Empire reproduces the last years of Nazi German architecture from a very objective perspective. From Hitler, as the head of state, to the civilians at the bottom, the suffering brought by the war is so heavy and profound, which is a real alarm for the original crime of the war.
In the Battle of Stalingrad from the German perspective, the movie Battle of Stalingrad is different from the big scene creation of Soviet movies. But from the perspective of several ordinary soldiers to build the context of the film. From the beginning of beauty, step by step to cruel despair, the life of soldiers is like dirt, and their torture and destruction of human nature in the war is so profound.
The German film Tide made a profound analysis and interpretation of Nazi behavior. The origin of dictatorship is vividly presented to the world through a similar game between teachers and students in a school in an organization called "Tide", which makes people deeply understand what is the ideology of "Nazi dictatorship" and alert the revival of Nazi thought.
Perhaps the biggest regret of The Eavesdropping Storm is that it is not a film based on real events, and it does not talk about politics. The evolution of eavesdropper's soul, with Ulrich Mühe's superb acting skills, jumped into light and shadow. In the twilight era of bureaucratic terror, a ray of light related to human nature was touched by the light in the dark through the sigh of two men's eavesdropping bureau.
The film Goodbye Lenin, guided by the affection of a mother and son, presents the turbulent and changing East Germany era, focusing on the lives of small people and characterized by dramatic exaggeration and comedy in the background. In this story, with the warmth of family, a big proposition with a heavy history and worth pondering, humor and irony are integrated. The exhibition in a sad era is so humorous and elegant.
Like the title of Perfume, the film is full of fragrance at your fingertips. Ai no corrida with a sense of smell is embodied through various visual effects. Tom tykwer reproduces Suskind's original works almost perfectly. Aromatic murder, which is interwoven by desire and love, cannot be hated. Sin and nobility are only one step away in Perfume.
The narrative technique of three-stage pattern is so unique in the rigorous German films, which is also the unique charm of Lola Run. The audience never knows what will happen in the next second, and they don't know what you will change in this second. The bizarre and changeable space-time interlacing and exquisite editing techniques give the film an extremely amazing suspense rendering.
Excellent suspense rendering and ingenious multiple reversals make "Who am I: There is no absolutely safe system" blossom a surprising impression experience in a slightly coquettish title. A deep understanding of computer hackers has created a vivid hacker reality in intrigue, while German films are accustomed to profound philosophical thinking and integrate into the film like running water.
Poetry and books in literature/dreams