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The history of leaving agriculture
Li Shu, selected from The Book of Songs Feng Wang, is a folk song in the social life of the Zhou Dynasty, which was basically produced from the early leaf of the Western Zhou Dynasty to the middle of the Spring and Autumn Period, about 3,000 years ago. As far as its origin is concerned, Mao's Preface to Poetry says: "Those who are, are also in Fujian. As for Zhou Zong, Dr. Zhou's trip to the ancestral temple was a complete separation. Min's Subversion is a poem, because he can't bear to leave. "This explanation was widely accepted in later generations, and leaving sorrow became an important allusion to the pain of national subjugation." Separation of Xiaomi —— The Book of Songs Feng Wang is the seedling of Xiaomi. & lt/b & gt; The line is decadent and the center is shaken. Those who know me make me worry, and those who don't know me make me want. Heaven is long! Who is this? Millet is separated, and the ears of millet are separated. Walking is decadent and the center is drunk. Those who know me make me worry, and those who don't know me make me want. Heaven is long! Who is this? The separation of millet is the reality of millet. Walking decadent, center suffocation. Those who know me make me worry, and those who don't know me make me want. Heaven is long! Who is this? Note 1. Millet: A kind of crop, namely millet, whose seeds are called yellow rice after peeling, which is sticky and can be used for brewing wine and making cakes. 2. Segregation: The way crops are arranged in rows. 3. Xiaomi: Xiaomi, a kind of sorghum. 4. Go: Go on the road. Good: Dao. Mike, okay. 5, decadent: slow. 6. Center: heart; 7. Shake: uneasy. 8. say: say. 9, leisurely: distant appearance. 10, who is this? Who caused this (referring to the bleak scene of the collapse of the old country)? 1 1, solid: grain. 12. Choke: food blocks the throat, indicating suffocation. Millets lined up and sorghum sprouted. Walking slowly, my heart is in a trance. People who know me say I'm sad, and people who don't know me say what I want. Far away heaven, who caused all this? Millets are arranged in rows, and sorghum is sprouting. Walking slowly, my heart is as groggy as drunk. People who know me say I'm sad, and people who don't know me say what I want. Far away heaven, who caused all this? Millets are arranged in rows, and sorghum grains. Walking slowly, I feel sad and suffocated. People who know me say I'm sad, and people who don't know me say what I want. Far away, who caused all this? Background This poem was written after the demise of the Western Zhou Dynasty: a scholar-bureaucrat of the Zhou Dynasty passed by the old capital, saw the former palace razed to the ground and planted crops, and was filled with emotion, and wrote this sad poem. The theme expresses the regret and sadness of the country's ups and downs in the past. Every time I read this poem, I will be infected by the sadness in the singer's heart, and the way of singing and sighing makes the sentimental mood appear particularly deep and strong. I ask myself again and again: What really bothers the poet? There is nothing in the poem, and the poet seems to be suddenly worried. Literally, the contents of the three chapters are simple and clear: the poet lingers in the dense rows of millet and can't help feeling sad, and with the growth of millet (emergence-heading-result), that kind of sadness is getting stronger and stronger (the center is shaking-the center is drunk-the center is choking), and the poet has nowhere to vent, so he has to look up at the sky and sigh: forever. Who is this? What makes the poet so melancholy but unable to say "worry" is only clear to him? What depresses the poet is obviously a heavy and powerful force, which cannot be fought by one person alone. What kind of power would that be? Poets can't say? Don't want to talk? Dare not say? And the inducement of all this is the maturing crops in the field! In addition, there is a very important point: does the poet know anyone? If there is, then this acquaintance must have the same identity, the same situation, the same feelings and the same unspeakable secrets as the poet. Now, the word stands for "feeling sorry and sad about the rise and fall of this country in the past". "When appreciating this poem and expressing deep sorrow for the demise of the Western Zhou Dynasty, lush crops first appeared, and the place where crops grew used to be the ancestral temple office in Zhou Zong. This great change in the world naturally makes the poet fall into sorrow and the pace of progress becomes slow. The poem "Walking on the Decadent Road" in the third chapter appears repeatedly, which leads to the sadness of the mood at a slow pace. This poem adopts a gradual lyrical description of scenery. The scenery that appears is "the seedling of millet", "the ear of millet" and "the fruit of millet" in turn. The position of the crop is consistent with the growth process of the crop: first the seedling, then the ear, and finally the grain. When the author expresses his deep affection, it is followed by "central trembling", "central intoxication" and "central suffocation", which is more and more intense and painful. The author cares about the country and the people, hurts the people and sympathizes with the chaos. Finally, he asked heaven: Who caused this historical tragedy and who will bear the historical responsibility for the demise of the Western Zhou Dynasty? The author of this poem is very clear. He didn't make the answer to the question clear, but used the way of asking questions, which produced a stronger artistic effect and left readers with room for thinking.