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Introduction of Tang Ming Exhibition Hall
Xinmingtang is divided into eight exhibition halls, which mainly show the archaeological excavations in Tang Ming, the scale of the past dynasties in Tang Ming and the panoramic relief of the site.

A, the center site hall:

1986 the excavation site of Tang Ming site is the foundation of six octagonal rammed earth platforms. In the center of Tang Ming site, there is a circular giant column pit with a diameter of 9.8 meters and a depth of 4.06 meters. Pit bottom 6.16m. The bottom of the pit is a huge column foundation composed of four large bluestones. The periphery of the column is marked with two circles, the diameter of the outer circle is 4. 17m, and the diameter of the inner circle is 3.87m There are circular mortises on three sides, octagonal bricks on the outside of the column foundation, and rammed earth on the outside. The whole pit has different degrees of damage and brittle alkali. After repeated research by experts, the light steel frame structure is used for protection, and the appearance of the original column pit is basically unchanged.

Second, due north: Evolution Hall-collection of ancient books, which has not been completed for thousands of years.

The front is the poem "Tang Ming Fu" by Li Bai, a great poet in the Tang Dynasty. Tang Ming is an important sacrificial building built by ancient emperors. It is a place to meet ministers, issue decrees and worship heaven. This is an extremely important part of the ancient ritual architecture system. Therefore, Tang Ming was one of the most magnificent buildings in the Tang Dynasty. Both Liu and Li Bai in the Tang Dynasty wrote poems praising this magnificent building.

Next is the appearance of Tang Ming's buildings in past dynasties.

During the Wu and Zhou Dynasties, Wu Zetian built the Tang Ming with the spirit of "sacrificing oneself for others and using it for things", which pushed Tang Ming, an important ancient ritual building, to an unattainable peak in terms of shape, structure and scale. Hanging arch for four years (AD 688), Wu Zetian destroyed the Yuan Hall and built the Ming Hall, which was 294 feet high and 300 feet wide on all sides. The upper and lower floors, when the next floor is like, the color is different. The middle layer is connected. There is a round cover on the top and a Kowloon posture. There is an iron phoenix on the mountain, ten feet high. Decorated with gold, it is called "Vientiane shrine". The lower level is like the four seasons, each with a square color; Intermediate law 12, round cover a plate of Kowloon; The upper method is 24 gas, which is also round. "On the top is a dome pavilion, painted with golden iron phoenix, and the roof is covered with wooden tires and colored tiles. There are huge wooden stakes running through the hall, which are the backbone of the bucket beam frame. The scale and complexity of Tang Ming surpassed all the palaces in Tang and Beijing, reflecting that its design and construction capacity was close to or reached the highest level in feudal society. During the period of Wu Zetian, he hosted a banquet for ministers, accepted congratulations and issued decrees.

Third, the northwest: Daxiangtang-when the weather is fine, I will order this.

What we are visiting now is the Photo Gallery in the northwest of Tang Ming, which mainly shows some important events that happened in Tang Ming during the Wu and Zhou Dynasties. Tang Ming is not only the policy palace of Wu Zetian, but also a place to worship God and a symbol of Wu Zetian's imperial power.

In those big pleasure halls, we first set up an experience area, in which is the throne of Huang Wu, full of joy, reappearing the grand occasion of a generation of queens.

Wu Zetian and Emperor Gaozong lived in Luoyang for half a century after they came to power together. It can be said that the most wonderful chapters in Wu Zetian's life were written in Luoyang, so they all happened in this hall.

The miniature scene of former Empress Wu Zetian when she was in court in Tang Ming reappeared the supreme spirit of a generation of Empress Wu Zetian, who broke the secular world and helped her ministers to become treasures and rule the world.

In 687 AD, Wu Zetian ordered Xue Huaiyi to demolish the Gan Yuan Temple in the Li Tang period and build the Tang Ming on the original site. It took only one year to build the Tang Ming. According to historical records, it is 294 feet high and 300 feet square.

Unfortunately, Tang Ming, which Wu Zetian spent a lot of money and energy to build, was destroyed in 695 AD, rebuilt soon after, and completed in March 696. Because the newly-built Tang Ming was built for the Wu family, it is also called Wu Zhouming Hall and Tian Tong Palace.

Fourth, due west: the performance hall-the eyebrows are magnificent and the world is open.

We are in the performance hall now. In 690 AD, Wu Zetian proclaimed himself emperor and ascended the throne. With great political talent, she summed up the experience and lessons of Emperor Taizong and her experience and lessons of assisting Emperor Gaozong for 20 years. Comparing the previous dynasties with today, she formulated 12 policy outlines, that is, the twelve suggestions we saw before us, which stabilized the society and benefited the people, and provided a good reference for some later rulers.

During the reign of Wu Zetian, Wu Zetian personally presided over the examination and gathered elites from all over Luoyang. There are thousands of candidates taking the exam for several days in a row. After he came to power, the martial arts was opened. During the 15 years of Wu Zetian's reign, the unification of the empire, the vastness of the territory and the prosperity of the country were basically maintained. In the interactive experience area here, visitors can return to Datang and feel the majesty of the prosperous period of Wu and Zhou Dynasties.

Verb (abbreviation of verb) Southwest China: Culture Department-tang style, Wei Ran.

When we came to the Cultural Auditorium, the first thing that caught our eye was this wall decorated with twenty Chinese characters-Huang Wu made characters. As the only orthodox female emperor in history, she boldly reformed the characters and increased or decreased the strokes of her predecessors. From her original but widely used twenty Chinese characters, it is not difficult to see her talent and extraordinary wisdom! Among them, the word "Zhao" was pronounced when the sun and the moon were in the sky, and it was originally used by Wu Zetian to name herself. Because the sun and moon shine on the earth, it is called Zhao.

After 1300 years of wind and rain, the monument of Prince Sage still stands at the top of Nangou Mountain in Shifudian Town, Yanshi, Henan Province. On the fourth day of February in the second year of the reign of Emperor Wu of Zhou Dynasty (AD 699), Wu Zetian went from Luoyang to worship in Songshan. After she came back, she lived in the Prince Sage Temple in Lushan, where she wrote an inscription and a calligraphy.

The Tang Dynasty was the heyday of feudal society in China, and both ideological and material production reached a historical peak. In the Tang Dynasty, the wavy continuous patterns combined with flowers and plants prevailed, and flower patterns were widely used in craft ornaments. The structural drawing is vivid and free, full and round! Women's dresses in the Tang Dynasty are really rich and unrestrained, luxurious and elegant, and unconventional.

6. due south: urban construction hall-like heaven and earth, Huihe has a cut.

Luoyang City in Sui and Tang Dynasties was built in 605 AD, the first year of Sui Daye. Tang, Five Dynasties, Northern Song Dynasty, has been used. In the early years of Southern Song Dynasty, Song and Jin fought for Luoyang, and the city was destroyed by war. Luoyang city spent more than 500 years in Sui and Tang Dynasties. It consists of Miyagi, Imperial City, Dongcheng and WaiGuo Cheng.

The tallest wooden buildings in the world-Tang Ming and Paradise-are built on the axis of Tian Zi. Formed the most magnificent landscape of Luoyang city in Sui and Tang Dynasties.

When we entered the first floor, when we saw the ruins pit, we mentioned that the giant trees were surrounded by ten trees, that is, they were as big as the central pillar of Tang Ming. Now we have virtually designed the outline device of Tian Tongzhu. The pillar is wrapped in layers of giant wood, connected by tenons and surrounded by iron hoops. This will not only show the majestic stone pillars of the past, but also let us appreciate the luxury of the prosperous Tang Dynasty again.

Seven, southeast: rest area (toilet)

Eight, due east: cinema

The East Hall on the first floor of Tang Ming-Movie Hall: It is one of the largest curved screen cinemas in the world at present. The arc screen is 28 meters long and 4 meters wide, which brings you a brand-new experience with super shock, wide frame and wide field of vision.

Nine. Northeast China: Planning Department

1, l shows:

Luoyang City Site in Sui and Tang Dynasties was listed as a national key cultural heritage in the 11th Five-Year Plan and a comprehensive protection and scientific and technological demonstration area for large sites by National Cultural Heritage Administration, and was also listed in the Silk Road Heritage List. Luoyang Wuzhou Mingtang Site is located on the central axis of the core area of Luoyang City Site in Sui and Tang Dynasties. Based on the planning of "one area and one axis" in Sui and Tang Dynasties, it spreads the protection concept of Luoyang Wuzhou Mingtang Site and displays and publicizes the cultural value of Luoyang City in Sui and Tang Dynasties as a whole. This L-shaped display shows the development process from ancient times to the present.